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8,3/10
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Ajouter une intrigue dans votre langueLouisa Trotter works her way up from being a skivvy to being the queen of cooks, cook to the King, and owner of the Bentinck Hotel. Follow her life and happenings among the guests and staff ... Tout lireLouisa Trotter works her way up from being a skivvy to being the queen of cooks, cook to the King, and owner of the Bentinck Hotel. Follow her life and happenings among the guests and staff of the hotels.Louisa Trotter works her way up from being a skivvy to being the queen of cooks, cook to the King, and owner of the Bentinck Hotel. Follow her life and happenings among the guests and staff of the hotels.
- Nommé pour 1 Primetime Emmy
- 6 nominations au total
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There is still great pleasure to be had from this series. Set in the earlier 1900s in London, it is the story of a young woman who begins as a kitchen hand and, through talent and determination, becomes a great chef and hotelier, (though she refuses to lose her cockney speech).
Louisa Trotter, played by the truly WONDERFUL Gemma Jones, must be one of the most memorable characters in television history. A creature of so many moods - haranguing her staff in the kitchen, deliriously in love, vulgar when she's angry, prickly with her mother, sentimental about her affair with the old King - it's hard to know whether to laugh at her, or cry. But there is one constant about her - her artistry in her profession, and that is always awe-inspiring.
During a long series, relationships between characters can acquire great reality. Louisa's covert affection for her staff, her enduring love for Charlie (Christopher Cazenove), and her deep friendship with the Major (Richard Vernon) - mainly because of the exquisite playing of the cast - have an extraordinary conviction.
Louisa Trotter, played by the truly WONDERFUL Gemma Jones, must be one of the most memorable characters in television history. A creature of so many moods - haranguing her staff in the kitchen, deliriously in love, vulgar when she's angry, prickly with her mother, sentimental about her affair with the old King - it's hard to know whether to laugh at her, or cry. But there is one constant about her - her artistry in her profession, and that is always awe-inspiring.
During a long series, relationships between characters can acquire great reality. Louisa's covert affection for her staff, her enduring love for Charlie (Christopher Cazenove), and her deep friendship with the Major (Richard Vernon) - mainly because of the exquisite playing of the cast - have an extraordinary conviction.
Gemma Jones carries this incredible piece of work on her more than capable shoulders. She truly IS Louisa Trotter and is totally believable as the indefatigable Victorian/Edwardian independent woman who becomes the "best cook in England". The concept and the writing is superb and the supporting cast are just about perfect. How this never made Gemma a major star on both sides of the Atlantic is a mystery to me. Maybe it was because she was so good, she was never seen as anyone else. She seems to have worked consistently but with never the vehicle to propel her higher up the ladder. Check out John Welsh as Merriman and John Cater as Starr. If anything this series outdoes Upstairs Downstairs in this particular genre, as great as UD was. A special mention for Christopher Cazenove who was never better as he is as Charlie Tyrell.
The first recommendation I get is undoubtedly Pride and Prejudice(Collin Firth version),when talking about British TV series, the second probably would be Brideshead Revisited or Fawlty Towers, yet no one recommends The Duchess of Duke Street to me before. It is by sheer luck that I come across this series-and what enjoyment it gives me! how many times it sets me think like I have never thought before! and what a treasure it is!
The first two or three episodes are quite plain, and indeed, dull, I would say; as the story unfolds itself, however, I become quite captivated-I never knew before any female characters from any TV series can be such as Louisa Trotter: she's pretty(quite common among all TV series), but damn headstrong as a bull, and she says 'bloody' as often as a man does, never cares very much about deportment and carriage herself;what strikes me as rarer and harder to find among women is her force-she has passion for cooking, and on no occasion allows any one or anything whatsoever to hinder her from realizing her dream of being the best cook in England. Such a woman is uncommon even in today's world. For how many times have we been dragged away from the path to our true dream by this or that seemingly reasonable excuse! How many people have been regretting in their winter season of life-oh, if only I did! In short, this is quite a thought-provoking series, can be even better than Pride and Prejudice and Brideshead Revisited in a way. A pity to be sure, that The Duchess of Duke Street is not well-known now, well, in America at least.
However I am a bit disappointed that in the later parts of the series, too much is focused on Louisa's relationships-I don't like such a good topic to evolve into a kind of romantic soap opera, there's already too many of them stuffed in the American TV markets-the focus of which really disappoints me, since I do consider the middle of the series very promising. Well, that's the only flaw I find with this series, and that's why I give a 9 star instead of a perfect 10.
