Un groupe de condamnés et de parias mène une guerre de guérilla contre la Fédération Terrienne totalitaire à partir d'un vaisseau spatial extraterrestre très avancé.Un groupe de condamnés et de parias mène une guerre de guérilla contre la Fédération Terrienne totalitaire à partir d'un vaisseau spatial extraterrestre très avancé.Un groupe de condamnés et de parias mène une guerre de guérilla contre la Fédération Terrienne totalitaire à partir d'un vaisseau spatial extraterrestre très avancé.
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My personal favorite performer on Blake's 7 was the extraordinary Jacqueline Pearce--surely one of the most gifted actresses of our day. In one way it is a shame that she will always be remembered for his work on this series, but, from another perspective, her creation of Servalan has a truly legendary quality, larger than life and yet intensely human. Jackie imbued Servalan with a wit, grace, and elegance that made her absolute evil all the more intriguing. Paul Darrow as Avon provided the perfect complement to Servalan's infamy. Coldly self-aggrandizing and exquisitely poised in his own right, Darrow's performance is often tinged with streaks of frighteningly believable psychosis, especially during the memorable final season.
If this series had had a wider airing in the US, it would have attracted a massive cult following over here. Grab this on tape if you can find it!
I understand a TV movie in the UK is projected for 2000. I wish Blake or Gareth Thomas were involved and, also, that people who understood Blake's 7 better were involved. The last two recent radio dramas (done by the people involved with the proposed movie) have suffered by being Blakeless as well as being rather corny and twisting the characters so formerly well defined by the series.
I strongly recommend the Blake's 7 series to anyone who can be mature enough to ignore the terrible special effects. This is a series where characterization and acting are strong.
Four seasons of excellent sci fi drama, if I'm totally honest I would argue the earlier series are the best, benefiting from Terry Nation's terrific writing. Although my personal favourite episode, Sand, would come towards the end of the show's run. Only a few duff episodes in Series Four disappoint.
Don't expect lavish sets of tremendous special effects, but do expect high drama, quality acting and convincing stories.
Marvellous characters, there aren't many shows that survive the loss of a lead character, but it does, although Thomas was much missed. The great Jacqueline Pearce gave us a wonderful character with Servalan, she would haunt The Liberator crew for four years, and wear some outrageous outfits.
Still a great watch. 9/10
Listen closely to the dialogue and notice how the acting--unlike the SFX--is quite good. Then imagine that George Lucas, Jerry Bruckheimer and any actor you admire collaborated on a faithful remake, line for line, with top-level effects. Can you see it? (May require more than one viewing.)
Good. Prior to Battlestar Galactica on TV and Star Wars on the big screen, this is about all we had in terms of production values. (We were lucky if the boom mics were not showing at the top of the screen.) We had to make do with fascinating story ideas and characters we could inhabit each week. If the monsters were made of rubber, the spaceships made of cardboard, well, we lived with it.
Note to Spielberg, Bruckheimer, Lucas, et al: Keep the script stet and consider giving these back to the world.
The premise of the series was simple; Blake and his band, prisoners of the evil federation, manage to gain control of a powerful alien spaceship, and become freedom fighters.
The series was very low budget, reflected in the poor quality of the sets (spot the egg boxes sprayed silver!!), but the characters were real (despite the occasional wooden acting), and the storylines were first class.
What helped to make the series a success was the perfect chemistry between the cast. There was the fiery passion of Blake, the cold logical Avon, the laid back Villa to name a few. Their Arch enemy, Servalan, was ruthlessly ambitious, and assisted by the focussed and determined Travis.
I would give this series 9/10.
Le saviez-vous
- AnecdotesIn an interview, Paul Darrow called Firefly (2002) and its film follow-up Serenity - L'ultime rébellion (2005), "Today's "Blake's 7"".
- GaffesIn many episodes the team transport down to a particular place then walk, sometimes long distances, to their final destination past security guards, cameras etc. Also Vila is frequently called upon to use his 'hacking' skills to open various locks and doors.
But in many cases there is no reason why they could not have just transported down to where they wanted to go in the first place. To get past a locked door it is simply a matter of returning to the Liberator and then back to the other side of the door.
- Citations
Roj Blake: Where are we?
Vila Restal: In a transit cell.
Roj Blake: I don't understand.
Vila Restal: You're on your way to the penal colony on Cygnus Alpha. Or you will be when the prison ship's refueled. Try to look on the bright side. It must have something. None of the guests have ever left early. In fact, none of them have ever left at all.
Roj Blake: Why are you going there?
Vila Restal: They didn't give me a choice. I steal things. Compulsive, I'm afraid. I've had my head adjusted by some of the best in the business. But it just won't stay adjusted.
Roj Blake: A professional thief.
Vila Restal: More a vocation than a profession. Other people's property comes naturally to me.
[Jenna sits down next to them]
Jenna Stannis: [to Blake] What's the time?
Vila Restal: [returning Blake's watch] Just taking care of it while you were unconscious. The place is full of criminals.
- ConnexionsEdited into Blake's 7: Duel (1978)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Blake'in Yedilisi
- Lieux de tournage
- Betchworth Quarry, Betchworth, Reigate, Surrey, Angleterre, Royaume-Uni(surface of planet Betafarl - episode 'Warlord')
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro