Tie hou zi

There's a decided brusqueness in the editing and storytelling that makes for a somewhat choppy viewing experience, with movement between scenes and beats (and even points in time) that's far less than smooth, and therefore less than fully convincing. It's gratifying that there is at least a complete, cohesive, compelling story told, which is more than can be said of some lesser contemporary martial arts flicks. Set this aside, and in 'Iron Monkey' we see facets common to most all such fare: a period setting, brought to bear with gorgeous sets and costume design; pronounced sound effects, exaggerating blows or even just movement; dubbing in the widely available version that's questionable at best; direction that accentuates spectacle where possible - and, of course, excellent stunts and action sequences. There is perhaps less emphasis here on fight scenes than in similar titles, surely making it a tad less appealing when that's what we come here for in the first place, but those that we do get (almost entirely in the last act) are fantastic, and worth the wait.

Despite how the plot is structured, and the editing that shapes it, over a runtime of ninety-five minutes the narrative shows itself to be rather simpler than one might think. It's still a good time, though, for that's all that the picture wants to provide, and that's what we get, however much one may reasonably critique various aspects. The fight choreography really is terrific, however long we wait for it - and in fairness, while the most significant and invigorating action violence waits over an hour to show up, we do get the obligatory training scenes in the meanwhile that are enjoyable in and of themselves. I think the feature would have definitely benefited from a more careful, mindful hand, in most every capacity, not to mention even more of the martial arts that audiences anticipate in the first place, yet it remains well done and worthwhile in its own right, with the climax naturally being the best of all. While 'Iron Monkey' falls short of being a must-see compared to many of its kin, if one has the chance to watch it's nonetheless suitably entertaining despite its weaknesses, and sometimes that's all a movie needs to be.

Ma (Chen Kuan Tai) is too busy gambling and womanizing to be of much help when his family is rounded up by a local general. By the time he realizes what's going on and tries to intervene to save them, his relatives refuse to openly acknowledge that he's a member of the family. He's beaten senseless by a benevolent benefactor who claims that Ma is HIS insane son. Thus is he saved. To stop a younger son from revealing the truth to their jailers, Ma's father strangles the boy with a chain. The entire family is subsequently murdered. The next time we see Ma, he's a sneak thief known simply as "Monkey." He's allowed to join a Shaolin Temple he's been stealing food from and an elderly monk observes: "In your life, someone has planted much evil. You'll repay him in kind." Monkey, it's decided, will learn Monkey Fist from The Bitter Monk. Once he's learned what he needs to know, Iron Monkey bids farewell to the Shaolin Temple. "You're still full of hatred," the elderly monk tells him: "And, this time, I smell blood." In order to work his way up the ranks of the Ching army to get to the man he wants, Iron Monkey kills a lot of innocent people- including some "Shaolin rebels." Chen Kuan Tai doesn't monkey around in IRON MONKEY: he's a surprisingly capable director, and his Monkey Fist kung fu is far superior to the usual over-the-top antics we usually see from Monkey stylists. His fluid transitions from one stance to another are a joy to watch and he conveys a sense of power often lacking in Monkey style fight scenes.

Iron Monkey is one of the best Kung Fu Movies ever made. Straight to the point plot and storyline. The movie has it all. Chin Kwan Tai's portrayal of the "monkey style" is the best I've ever seen in a movie (Monkey style in the 7 Grandmasters is also good) and I've seen all of the great Kung Fu Movies. Of all the "Teachers" in Kung Fu movies, Iron Monkey's teacher the "Bitter Monk" is also the best, he has a certain mystic quality about him. Superb training sequences are shown in mastering the monkey style with the Bitter Monk.. Also the background music flows with the movie excellently. All the elements of a great Kung Fu Movie are here: Shaolin Temple, Monks, great villians portrayed by the master of Eagle's Claw. The opening scene which shows the Monkey Fist and Eagle Claw techniques is top notch. Sound effects of the fighting scenes are also up to par. Some actors in Kung Fu movies don't fit the character they play, not here. Chin Kwan Tai seems tailored to play the role in this movie as Iron Monkey. Kung Fu dedication, words of wisdom and discipline are all theme's throughout Iron Monkey. There is one scene in the movie where a Head monk in Shaolin Temple can sense the presence of revenge and anger in Iron Monkey just by looking deeply in his eyes; he knows its for revenge and tells him of "his bloody debt to settle". Only after seeking this revenge can he be a monk in Shaolin Temple. Iron Monkey ranks right with director Chang Cheh's "Kid with the Golden Arms" and "Unbeatable Dragon" as one of the best Kung Fu movies of all time. 9/10 on the scale.

The movie starts with animal cruelty mixed with two guys sparring. Kam Kong wants all the rebels killed. Chen Kuan-Tai's family is arrested while he is gambling and they are all killed. He is reduced to stealing the offerings at Shaolin. The monks offer him a place. It seems he has already learned most of their kung fu just by watching. He leaves the temple with the strategy "keep your friends close and your enemies closer". He becomes part of the corrupt officials that killed his family in order to get close enough to the general to kill the man at the top. Revenge is certainly the most common plot of martial arts movies and it might be the most common plot of all movies. I find it hard to understand why revenge is such a favorite plot in Chinese culture while at the same time the dominant Chinese philosophy is Buddhism and Buddhism has no place for revenge. "At what price revenge?" typically becomes a moral issue in the revenge plot. I would say never in the history of any martial arts revenge movie did revenge come at a higher price than in this movie. Fans of Chen Kuan-Tai must ask what was his best movie? "The Flying Guillotine" is certainly more well known but I consider this movie his best because he had more to do with it, he both acted and directed "The Iron Monkey" so I rate this as a ten of ten for Chen Kuan-Tai perfection.

In my opinion this has to be one of the best movies ever made...considering the year is 1978, and the action holds up to this day as credible.The iron monkey is a tormented character and is played to full potential by the actor. The story is good to...very true to chinese history.And any movie that involves a bitter monk from shaolin is a-plus in my book.10 out of 10! I recommend this highly to anyone remotely interested in true chinese storytelling and action!!!