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Le tournant de la vie

Titre original : The Turning Point
  • 1977
  • Tous publics
  • 1h 59min
NOTE IMDb
6,8/10
5,4 k
MA NOTE
Shirley MacLaine, Anne Bancroft, Mikhail Baryshnikov, and Leslie Browne in Le tournant de la vie (1977)
Home Video Trailer from Anchor Bay Entertainment
Lire trailer1:59
1 Video
31 photos
DrameMusiqueRomance

Ajouter une intrigue dans votre langueWhen her daughter joins a ballet company, a former dancer is forced to confront her long-ago decision to give up the stage to have a family.When her daughter joins a ballet company, a former dancer is forced to confront her long-ago decision to give up the stage to have a family.When her daughter joins a ballet company, a former dancer is forced to confront her long-ago decision to give up the stage to have a family.

  • Réalisation
    • Herbert Ross
  • Scénario
    • Arthur Laurents
  • Casting principal
    • Anne Bancroft
    • Shirley MacLaine
    • Mikhail Baryshnikov
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    5,4 k
    MA NOTE
    • Réalisation
      • Herbert Ross
    • Scénario
      • Arthur Laurents
    • Casting principal
      • Anne Bancroft
      • Shirley MacLaine
      • Mikhail Baryshnikov
    • 39avis d'utilisateurs
    • 18avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 11 Oscars
      • 11 victoires et 18 nominations au total

    Vidéos1

    The Turning Point
    Trailer 1:59
    The Turning Point

    Photos31

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    Rôles principaux41

    Modifier
    Anne Bancroft
    Anne Bancroft
    • Emma Jacklin
    Shirley MacLaine
    Shirley MacLaine
    • Deedee
    Mikhail Baryshnikov
    Mikhail Baryshnikov
    • Yuri
    Tom Skerritt
    Tom Skerritt
    • Wayne
    Leslie Browne
    Leslie Browne
    • Emilia
    Martha Scott
    Martha Scott
    • Adelaide
    Antoinette Sibley
    • Sevilla Haslam
    Alexandra Danilova
    Alexandra Danilova
    • Madame Dahkarova
    Starr Danias
    • Carolyn
    Marshall Thompson
    Marshall Thompson
    • Carter
    James Mitchell
    James Mitchell
    • Michael
    Daniel Levins
    • Arnold
    • (as Daniel Levans)
    Scott Douglas
    • Freddie Romoff
    Lisa Lucas
    Lisa Lucas
    • Janina
    Phillip Saunders
    • Ethan
    Jurgen Schneider
    • Peter
    Dennis Nahat
    • Dennis
    Anthony Zerbe
    Anthony Zerbe
    • Rosie
    • Réalisation
      • Herbert Ross
    • Scénario
      • Arthur Laurents
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs39

    6,85.4K
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    Avis à la une

    6CGMAETC

    a ballerina's POV

    As ballet movies go, this is one of the better ones. It really captures the essence of a company: the rising star, the oversexed male dancer, diva choreographers, budget-conscious artistic directors, and the unique sadness that is the aging ballerina. MacClain and Bancroft deliver their contrived dialog with expertise (even though it appears they did a lot of ADR because the dialog seems to be dubbed) and they handle their relative roles with ease. Bancroft plays the aging diva with perfect grandness and MacClaine is great as the regretful mother. I can overlook the fact that a summer-study student, no matter how brilliant she is (and the young lady here is a highly talented dancer) WOULD NOT get a lead, let alone a solo number in her first year, but the plot is a bit thin, yet it makes it's point: the grass is not always greener on the other side of the stage. The best part of this movie is the dancing, of course. Misha is poetry in tights, always exhilarating and breathtaking. Though the movie was made in the 70s, it still rings true today in the world of ballet.
    8ijonesiii

    A Must for Dance Lovers and Lovers of Great Actresses

    Ballet has never really been user friendly subject matter for movie box office potential but 1977's THE TURNING POINT was remarkable exception to that school of thought. Not only did this film preserve on screen some of the most beautiful ballet dancing ever scene forever, but it brought two Hollywood icons together for the first time who both turned in the Oscar-nominated performances of their careers. As a matter of fact, this is one of two films in Oscar history (THE COLOR PURPLE being the other) that was nominated for 11 Oscars but didn't win a single award. Nonetheless, it is still a compelling and riveting melodrama which uses ballet as its backdrop. The film focuses on two women, Emma Jacklin (Anne Bancroft) and Deedee Rodgers (Shirley MacLaine) who were both in the same ballet company many, many years ago and were competing for the lead in a new ballet when Deedee became pregnant and Emma got the role and this is way their relationship forked and their lives went separate ways. Deedee got married to a dancer in the company (Tom Skerritt) had three children and runs a dance studio now, but part of her still yearns to be a prima ballerina. Emma became the prima ballerina that Deedee wanted to be; however, Emma's life is all about work now...she takes class, she dances, and she goes home to her dogs. When Emma's dance company comes to Deedee's town, they are reunited and both begin to quietly choices that they made. Thrown into the mix is Amelia (real life prima ballerina Leslie Browne), Deedee's daughter who may be a better dancer than her mother ever was and Emma begins to groom and pulls strings to get her in the company which causes further resentment from Deedee. This movie is about choices, regrets, crushed dreams, and dreams fulfilled. Bancroft and MacLaine turn in grand performances and the dancing of ballet superstar Mikhail Barysnakov and Leslie Browne is outstanding (even though every time Browne opens her mouth you want to stuff a sock in it.) A beautiful melodrama anchored by supreme performances by two of the best actresses in the business.
    7jotix100

    Ballerinas

    Having recently seen this 1977 Herbert Ross film, one can't even imagine what was the appeal when this movie was released. Basically, it's a story about the world of ballet and about what goes on backstage. The screen play by Arthur Laurents presents us with all the petty little feuds, roles coveted and not gotten. Ultimately, it's a story about that a sin in the dancing and acting milieux: growing old!

