L'Espion qui m'aimait

I first saw this in the early 90s on a vhs. Revisited it recently. This is the tenth in the Bond series n the third to star Roger Moore as the secret agent James Bond. This is also one of my fav Bond film n it is very entertaining.

This time Bond has to deal with a reclusive but ultra rich scientist Stromberg, who plans to create WW3 and later aft the nuclear war, build a new civilisation under the sea. Lol. He shud have consulted Aquaman first. To thwart Stomberg's plan, Bond teams up with a Russian agent known as triple X.

This movie has one of my personal fav scene, the Union Jack-parachute scene.

This time Bond gets to cool off with Sue Vanner n Barbara Bach. And we get to cool off our eyes with Caroline Munro's amazing cleavage.

Apart from Stromberg, Bond has to face a motorbike henchman with a rocket sidecar, a small army of soldiers in red, an atractive helicopter pilot (Munro) n Stromberg's two fierce henchmen, Jaws n Sandor.

Some info on Stromberg from the book- he is totally bald, lacking eyebrows, and has a small mouth. Only the pinkie and ring finger of his left hand are webbed, as opposed to all of his digits in the film. His character is also given a rather lengthy backstory, revealing how he made his fortune and got into the shipping industry.

Some info on Jaws from the book - he used to b a basketball player but due to his sluggish reaction and his lack of speed, his career ended. Later he was arrested by the secret police for having taken part in a riot n beaten by the cops with hollow steel clubs encased in thick leather, breaking his jaw beyond repair. It was Stromberg who hired a prestigious doctor to create an artificial jaw for Jaws, that created the two rows of terrifying razor-sharp teeth.

This may well be the best of the Roger Moore Bond movies. Terrific action throughout, complete with many many surprises, gadgets, do anything sports car, and truly terrific sets. The main villein is perfect, and his employees are brilliant, one giant of a man being particularly macabre. True, its an old movie now, yet its just so hammy it has a timeless charm. And the locations are charming as well. The plot is classic, and resolves itself in such a brilliant way as to have one truly on the edge of one's seat (certainly by the all explosive end, if not way before). Roger Moore is debonair and slightly restrained with plenty of silly one liners. His beau is magnificent, also restrained but with real charisma. No wonder she married a Beatle. One simply cannot go wrong with this gem.

Roger Moore as James Bond has got another assignment involving the fate of the whole world. British Intelligence never gives him anything less. This time he's investigating this disappearance of both British and American nuclear powered submarines while on duty with no trace at all.

The evil genius behind it all is Curt Jurgens playing the role of an Onassis type billionaire shipping magnate who wants the world made to order for him. And in this case he believes mankind should start all over again in an undersea world which of course he will run. Just another case of a guy with all the money in the world thinking that entitles him to decide how everyone else should live and behave. Jurgens has the resources to make it stick unless 007 can do something about it.

With both the Russians and the British working on this, the powers that be which in this case is General Walter Gotell of the Soviet KGB and M of course played by Bernard Lee have decided to stop working against each other. In this case it means Moore working with beautiful Russian agent Barbara Bach and you know of course she'll be Bondified before the film is over.

Probably up to this point the most dangerous foe that James Bond ever faced was Odd Job in You Only Live Twice. But when Richard Kiel as Jaws made his appearance, he took that title away and retired the crown as far as I'm concerned. That is one menacing dude, 7'2" with a mouth full of steel teeth that finish off most people. Of course 007 ain't most people.

The Spy Who Loved Me garnered three Oscar nominations for Best Musical Score for Marvin Hamlisch and for Best Song with Nobody Does It Better for Hamlisch and Carole Bayer Sager and one for Art&Set Direction. I'm not sure, but this might be the most recognition the Motion Picture Academy gave a Bond film.

And this film review is dedicated to Tom Golisano, another megalomaniac billionaire who thinks he ought to be running things. We're well used to the type in my area.

