Caravans

The film's scenario would never happen except in a novel, or a soap opera where the central character has to "find herself".

An USA Intelligence operative goes into the Persian desert to find a missing diplomat's daughter. His journey involves gun-running Arab nomads, flash floods and lots of camels.

Nevertheless Caravans is good escapist fun. I could watch this film again and again, as it is great cinema. Two good bonuses are the scenery and the soundtrack. Mike Batt (a fellow Brit) composed the stirring music and it is worth buying the soundtrack CD alone (you may recall the minor pop chart hit-single by Babara Dickson, called Caravans).

This is a rare look into the Islamic world just before the Iranian revolution, that virtually cut-off all communication with Western cultures. International intrigue, and the complexities of "cold-war" politics are just below the horizon in this all too "Ugly American" tale of the last caravan.

The tribal scenes are unequaled in their energy and authenticity. The inclusion of local clans and their customs bring forth a realism unique to modern films. Unfortunately, this cannot be said of the screen play, which is shallow and reflects western values at their worst. Acting is staged at best. No attempt at character development, much less motivation.

Spectacular filming of Iranian ruins. Biblical visions, for those with open minds,are stunning. We can only hope for a deeper glimpse.

US Embassy official "Miller" (Michael Sarazin) is despatched into the desert to try to track down the missing daughter of an influential US Senator. After many days (and it does feel like it) he meets her new and proud local husband - "Col. Nazrullah" (Behrouz Vossoughi) who initially refuses to let him meet her, only for it to turn out that she has again gone missing. More travelling reveals she has taken up with "Zulfiqqar" (Anthony Quinn), a tribal leader who makes a bit of money on the side smuggling Russian rifles into India. What now ensues is a remarkably filmed but terribly plodding adventure story that sees him and "Ellen" (Jennifer O'Neill) begin to understand each other and for him to realise just what she loves about her new home and it's people. Mike Batt's score (featuring the lovely dulcets of Barbara Dickson) and some beautiful and historic cinematography in and around Iran adds loads of richness to this presentation of the story, but sadly Quinn arrives far too late in the day to rescue this from grand-scale mediocrity and it ends rather weakly and ponderously. It could easily have been thirty minutes shorter and perhaps that would have tightened it up enough to sustain the thinly padded out thread, but as it is, it's a long old slog!

I have fond memories of watching 'Caravans' as a youngster. I remember the soundtrack and still enjoy it today. The soundtrack makes the movie. Mike Batt composed one of cinema's most recognizable and most beautiful scores ever!

Michael Sarrazin stars as Mark Miller, who is sent to Kashkhan (fictional) in the Middle East to find Ellen Jasper, a Senator's daughter who was last seen 10 months ago. She is an American who married Nazrullah, and now has to live according to his and his country's rules.

Mark soon finds Ellen travelling with a caravan. When she refuses to leave, Mark travels with the caravan, as he needs proof that Ellen is alive and well. But when the leader, Zulffiqar (Anthony Quinn) decides to transport guns in the caravan, things get a bit more complicated. To make matters worse, Nazrullah is also desperate to find Ellen and he, too, is in pursuit of the caravan.

The film is set in 1948 and mostly takes place in a desert. I enjoyed the adventure element, and I always love watching movies about other cultures. Unfortunately, 'Caravans' was met with negative response. As for me, I really enjoyed it. Maybe because I never read the book and therefore didn't have anything to compare it with. Or maybe it wasn't well received because of the film's ending. I agree, I wasn't happy with the ending either, and I believe the film might have done better with a different ending. At least the soundtrack was a hit.

Despite the ending - which ruined some of the film's magic - I enjoyed it and still regard it as one of my most enjoyable adventure movies. Off course the stunning score helped a great deal.

So, OK, Citizen Kane this isn't. I re-read the original Michener book a few years ago and went looking for the movie. Only the largest video store in town had it, and you had to ask, because it was waaaay in the back stacks.

They simplified and Hollywood-ized the book's plot and removed much of Michener's trademark exposition on the good things, bad things, history and cultural foibles of Afghanistan. For that matter, they scrubbed out the word "Afghanistan" and made it a generic "country in the mid-East".

But it does have a lot of wonderful photography of Iran and a genuine bedouin people, who provided the extras for Anthony Quinn's "tribe". Iran had its revolution and became mostly closed to the West just a year after shooting, and it is almost heartbreaking to see all the magnificent countryside and archaeological sites that provide the backdrop, along with the knowledge that it is still so difficult, dangerous, and expensive to visit.