Driver

Action specialist Walter Hill is in his element here with this tense, entertaining thriller that he both wrote and directed. Ryan O'Neal stars as a getaway driver for hire, who is hounded by offbeat detective Bruce Dern. Dern is dying to righteously bust O'Neal for something, but O'Neal is simply very good at his job. The detective will resort to any method necessary, but the driver is smart and seemingly always one step ahead of him.

One can hardly fail to notice the way that Hill deliberately doesn't personalize his characters too much, giving them descriptions or nicknames rather than proper names. And with the help of his very able cast, they create some very good character moments that are the real meat of this story. Its car chases are among the best you'll see in this genre, but serve to support the story instead of the story setting up the action set pieces. Hill again recalls styles from films of earlier decades - while, for example, his "Streets of Fire" was an ode to '50s rock 'n'roll, this film does owe a fair bit to the film noir of the '40s.

The people who populate this story are often all business, especially The Driver, who lives by his own code. There are things he'll do and things he won't do. Among other things, he employs a "witness" (French beauty Isabelle Adjani) and works with a "connection" (Ronee Blakley) who comes to him with job offers. The actors are all great, with the supporting cast also including Matt Clark and Felice Orlandi as Derns' fellow detectives, Joseph Walsh and Rudy Ramos as thieving lowlifes, and Bob Minor & Peter Jason in bit parts.

This tale is taut and convincing, told in a straightforward yet compelling manner; technically it's expertly done, with excellent editing by Tina Hirsch & Robert K. Lambert, cinematography by Philip H. Lathrop, and music by Michael Small. Hill's screenplay is full of interesting dialogue, especially in exchanges between Dern and Clark.

Hill has certainly done many fine and entertaining movies over the years, but this is one that tends to get overshadowed by his bigger hits such as "48 Hrs". It's a little gem worthy of discovery or re-discovery.

Eight out of 10.

THE DRIVER (4+ outta 5 stars) Classic, no-nonsense, action-chase movie about a professional getaway driver (Ryan O'Neal) and the obsessed cop (Bruce Dern) who is determined to see him behind bars. Terrific chase scenes highlight this unjustly-neglected modern day film noir. No one plays nutty, obsessed characters quite like Bruce Dern. Ryan O'Neal as the bad guy/hero shows even less emotion than he did in Kubrick's "Barry Lyndon"... he's often accused of non-acting but I think his low-key, taciturn performance here is mesmerizing. He may as well be driving down to the corner store for a carton of milk rather than eluding a dozen speeding police cars. Isabelle Adjani doesn't really have much to do in this movie but look beautiful... but I guess that's enough. There is not a lot of dialogue and not a lot of character development. The characters in this movie aren't even given names! They are merely listed as The Driver, The Detective, The Player, The Connection, etc. This is a real high point in the career of director Walter Hill. He may have had more financial success with "The Warriors" and "48 Hours" but I think this is his best, most fully realized action movie.

The Driver (1978)

Walter Hill's underrated film may have been forgotten completely had it not been for the success of the "Driver" series of Playstation games on which this film is a massive influence. Ryan O'Neal plays the Driver, a ronin-like character, willing to act as an unbeatable getaway driver for anyone as long as the price is right because, well...it's what he does. Bruce Dern is the Cop set on finally catching the elusive criminal, even if it means aiding and abetting criminal activity himself.

This most reminded me of Michael Mann's crime films from the 80s onwards such as "Thief" and "Heat" - Hill's film shares the same kind of existentialist themes about identity - men defined and ruled by their actions, to the extent that they have no room in their lives for anything else. It also shares Mann's style - creating an urban environment that's both chic, yet realistically gritty.

Ryan O'Neal may not have quite the cult status of Steve McQueen but his portrayal of the Driver as an empty, emotionless human being is strengthened through the characters sheer self-confidence and survival instinct. Bruce Dern gives the Cop a nice contrast to his lifeless target, bringing a kind of goofy, obsessive tenacity, as he sets up a bank job with some petty criminals in his attempt to be the first cop to catch the Driver. Isabelle Adjani is strikingly vacant, although her role in the proceedings is far from well defined.

It has to be said that the car chases are brilliant - from the opening getaway police chase to the Driver's calculated destruction of a very shiny Mercedes in an underground parking lot and the final cat and mouse game in a labyrinthine warehouse. The dramatic scenes do inevitably feel a bit sluggish sometimes and the constant hard-boiled dialogue does start to grate. Despite a seemingly sparse, clear-cut plot there are moments towards the climax which are confusing and frustrating.

The existential aspect of the plot is emphasised with a complete absence of character names, so maybe it is fitting that the film, and it's central character, only really comes alive during the car chase scenes - though this may be very relevant to the film's philosophy it does limit the sheer entertainment value as those looking for constant thrills, which the film does deliver, may find the wait between them in such a barren landscape a little tedious while armchair philosophers may find the existential "coolness" forced.

How underrated is Walter Hill?! 'The Driver' is one of his least known movies to a mainstream audience, but one of his best loved among fans. It's one of the greatest action movies I've ever seen, with car chases as exciting as any filmed before or since. The characters are all archetypes and named after their roles. There's no traditional character development here, but the actors and the action get the point across. Ryan O'Neal plays a getaway driver, the best in his field. Bruce Dern is the cop obsessed with catching him. He's willing to do anything to do so, even setting him up. I'm a major fan of Dern. I think he's one of the most interesting Hollywood actors and 'The Driver' is yet another great performance from him an a career filled with them ('The Wild Angels', 'Bloody Mama', 'Silent Running', 'Coming Home',etc.etc.) And Ryan O'Neal, an actor I've never warmed to, is surprisingly effective is a role originally intended for Steve McQueen. Plus you get Isabelle Adjani ('The Tenant'), always a pleasure to watch. I'd put 'The Driver' up there with the original versions of 'Vanishing Point', 'The Getaway' and 'Gone In 60 Seconds' as the most underrated action thrillers of the 1970s. Why it has yet to be remade is a mystery, but hoping it isn't as it will undoubtedly suck. Hollywood just seems to have lost the ability to make these kinds of movies. 'The Driver' is expertly directed by Walter Hill, who also scripted. Also check out 'The Warriors' and 'Southern Comfort' for the best of Hill. He's a hell of a film maker and rarely gets the attention he deserves.

There is no baloney in this surprisingly good movie (it's not well-known). It also sports a real oddity: no one's name is mentioned in the entire film! Try to think of any other film you've ever seen where this is the case.

Why 'The Driver" is not better known is a mystery since the director (Walter Hill) and main actors (Ryan O'Neal and Bruce Dern) are well-known entities.

Maybe because Ryan, who people think of more as the likable male in the immensely popular "Love Story," "Paper Moon" and "Barry Lyndon" plays against type, playing an ultra-serious criminal. Make no mistake: he does it well. He is a man of few words in this movie and he handles that in a fascinating manner. Dern is always interesting. Isabelle Adjani, more famous as a French actress, is nice to ogle and she, too, doesn't say much in this film.

The rest of the characters in this "neo noir" are a bunch of nasties, giving that edgy feel.

If you like film noir and particularly if you like car-chase scenes, well, this movie is must-have, because there are several intense chase scenes in here and they are long. They're also well-photographed, fun to watch and certainly keep your attention.