Ajouter une intrigue dans votre langueIn the early 1900's in England, young Christina is orphaned and goes to live with her Uncle Russell, and two cousins. Christina finds herself struggling with classicism and during War must k... Tout lireIn the early 1900's in England, young Christina is orphaned and goes to live with her Uncle Russell, and two cousins. Christina finds herself struggling with classicism and during War must keep the Flambards afloat by herself.In the early 1900's in England, young Christina is orphaned and goes to live with her Uncle Russell, and two cousins. Christina finds herself struggling with classicism and during War must keep the Flambards afloat by herself.
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The period around 1910 was one of the great watersheds in history; airplanes, cars, and gramophones heralded a new age, only to have World War One stop everything in its tracks. "Flambards" captures all of this perfectly; the resentment of the old guard, the thrill of the new possibilities (especially for women), and the despair of the war years. Of all of the things about this series, the mood and atmosphere are the best.
As an aside, speaking as an airplane buff, the airplanes are incredible. They are painstakingly accurate reproductions of real types, and it's wonderful to get a chance to actually see in the air types that you've only read about in books.
This is a virtually perfect mini-series, quite possibly the best of its kind ever made. It's that good.
I well remember the day I saw in the paper that there was a rerun of these series, only one hour away... I tumbled down the stairs down to the convenience store, stacking up on empty videotapes and telling my boyfriend that the video now was booked for the next 13 mondays...
Just a wonderful feeling!
My favorite episodes are #7 (The Edge of the Cloud) and #8 (Flying High). You're definitely spending time - flying, too (cross the Channel) with the loving pair of William and Christina, along with the refreshing song being sung: 'I will sing you a song of Christina, Christina at Flambards'. The adaptation from K. M. Peyton's novels is very well done thanks to the efforts of the directors (Lawrence Gordon Clark, Peter Duffell, Michael Ferguson, Leonard Lewis) and writers (Alex Glasgow, William Humble, Alan Plater). The dialogs - the marvelous use of words precisely - are so satisfying to hear Parnaby and McKenna saying them. Sporadically accented are new world vocabulary: subservient, incorrigible, suffragette, emancipated. The two leads are so excellently paired that we're literally in their world sharing the flying adventures, quietly listening to their wooing exchanges. Watching the fantastic foursome interaction of Will and Christina, Dorothy and Sandy, is simply joyous.
It's not just descriptions of Essex, England, where Peyton lived, the horses she loved, the lives people led at Flambards, her references to aeronautical, aerodynamic terms and flying situations sure make one feel informed. If you like flying or the notion there of, Episodes 7 and 8 are definitely fun to watch. Fanshawe's music hauntingly matches the emotional levels of the drama - simply love the lilting piano piece during the "loop the loop".
The series is successful not without an effective cast: Steven Grives as Mark - the other Russell cousin to Christina (who's also in love with Christina but didn't know how to express it), he played Mark so well that he's repelling yet likable at times. Carol Leader as Dorothy, high-spirited and winning smiles, a true girlfriend to Christina and can sure handle Mark. Sebastian Abineri as Dick (Wright, who taught Christina how to ride horses and one of the three men who's in love with Christina at Flambards), Peter Settelen as Sandy at Elm Park, Edward Judd as the grumpy Uncle Russell, Anton Diffring as Mr. Dermot the alternate 'father' to Will, David Huscroft as Joe the mechanic to 'Emma', Frank Mills as Fowler and Rosalie Williams as Mary - the 'staples' at Flambards, Olive Pendleton as Aunt Grace, Gillian Davey as Violet Wright, and young Paul Ahmet as Tizzy.
Truly recommend "Flambards" - enjoy the drama, chemistry of characters, excitement of flying machine ventures, poetry of Peyton's words - a warm-hearted, engaging TV series assured.
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- AnecdotesChristine McKenna had read K.M. Peyton's Flambards novels and desperately wanted the part of Christina. When producer Leonard Lewis asked her whether she could ride a horse, she assured him that she was an expert and could even ride side-saddle. In reality she had never ridden before in her life. When she learned that she had got the part, one week before filming started, she went out and bought a pair of riding boots and a hard hat, and booked an intensive course of riding lessons. She was so saddle-sore by the end of the lessons and the start of filming that although she could ride passably well, she could barely walk and sitting was painful.
- Citations
[talking about Dorothy, Sandy's fiance]
William Russell: She's Sandy's.
Christina Parsons: Oh, did Sandy win her in a raffle then?
- Versions alternativesWhen the series was originally shown, the first episode was 90 minutes long and was titled "Christina" in the opening titles and "The Blooding" in the caption after the second commercial break. For subsequent repeats and the DVD release, longer versions of this first episode were shown as two separate 60-minute episodes with titles "Christina" and "The Blooding".
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- How many seasons does Flambards have?Alimenté par Alexa