The Duchess of Duke Street

In this time of mostly dour TV mediocrity, it is a relief to be able to savor and enjoy the stupefyingly satisfying excellence that Duchess of Duke Street imparts. Truly a classic and a treasure, it has not dated a second and still packs a wallop both dramatically and historically. The cast boasts an amazing array of superb actors, all of whom best, with rare exception, any working TV actor today.

Gemma Jones is so delicious and perfect that she is indelible in the part to anyone who watches. Her energy and conviction carry the show even when she has little to do in some of the episodes. Christopher Cazenove is sexy, charming and touching and should have become a big star.

If one had to give a reason to substantiate the continued existence of television, one need only to turn to this dramatic jewel that is the Duchess of Duke Street.

This extraordinary series, so greatly loved by Britons, deserves a new generation to view and be mesmerized by the wonderful acting, writing, direction, and costumes. It is still compelling 25 years after it was made and still ranks as one of the most superb examples of what truly grand television can be. Most of the show feels as if you are sitting front-row in a theatre with the actors within inches of your seat but occasionally the production ventures outside when, perhaps, it starts waxing a tad towards "drawing room soap opera." Still, trust me, this series, and its stalwartly resilient characters, will become forever etched in your heart, as they have in mine.

When you are finished with this series, it is truly like losing a good friend. You are more than sad to see it go and lament the loss of anything else to watch. (Yes, there's always "Upstairs, Downstairs," but, for my money, the Duchess has more beauty, comedy and heartwrenching drama than the "Upstairs" gang could even contemplate!)

To a veteran Masterpiece Theatre viewer the caption borders on heresy but I'm afraid its true. I really can't improve on the comments the other reviewers have offered. If you have seen Upstairs Downstairs and liked it, then you owe it to yourself to see this series.

I taped my copy ten years ago from Bravo's 'BBC Showcase'. It is formatted as a series of distinct one-hour episodes as opposed to 'blending' three episodes into one. Without having seen the 'blended' versions, I would think that having the episodes presented seperately is better if for no other reason than that is the way we all saw them originally back in the old days. Let's face it, nostalgia has a part to play in all of this. While I am on the subject of nostalgia, when those who have the rights to this series get around to producing a DVD, it would be good if they could find a way to include Alistair Cooke's appearances as well.

This show was one of the best British series ever imported to the States. I watched every episode and was the most entertained by the story, the relationships, the detail to clothing, the acting, and especially as I was a working chef at the time, the food. Seeing Gemma Jones make her character so real from her very humble beginnings at the bottom of the kitchen staff to become a renowned chef and hotel owner was probably a fantasy of mine in the 20th century. I absolutely loved this show and wish I could get it on DVD. I wish we had more good TV like this today. To me even Upstairs Downstairs which I also loved was not as good because the story was more long winded and drawn out. Would someone please bring back good drama to TV.

Yup, it was the seventies that was the golden age of the miniseries, and it was the British who ruled, with PBS acting as as kind of Prince Regent, offering up such televisual feasts as Upstairs Downstairs, Poldark, and the Duchess of Duke Street.

To people over a certain age, Gemma Jones will be forever remembered as Louisa Trotter, the plucky lower middle class girl, practically sold into service by her selfish mother, who works her way up in the world to become the proprietress of the best gentle-person's hotel in London, the lover of the Prince of Wales, and a legend in her own time.

The Duchess of Duke Street is an artifact of a crossroads of two very special times - the 1960's, when there was a serious interest in the not-too-distant past (the Belle Epoque, the Edwardian Period, the Roaring Twenties, etc.), and the 1980's when the interest in the past had more to do with escapism and romanticism and produced some of the most beautiful visuals in film history. Because of this, The Dutchess is a treat, full of historical detail, with wonderful fictionalizations of Edwardian fact (Prince Edwards practice of taking mistresses for example).

The series paved the way for some of the great miniseries to come - including Brideshead Revisited, the 1980's production of Love in a Cold Climate, Flickers, and To Serve Them All My Days - and ensured that a certain segment of television viewers had grand images of Edwardian London and Art Nouveau imprinted in its memory.