[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Emanuelle et les filles de Madame Claude

Titre original : La via della prostituzione
  • 1978
  • 1h 20min
NOTE IMDb
4,4/10
951
MA NOTE
Emanuelle et les filles de Madame Claude (1978)
DrameHorreur

Ajouter une intrigue dans votre langueAn interview with a mobster propels newswoman Emanuelle into an undercover investigation of the seedy world of white slavery and the infamous mansion of Madame Claude.An interview with a mobster propels newswoman Emanuelle into an undercover investigation of the seedy world of white slavery and the infamous mansion of Madame Claude.An interview with a mobster propels newswoman Emanuelle into an undercover investigation of the seedy world of white slavery and the infamous mansion of Madame Claude.

  • Réalisation
    • Joe D'Amato
  • Scénario
    • Joe D'Amato
    • Romano Scandariato
  • Casting principal
    • Laura Gemser
    • Ely Galleani
    • Gabriele Tinti
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,4/10
    951
    MA NOTE
    • Réalisation
      • Joe D'Amato
    • Scénario
      • Joe D'Amato
      • Romano Scandariato
    • Casting principal
      • Laura Gemser
      • Ely Galleani
      • Gabriele Tinti
    • 11avis d'utilisateurs
    • 21avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos23

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 18
    Voir l'affiche

    Rôles principaux23

    Modifier
    Laura Gemser
    Laura Gemser
    • Emanuelle
    Ely Galleani
    Ely Galleani
    • Susan Towers
    Gabriele Tinti
    Gabriele Tinti
    • Francis Harley
    Venantino Venantini
    Venantino Venantini
    • Giorgio Rivetti
    Pierre Marfurt
    • Prince Arausani
    Gota Gobert
    • Madame Claude
    Bryan Rostron
    • Jim Barnes
    Manuela Romano
    Nicola D'Eramo
    • Stefan
    Anna Toffoli
    • Ava
    Tom Felleghy
    • The Senator
    Maria Letizia Serafino
    Aurelia Saba
    Fabio Frezza
    Elena Maruffi
    Maria Grado
    Rocco Lerro
    Alessandro Valente
    • Réalisation
      • Joe D'Amato
    • Scénario
      • Joe D'Amato
      • Romano Scandariato
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    4,4951
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    6BA_Harrison

    It's D'amato-lite Emanuelle, but still quite fun.

    Whilst in Nairobi to interview reclusive gangster Giorgio Rivetti (Venantino Venantini), feisty photographer and reporter Emanuelle (Laura Gemser) stumbles upon the existence of a powerful prostitution and white slave trade racket operating out of the US.

    After banging Rivetti, rolling in the sack with a prince (Pierre Marfurt) and showering with her best friend Susan Towers (the gorgeous Ely Galleani), Emanuelle returns to NY to go undercover as a poor woman willing to sell herself for sex. Infiltrating a high class brothel, she sets about the dangerous task of exposing the unscrupulous organisation.

    The last of the Emanuelle films to be helmed by trash king Joe D'amato, White Slave Traders is a surprisingly tame affair in comparison to the director's other entries in the series: Emanuelle in America, Emanuelle and the Last cannibals, and Emanuelle Around the World. Where those films relied on scenes of hardcore sex and extreme gore to shock their audiences, this one sees old Joe content to present the usual smörgåsbord of soft-core sex acts and lightweight sleaze that typify the character's non-D'amato adventures.

    Fortunately, the story is actually half-decent for a change (well, by Emanuelle standards) and there is just enough gratuitous nudity and outrageous silliness still make it worth a watch: during the course of the film, Gemser rubs one out whilst watching Susan shag a mechanic, partakes in a drug-fuelled menage-a-trois, runs naked through the African bush, satisfies an ageing senator, humps kung-fu transvestite Stefan (Nicola D'Eramo), and is rogered by a gang of thugs in a bowling alley. You'd think that by the end of the film she would be exhausted, but in a fittingly trashy finale, the game girl offers herself to a group of fishermen in exchange for a lift back to the city on their boat.

    I think they call that 'working your passage'.

