Voyage au bout de l'enfer

A comment re the other comments: A lot of the comments criticize the first half hour as being too long. In my opinion, these comments miss the point of the movie.

Of course many of the scenes in the first hour don't advance the narrative. They're not supposed to; they're for character development.

The whole point of the movie is to show us how the various characters were affected by the war. It wouldn't have worked nearly as powerfully as it does had the first hour been trimmed down. We have to sense the careless and frat-boy-like immaturity of these young men. That's why the scenes all revolve around frivolity and seemingly senseless boyish behavior; it creates such a stark contrast to the devastated characters of the three who went to war (and the relatively unaffected personalities of those who stayed behind, like Stanley).

The strong points of the film are the outstanding performances of nearly every actor in the movie. Yes, there are technical deficiencies in the sound, but it hardly matters. This is nitpicking compared to the overall construction of the film.

"The Deer Hunter" is not a film about the Vietnam war, as it is wrongly said in many cases.

"The Deer Hunter" is a film tells the story of 3 friends within about 5-6 years, during which their friendship is repeatedly put to the test.

It is primarily a picture of the contemporary life of a group of people around 30 living in a small American town during the Vietnam war.

The first hour of the film portrays the every day life of three friends Mike (De Niro), Steven (Savage) and Nick (Walken), who look forward to Steve's wedding but at the same time have to prepare for their commitment in Vietnam. The main actors (above all De Niro and Walken) perfectly picture the character's inner conflict between their easygoing home town life and the forthcoming assignment in Vietnam. Despite this conflict the characters don't show their concerns to their environment.

Particularly Nick is worried about him and his friends leaving his home town and perhaps never coming back, but he only tells his best friend Mike of his thoughts, who is much more resolute and sees their engagement as a strong masculine act.

Cimino manages to show the simple irrationality of young men, going to a senseless war from which they might never return for the only purpose of glory and approval, and abandoning their settled and happy life for it. The spectator just can't understand why those young men voluntarily sign for the army and give up everything they have. The passage from the small-town-idyll to the war cruelty is greatly pictured. Cimino does not show the three friends' way to Vietnam or the training, he immediately switches from a happy get-together to the cruel war captivity of the Vietcong. This passage perfectly underlines the contrast and the inexplicability of the three men's actions.

Although the passage that is set in Vietnam is only about one third of the whole film long, the war is omnipresent at any time, which is probably the best benefit of the whole film, Cimino does not need to bomb the spectator with pictures of crying children, mutilated soldiers or desert battlefields in order to illustrate the cruelty of war. Far from it! The changed behavior of all characters after the friends' returns tell more about wars' capability of changing someone's life, than anything else.

And the fact that the many dreams that these three friends had before they went to Vietnam didn't come true, because of their longing for recognition by becoming an acclaimed veteran can even pluck your heartstrings.

Cimino's great directing and the cast's awesome acting provide for a touching and honest drama about the friendship of a group of young men, that is destroyed by the Vietnam war.

The Deer Hunter (1978)

**** (out of 4)

Michael Cimino's masterpiece about three friend (Robert DeNiro, John Savage, Christopher Walken) whose lives we see before, during and after the Vietnam war.

THE DEER HUNTER ended up winning five Academy Awards including Best Picture, Best Director and Best Supporting Actor for Walken. The film was a hit at the box office and won all sorts of critical acclaim but I still think the film is quite underrated as it's one of the most draining and emotional films ever made. It's certainly not a fun or pleasant movie to watch but there's no question that Cimino made something incredibly powerful and at times shocking.

The film might have been praised but some threw a lot of criticism at it including some of the Vietnam scenes dealing with the Russian roulette. Many have said that the most powerful scenes in the movie were nothing more than a work of fiction but I find this to be a rather silly complaint because this was a movie and not a documentary. These scenes are some of the most powerful moments in film history so to say the film would have been better off without them is rather stupid. The scenes in Vietnam with the solders being forced to play against one another are among the most intense scenes you will ever see.

Another bit of criticism is aimed at Cimino and his decision to make the wedding sequence last for fifty-two minutes. Personally speaking, I think this was a great decision and the other two-thirds of the film wouldn't have been as powerful without such a long opening. Not only do we get to know all of the characters involved but a lot of the stuff that happens here pays off later in the movie. One of the most powerful and telling scenes deals with a soldier who comes to drink at the bar and is confronted by DeNiro. I'm obviously not going to spoil anything but this plays an important part later in the picture on the mental state of his character.

