Après la destruction des douze colonies humaines, le dernier grand porte-avions de chasse mène une flotte de fugitifs à la recherche désespérée de la légendaire planète Terre.Après la destruction des douze colonies humaines, le dernier grand porte-avions de chasse mène une flotte de fugitifs à la recherche désespérée de la légendaire planète Terre.Après la destruction des douze colonies humaines, le dernier grand porte-avions de chasse mène une flotte de fugitifs à la recherche désespérée de la légendaire planète Terre.
- Récompensé par 2 Primetime Emmys
- 3 victoires et 8 nominations au total
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To get the comparisons out of the way, watching both leaves me in little doubt that those that trash the remake and praise the original are probably heavily influenced by protective nostalgia when they say that, because there are few ways that this is the case. Indeed the ways that the original is "better" than the remake relates to qualities that I didn't like in the original and that the remake didn't try and have (namely a swashbuckling comedy and the clumsy aim at the family/kiddie viewing sector). With that more or less done I can concentrate on judging the original Battlestar Galatica on its own terms and not against something else. This produces a mixed feeling that I struggle to reconcile because at times this series is awful and at others times it is actually quite engaging and offers potential (that it admittedly doesn't manage to deliver on) but mostly it is a mixed bag.
The split is not total but the series does seem to go through phases where it is silly and for kids and then also more dramatic stuff that could have been a solid backbone for more. Sadly it gets into the silly stuff first. While Apollo and Starbuck were always going to be the lead characters, the first half of the season makes it their show, with a weekly "theme park" style story where we have planets that are like the Wild West or like Medieval times etc etc. Annoyingly all these stories seem to involve the Cylons – who are either already on these planets or are using these planets as a trap for the Galatica. This bugged me because it felt like the Cylons were so far ahead all the time that the struggle to watch the survivors shouldn't be this hard and it minimised their presence as a real tangible threat because they were always a handful of robots laying a trap, not a race hunting another to extension. None of it is helped by the overuse of that child and also that bl00dy robot dog thing.
Happily things get a bit more "serious" in the second half of the series, where the approach appears to be more towards action and plot rather than the kiddie theme park approach. It doesn't really pull this off though. The Cylons drop off the map for many episodes while the Eastern Alliance comes into it, but then that thread isn't done particularly well either. That said though it did generally make for a much better series than the first half had been – but it is still not that great. It is the contentment with the basics that hurt it, because nothing really convinces and nothing really engages or builds. The Cylons don't menace like they should, the human fleet doesn't feel like it is more than a handful of people, many, many threads are left with unsatisfying endings (and I mean mi-series, not just cause it got cancelled) while other threads just "stop" without a thought for the viewer, as if to say "well, that's that episode filled". The Pegasus episodes along with the Eastern Alliance and other specifics do offer a more grown up thread/feel that could be expanded like the remake did to great success but this never happens and it retains a very fragmented and unsatisfying feel.
There is much to enjoy about it despite this. The effects are limited but the designs are great, with the centurions, the base stars, the vipers or the Galatica herself being iconic and memorable. The comic swagger it has also works well, with Starbuck benefiting from this with some nice moments in the action. Such things as these combined with the better aspects of the second half of the series do combine to make it a solid enough piece of TV sci-fi but the "downsides" do limit it a lot and make it less than it could have been. The mix of aims, the lack of consistency in the central plot (escaping genocide) and in the tone (is it for kids, it is for adults, is it a comedy, is it all worthy and heavy??) are too big to overcome and, as a whole series it is not that great when you sit now and watch it with as little "warm nostalgic glow" as you can muster. Has good episodes and bad episodes but too many fall somewhere in the middle, showing a potential that frustratingly it never really seems to realise or do anything with.
-The effects did not look original, so it was seen as a Star Wars Ripoff.
-It was seen mostly as something for kids at the time, so adults felt no use in watching it.
-The sociopolitical sitcoms of the time(All in The Family, Sanford and Son, The Jeffesrsons, etc)were winding down and prime-time soap-operas like Dallas and Knots Landing were starting to get big, so it was doomed from the beginning since most people at the time would rather watch a prime-time version of daytime drama like Dallas than a sci-fi epic series on television. Dallas debuted at the same time period as Galactica.
-No such thing as "first-run syndication" existed at the time. It probably would have gone on longer if it had. I don't think frist-run syndication existed until Star Trek: The Next Generation came on the air in thae late 1980s.
The acting was generally good, although the child actors were not the most skilled (but, hey, they're kids). Lorne Greene was great as the fatherly Adama, leading his people on a search for their brethren. Richard Hatch was the mature and stoic Apollo; the cerebral hero. Dirk Bennedict is the reckless and fun-loving Starbuck, the true fighter pilot in space. John Colicos is the evil Baltar, traitor to his people; part Benedict Arnold, part Herod, part Hitler. Add a well rounded supporting cast and you have a fine ensemble.
Yes, there is much dated material here: feathered hairdo's, disco clothes, social interaction; but it doesn't detract from the better stories. The use of a unique slang was a nice idea, but a bit distracting. The music was good and the Egyptian influences were interesting in the designs. The uniforms were stylish and gave a sense of military symbol and function. The ship designs were cool (can't say it any other way).
The biggest fault in this series is the tendency to depart from the overall saga into homage episodes. "Gun on Ice Planet Zero" was a fine remake of the Guns of Navarone and the Dirty Dozen, but it also presented a threat to the fleet and a new obstacle they must overcome. Others, like "The Lost Warrior" or "The Magnificent Warriors" had little consequence for the fleet and tended to get bogged down. The series was at its best when the Galactica found a new clue to the lost tribe, or overcame the Cylons to live another day. Unfortunately, the producers didn't have a timeline in mind when they created this show, unlike Babylon 5. Had they determined how long the journey should take, they could have avoided unnecessary episodes and concentrated on the overall saga, bringing character development and drama into the story, without losing sight of their goal. As it was, we were teased with false Earths and little idea when the Lost Tribe would be found. Unfortunately, when it was found, the series took a complete nosedive.
It will be interesting to see what the future will bring for this series; but, for the present, I will continue to watch my tapes. Is it too much to ask for a DVD release for the entire series?
Le saviez-vous
- AnecdotesThe Cylon sound was later incorporated into K.I.T.T. on K 2000 (1982). Both Cylons and K.I.T.T. have one red eye that moves side to side. The sound of a Viper, when it was launched from the Galactica, was the same sound K.I.T.T. made when David Hasselhoff activated the Turbo Boost to make the car jump.
- GaffesThe battle tactic of the Cylons is usually to swoop down on the target in a row, one after the other. On the green radar screen, they are always shown closing in on a wide front, regardless of the formation actually employed.
- Citations
Opening Credit Announcer: There are those who believe that life here began out there, far across the universe... with tribes of humans... who may have been the forefathers of the Egyptians... or the Toltecs... or the Mayans. Some believe there may yet be brothers of man... who even now fight to survive - somewhere beyond the heavens!
- Versions alternativesTwo episodes were edited together to form the made-for-video movie Mission Galactica: The Cylon Attack. In syndication, the series incorporates the episodes of "Galactica 1980" (1980).
- ConnexionsEdited into Galactica: La bataille de l'espace (1978)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Battlestar Galactica
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h(60 min)
- Mixage
- Rapport de forme
- 1.33 : 1