    The film deals with the long standing friendship of DeeDee and Emma. DeeDee has left the ballet company when she became pregnant. Emma goes to shine as the prima ballerina who gets all the honor and accolades. DeeDee is fulfilled with a family of her own, whereas Emma is lonely and desperate. The 'turning point' comes at the end when DeeDee and Emma square their differences in one of the most hilarious moments of the movie.

    Shirley MacLaine and Anne Bancroft have great moments in the film. It's always a great fun to watch both of these actresses by themselves, so it's even better watching them together. The rest of the cast includes Tom Skerritt, Martha Scott, Leslie Browne, Anthony Zerbe, Mikhail Baryshnikov and great moments of ballet magic.
    9GMJames

    Sure it's a soap opera, but it's an extremely entertaining one.

    I had no knowledge or interest in ballet before viewing The Turning Point on HBO about a year after it was first released to theaters. The HBO promotions department concentrated more on the cat fight between Shirley MacLaine and Anne Bancroft and less on the numerous ballet dances. I thought it was going to be an unintentional laugh riot. Boy, was I wrong.

    MacLaine and Bancroft as former dance rivals do a great job separately and together. You sense the history of both characters and the issues that have colored the decisions they made. MacLaine's character, Deedee, getting pregnant and leaving the ballet company, while with Bancroft's character, Emma, the veteran prima ballerina who never married and struggles to stay a ballerina not knowing when or how to gracefully end her career.

    Director Herbert Ross and screenwriter Arthur Laurents conceived an interesting, albeit thin, story within the backdrop of ballet. The lead actresses and the supporting cast, including James Mitchell, Anthony Zerbe, Tom Skerritt as MacLaine's husband and especially Martha Scott as the blunt, money-minded owner of the ballet company, do a very good job and, in some ways, improve on the material given to them.

    As far as the ballet dancers in acting roles, well they are great dancers. To be fair, hiring anyone with little or no acting experience and expect them to act in a major movie for the first time would be a challenge for anyone. Leslie Browne, as Emilia, Deedee's oldest who is in the process of becoming the next prima ballerina, had a very tough task and, when it came to the dialog, I thought she did as good a job as she could. But when she was in her element, namely in the dance studio and on stage, she was wonderful. (It's a shame that actress/former ballerina Neve Campbell was only four years old when The Turning Point was first released. Acting-wise, Campbell would have been a more convincing Emilia. But I digress.)

    Mikhail Baryshnikov fared much better as the main male ballet dancer/Lothario. He oozed charisma on screen and his jumps on stage are breathtaking. Years after The Turning Point, he has done some decent work in White Nights on screen and Sex and the City on television.

    Interestingly, out of all of the non-professional actors, I thought Alexandra Danilova, who played Emilia's ballet teacher, gave the most natural and less stilted performance. She seemed very comfortable essentially playing herself. I have a feeling that it has a lot to do with her real ballet experience of over 50 years when the film was released in 1977.

    The last time I viewed The Turning Point was in 2005. The material is still pretty thin but I do believe that if it wasn't for the strong performances (acting and dancing) the film would not hold up after all these years.
    10eortizsouth

    Dance obessed.

    Loved this film. If you love all things dance (in particular ballet) this is a must see. I am too embarrassed to tell you how many times I have actually seen this film. It's Baryshinikov!

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Grace Kelly was on the board of directors at 20th Century-Fox and the script treatment was sent to her for her reaction. Director Herbert Ross said: "Grace loved the story, and said she'd come out of retirement to play the ballet dancer who opts for marriage. Then Grace showed the script to Prince Rainier and he told her he didn't want her to go back to work".
    • Gaffes
      When Amelia finishes her first solo part in the climactic Don Quixote pas de deux, her mother (Shirley MacLaine) clearly yells, "Bravo." As a ballerina herself, the mother should have yelled, "Brava."
    • Citations

      Deedee Rodgers: Emma said some things. First, she said I married you and had a family with because I knew I wasn't good enough to go professional as a ballet dancer. That wasn't true. But... she also said I had a child with you to prove that you were straight. That was sort of true. I wanted

      Wayne: I know.

      Deedee Rodgers: You... you do?

      Wayne: Yeah. I guess I wanted to prove it myself.

    • Crédits fous
      The 20th Century Fox logo does not have the fanfare.
    • Connexions
      Featured in The 35th Annual Golden Globe Awards (1978)
    • Bandes originales
      Giselle
      Music by Adolphe Adam

      Arranged by John Lanchbery (uncredited)

    Meilleurs choix

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    FAQ19

    • How long is The Turning Point?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 mars 1978 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • The Turning Point
    • Lieux de tournage
      • Oklahoma City, Oklahoma, États-Unis
    • Sociétés de production
      • Hera Productions
      • Major Studio Partners
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 25 933 445 $US
    • Montant brut mondial
      • 25 933 445 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 59min(119 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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