The first two or three episodes are quite plain, and indeed, dull, I would say; as the story unfolds itself, however, I become quite captivated-I never knew before any female characters from any TV series can be such as Louisa Trotter: she's pretty(quite common among all TV series), but damn headstrong as a bull, and she says 'bloody' as often as a man does, never cares very much about deportment and carriage herself;what strikes me as rarer and harder to find among women is her force-she has passion for cooking, and on no occasion allows any one or anything whatsoever to hinder her from realizing her dream of being the best cook in England. Such a woman is uncommon even in today's world. For how many times have we been dragged away from the path to our true dream by this or that seemingly reasonable excuse! How many people have been regretting in their winter season of life-oh, if only I did! In short, this is quite a thought-provoking series, can be even better than Pride and Prejudice and Brideshead Revisited in a way. A pity to be sure, that The Duchess of Duke Street is not well-known now, well, in America at least.
However I am a bit disappointed that in the later parts of the series, too much is focused on Louisa's relationships-I don't like such a good topic to evolve into a kind of romantic soap opera, there's already too many of them stuffed in the American TV markets-the focus of which really disappoints me, since I do consider the middle of the series very promising. Well, that's the only flaw I find with this series, and that's why I give a 9 star instead of a perfect 10.
To a veteran Masterpiece Theatre viewer the caption borders on heresy but I'm afraid its true. I really can't improve on the comments the other reviewers have offered. If you have seen Upstairs Downstairs and liked it, then you owe it to yourself to see this series.
I taped my copy ten years ago from Bravo's 'BBC Showcase'. It is formatted as a series of distinct one-hour episodes as opposed to 'blending' three episodes into one. Without having seen the 'blended' versions, I would think that having the episodes presented seperately is better if for no other reason than that is the way we all saw them originally back in the old days. Let's face it, nostalgia has a part to play in all of this. While I am on the subject of nostalgia, when those who have the rights to this series get around to producing a DVD, it would be good if they could find a way to include Alistair Cooke's appearances as well.
I taped my copy ten years ago from Bravo's 'BBC Showcase'. It is formatted as a series of distinct one-hour episodes as opposed to 'blending' three episodes into one. Without having seen the 'blended' versions, I would think that having the episodes presented seperately is better if for no other reason than that is the way we all saw them originally back in the old days. Let's face it, nostalgia has a part to play in all of this. While I am on the subject of nostalgia, when those who have the rights to this series get around to producing a DVD, it would be good if they could find a way to include Alistair Cooke's appearances as well.
10MikeTigg
In this time of mostly dour TV mediocrity, it is a relief to be able to savor and enjoy the stupefyingly satisfying excellence that Duchess of Duke Street imparts. Truly a classic and a treasure, it has not dated a second and still packs a wallop both dramatically and historically. The cast boasts an amazing array of superb actors, all of whom best, with rare exception, any working TV actor today.
Gemma Jones is so delicious and perfect that she is indelible in the part to anyone who watches. Her energy and conviction carry the show even when she has little to do in some of the episodes. Christopher Cazenove is sexy, charming and touching and should have become a big star.
If one had to give a reason to substantiate the continued existence of television, one need only to turn to this dramatic jewel that is the Duchess of Duke Street.
Gemma Jones is so delicious and perfect that she is indelible in the part to anyone who watches. Her energy and conviction carry the show even when she has little to do in some of the episodes. Christopher Cazenove is sexy, charming and touching and should have become a big star.
If one had to give a reason to substantiate the continued existence of television, one need only to turn to this dramatic jewel that is the Duchess of Duke Street.
Le saviez-vous
- AnecdotesThe Duchess of Duke Street (1976) and the character Louisa Trotter are loosely based on the real-life career of Rosa Lewis (née Ovenden), the "Duchess of Jermyn Street," who ran the Cavendish Hotel (called the Bentinck in the series) in London, at the corner of Duke St, St. James's. When the show first aired, there were many people who still remembered her, as she lived until 1952. According to census returns, she was born in Leyton, Essex, to a watchmaker. In the series, Louisa's family name is Leyton, and her father is a clock-maker. Cavendish-Bentinck is the family name of the Dukes of Portland.
- ConnexionsFeatured in The 32nd Annual Primetime Emmy Awards (1980)
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