Speaking of DeNiro, he once again delivers a marvelous performance and especially since he's the main character in the movie and must play so many different emotions. The actor perfectly nails the character and really brings a lot of heart and soul to the picture. The ensemble cast really does a remarkable job here with Meryl Streep showing what greatness was to come with her. Walken deserved his Oscar for his heartbreaking performance. Savage, George Dzundza, Chuck Aspegren and John Cazale are all equally wonderful as well.

Technically speaking the film is quite flawless with some masterful cinematography from Vilmos Zsigmond as well as a haunting and incredibly moving score by Stanley Myers. THE DEER HUNTER is without question one of the most depressing and emotionally draining movies that you'll ever see but it's also a masterpiece and one of the greatest films ever created.

Three steel workers from a small town in Pennsylvania prepare to go to war in Vietnam. The night before they go, Steven is married, sparking a large celebration. The next morning they go deer hunting one last time in the woods before they leave. Time passes and the three meet up again in Vietnam as prisoners of war. Brutal mental torture affects them in different ways before they escape and are separated again. Back in Pennsylvania Michael realises the extent to which the war has not only affected him but devastated the lives of his friends in different ways.

I have seen this film several times and I'll admit that I always assume that it is a classic film mainly because I saw it twice when I was in my early teens and was blown away by parts of it. I say this because I want to acknowledge that it may not be as great a film as many critics lists believe it to be, but at the same time I still watch it occasionally as I find it to be a moving story and a good film. The plot is moving if it is viewed on it's surface as a tale of three men whose lives are deeply affected by the war. Going past that to deeper themes I always feel that the film doesn't manage to be as deep as it thinks it is, so I try not to linger too long on these.

The breakdown of the film gives significantly more time to events in the home town rather than Vietnam. This is as it should be – for many people the war was a fleeting thing that has stayed with them for much longer than they were actually involved. The wedding scene is a little overlong but it does serve as a chance to get to see the characters in their setting before we quickly move to the events that changed them and the people they become. The time in Vietnam is quite short but very memorable (many people who have never seen the film will still know these scenes) and the final hour or so of the film is moving even if it takes things to an extreme to make it's point.

The cast make the film work as well, if not more, than the material itself. De Niro is the rock on which it all stands and is pretty good. The only weakness in his performance was that he was the one who had to be `the hero' type who does what he can. Walken gets the lion share of praise for his is the role that changes the most significantly throughout the film. It is easy to forget that he was not anywhere near as famous as De Niro at this time and it is amazing in that regard to see him hold his own. Savage gives a good performance and support is strong in the form of such actors as Cazale, Dzundza and Aspegren. Even Streep gives a performance refreshingly free of sentiment or forced accents.

The film is a little overlong and could easily have lost 30 minutes (although not all from one place) to give it a tighter feel. Some scenes feel stretched beyond their useful duration leading to the feel that the film wanted to be 3 hours long, rather than being cut back to 3 hours long. Despite this though I still think this is a good film that is a powerful story at it's heart. I personally don't think it would make my top 50 (were I ever to do one) but I will watch it again.

Eight stars. The seeds of Cimino's downfall were sown in his greatest triumph.

His Heaven's Gate was the disaster that ended the Hollywood auteur era of the 60s and 70s. And one needs look no further than the first act of The Deer Hunter to see why. Maybe Cimino thought he really needed three one-hour acts for some sort of symmetry. I don't know. What I do know is that act one was about twice as long as it had any business being. It dragged. Painfully so.

Now, once we leave Clairton for Vietnam, the film elevates to brilliance. Acts two and three are masterful. Cimino's work here is glorious. And the acting is splendid from the first scene onward. DeNiro and Walken get most of the cred, but Streep and Cazale are both monumental here. Savage and Dzundza also turn in splendid performances. Dzundza's is the easiest to overlook, just as Savage's is the easiest to discount. But his work is needed for the whole tragic tale to hang together. Nick and Steve are both shattered by their experiences. And, for all his love and effort, Mike really can't save them.

This is a great film. If Cimino had cut half an hour from act one, it would be a transcendant one. 14 August 2023.