    5.5 out of 10, rounded up to 6 for IMDb.
    7The_Void

    One of the lesser Emanuelle outings

    The Black Emanuelle series has some gems; but overall it's very hit and miss, and unfortunately Emanuelle and the White Slave Trade is one of the misses. The plot once against focuses on Emanuelle as she heads out to get an interview with some Italian criminal; but by chance actually happens upon someone that is into the white slave trade, and decides to investigate that instead. The film is directed by Joe D'Amato so as you would expect, there's plenty of sleaze and sex scenes; but actually this entry is somewhat more tame than some of the other Emanuelle flicks. The film actually appears to be going for a more softcore erotic feel; and although to be honest I generally prefer that to the hardcore style that most of these films feature; there's not enough in this film to really hold it together and the result is, unfortunately, rather boring. There are a few standout scenes, however; one that sees Emanuelle and another woman in the shower is worth mentioning, but you can get all this stuff in other, better, films. As always, the film stars the lovely Laura Gemser and once again she's very nice to look at and is definitely the best thing about the film. Overall, however, this is a rather dull entry in the series and thus is not recommended to anyone except hardcore Emanuelle fans!
    lazarillo

    Juuust Right!

    Although it is still somewhat obscure, this is one of my favorite of the "Black Emanuelle" series. Some films like "Emanuelle in America" and "Emanuelle Around the World" are a little too sleazy, while others like the original "Black Emanuelle" are not quite sleazy enough, but this film is juuust right.

    While hanging around Africa for some reason, intrepid reporter/photographer "Emanuelle" (Laura Gemser) stumbles across a white slavery operation (OK, so it doesn't exactly make sense to have a WHITE slavery operation in Africa where hardly anyone is white, but oh well). After hiding and taking lots of photos of naked, barely legal girls being paraded back and forth in front of potential "buyers", "Emanuelle" has a run-in with the vicious male transvestite who's running the operation. His rather confused sexual orientation doesn't stop him from raping her, but later they team up. There's some pretty graphic violence and another unpleasant gang-rape scene, but it's hard to take any of this too seriously when "Emanuelle" herself obviously doesn't (She eventually makes her way back across the Atlantic on a filthy trawler by agreeing to gang-bang the entire crusty, old crew).

    Most of the serious sleaze is relegated to the second half of the movie, but the first half is much more sexy. "Emanuelle" teams up with a friend, played by very pretty Italian actress Ely Galeani (who was also in "Emanuelle in Bangkok") to get a scoop on a con artist hiding in the dark continent. Of course, they get the story, first by "doing" him and his friend and then by both "doing" him in a three-way scene while they all smoke strange drugs out of a hookah (god, I love the socially irresponsible 70's!). Galeani's character also has an interesting way of "paying" her African auto mechanic in an interracial sex scene that takes place in a lube pit while "Emanuelle" watches and pleasures herself (this scene was kind of borrowed from the first "Black Emanuelle", but director Joe D'Amato manages to improve on it). I also actually kind of liked the cheesy Euro-disco title song "Run, Cheetah, Run", which they play during all the hottest sex scenes with Galeani and Gemser, and which will have many viewers drooling like Pavlov's dogs whenever they hear it by the time the movie ends. Recommended.
    4MajesticMane

    🌍🌴A Murky Journey Through Shadows 🌃🔍🔞

    "La via della prostituzione" (1978), directed by the infamous Joe D'Amato, is a film that attempts to delve into the grimy world of prostitution, but unfortunately, it falls short of delivering a truly impactful or insightful narrative. Despite its provocative title and premise, the film struggles to rise above the exploitative nature of its genre, resulting in a somewhat lackluster viewing experience.

    The film follows the story of Emanuelle, a journalist who goes undercover as a prostitute to expose a high-class sex ring. The plot, while intriguing, is marred by a lack of depth and character development. Emanuelle, played by Laura Gemser, is a compelling lead, but the script fails to provide her with the substance needed to truly bring her character to life.

    D'Amato's direction is competent, but it lacks the finesse needed to elevate the material. The film's pacing is uneven, with scenes often dragging on for too long, only to be followed by abrupt transitions that leave the audience feeling disoriented. The cinematography, while occasionally striking, is largely unremarkable, failing to capture the gritty realism that the film's subject matter demands.

    One of the film's few redeeming qualities is its score, composed by Nico Fidenco. The music, a blend of sultry jazz and haunting melodies, effectively captures the film's seedy atmosphere and provides a much-needed layer of depth to the proceedings.

    However, the film's treatment of its subject matter leaves much to be desired. Rather than providing a nuanced exploration of prostitution and its societal implications, "La via della prostituzione" often resorts to gratuitous nudity and sexual content, which feels exploitative and undermines the film's potential for meaningful commentary.

    In conclusion, "La via della prostituzione" is a film that, while not without its moments, ultimately fails to live up to its potential. With a weak script, uneven direction, and a tendency to exploit its subject matter, the film is a disappointing entry in the exploitation genre. It's not a complete waste of time, but there are certainly better films out there that tackle similar themes with more depth and sensitivity.💔🌃
    7Falconeer

    An Unearthed Exploitation Classic

    The quality of a film often suffers when the director decides to make it a "hardcore" feature. D'Amato's "Emanuelle In America" is a good example; remove the unappealing and artless hardcore shots and the nauseating "ejjaculation" inserts, and all that is left is a substandard, highly forgettable movie. This explains why "Emanuelle and the White Slave Trade" is, technically speaking, one of the best in the series. Without the porn angle to sell the product, D'Amato can concentrate on the important aspects of making a good movie; like a coherent and interesting story, and softcore erotic scenes that are truly artistic and extremely sexy. Anyone who finds the scenes of ugly men, "blowing their loads" on ugly bimbos, hotter, and more EROTIC than "the mechanic scene" featured in "White Slave Trade..." well, that audience shouldn't be reviewing these movies at all, because they just "don't get it..." In this long-lost entry in the Italian "Emanuelle" series, follows "Emy" Jordan, the reporter who travels to foreign lands to uncover stories too shocking for normal journalists, going to places, and dealing with people considered too dangerous for the average female reporter. Revisiting familiar territory, Emanuelle stumbles upon an international White Slavery ring while vacationing in Africa. Fans will recognize this story from both "Emanuelle In America," as well as the brutal but impressive "Emanuelle Around the World." Only this time D'Amato concentrates more on the quality, and it is recognized mostly in the writing and the introduction of some characters that are actually interesting and not simply one dimensional bodies who are there just to take off their clothes. Not that this film isn't filled with sex and nudity; it simply has more going for it than smut. Emanuelle's romantic interlude with the daughter of a foreign diplomat is really quite nice, and sexy without being exploitative, bringing to mind the girl/girl love story from the original, French "Emmanuelle" series with Sylvia Kristel. The rediscovery of this lost film is truly a great thing, and true fans of the series will be thrilled with the discovery of "Emanuelle and the White Slave trade." Those looking for the "love butter" and the "clam shots," might as well pass this one up.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Laura Gemser said later that the Emanuelle films were all the same, adding "It seemed like one long, long movie that didn't end. You know, it was always the same story, the same things happens." In every film, she played a journalist or a photographer sent out to find some drug criminals, and she always had to strip naked or have sex to get what she needed. She admitted she continued to do them because they paid well and she got to travel to exotic locations, which she loved. That made continuously taking her clothes off and kissing and rubbing against other people tolerable.
    • Connexions
      Edited from Emanuelle chez les cannibales (1977)
    • Bandes originales
      Run, Cheetah, Run
      Music and Lyrics by Nico Fidenco

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ14

    • How long is Emanuelle and the White Slave Trade?Alimenté par Alexa
    • What are the differences between the Dutch VHS Version and the Uncensored Version?

    Détails

    Modifier
    • Date de sortie
      • 31 octobre 1979 (France)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • Emanuelle and the White Slave Trade
    • Lieux de tournage
      • Roosevelt Island Tram, Roosevelt Island, Ville de New York, New York, États-Unis(Emanuelle meets with Francis Harley)
    • Sociétés de production
      • Flora Film
      • Fulvia Film
      • Gico Cinematografica S.r.l.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 20min(80 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.