This time James Bond-Roger Moore third outing and best entry ,he join forces with female Russian agent named Anya Amasova(Bach)to eliminate a nasty villainous(Curt Jurgens)and his henchman, a giant steel-toothed named Jaws(Richard Kiel).He schemes to utilize captured US and Russians atomic underwater with objective to destroy the world.For the first time nuclear submarines from Russia,Britain are sailing side by side.It may look like the beginning of WWIII,but don't worry .As usual,intervene Q (Desmond LLewelyn),MonneyPenny(Lois Maxwell),M(Bernard Lee) and Russian general Gogol(Walter Gotell).Roger Moore plays perfectly the master spy,Moore tells about his Simon Templar,The Saint, that he was a private person doing things for other people to help them and was rather a boy-scout following the rules of television and James Bond is an assassin licensed to kill.He's right,the tone is perfect for the times and for Roger Moore's brand of James Bond.Times have changed and for example, the Ian Fleming book based the film ,has nothing to do with cinematographic adaptation.His beautiful co-star is Barbara Bach and of course no Bond movie would be complete without the gorgeous Bond girls(Caroline Munro,Valerie Leon,among others).The movie is an agreeable blending of frenetic action,spectacular and exciting sets and humor with tongue in cheek.The film contains the world's largest sound stage specially constructed by production designer Ken Adam.In the inauguration day was even as special guest,former Prime Minister,Sir Harold Wilson. The motion picture is shot in Sardinia, Cala Volpe.There appears the car Lotus Esprit,¨Sweet Nellie¨, with weapons and rapidly become in sub.There's a very funny scene when the Lotus comes out of the water,but in order to avoid seeing the car underwater,Kem Adam had a speedboat doing waves .The scenes were really very simple attached a cable under the van to the front of the Lotus and pulled the car out the water.The Lotus could function underwater,but had to wear breathtaking equipment inside.The producer Albert Broccoli tells that they went to Egypt in the mid-1970s,tensions were hight in the Mideast.It took some careful negotiation to get out crew into Egypt.They had to submit the script in advance and an Egyptian government official had to be present during the shooting to make Egypt certain and did not portray the country in a negative light.The most challenging sequence was the night shooting in pyramids Giza,where was re-staged the ¨Son et Lumiere¨,despite the dramatic lighting effects much of the show had to be recreated in studio(Pinewood) using special effects.While the Bond films are not travelogues ,the producers do like to take viewers to spectacular places and show them things in a way that they've never seen before.The producers gambled that audiences were ready for a more fantasy-laden Bond film.Egypt(with an impressive temple of Karnak) was a great location for cameraman Claude Renoir,made it look elegant and exotic,Claude was the nephew of the great director,Jean Renoir.He helped photograph many Renoir's great films,like the ¨Grand illusion¨.He also shot second unit on ¨Cleopatra¨and photographer the 60s cult classic,¨Barbarella¨.This is his last major film as cinematographer.The film is well directed by Lewis Gilbert who had previously directed¨You only live twice¨a decade earlier.This picture is one of the more memorable Bond-Moore.

You don't review James Bond movies, you evaluate them, rate them according to how well they meet expectations. There are certain things one has come to expect, even demand of a Bond film and each individual effort either delivers or it doesn't. So, here are ten elements that make a Bond film a Bond film and how THE SPY WHO LOVED ME rates on a scale of 1 to 10:

Title: THE SPY WHO LOVED ME: The title seems more appropriate for a Harlequin Romance novel, and if suitable at all for a Bond film, it would have been a better title for ON HER MAJESTY'S SECRET SERVICE. Yet, it does finally work the word "spy" into the title of a Bond film. 7 points.

Pre-Credit Teaser: It's all very nicely done: Within a few minutes, we see a submarine stolen and its crew kidnapped; we meet the Soviet's top agent, who just happens to be -- surprise! -- a woman; and we get the added treat of one of Bond's greatest stunts, the great skiing-skydiving trick. A pretty cool way to kick off the film and set up the various story lines. 9 points.

Opening Credits: Arguably the silliest of all of Maurice Binder's efforts, the opening sequence finds 007 bouncing around on a trampoline while various miniature, and apparently naked, babes do gymnastics on the barrels of guns. (Pity he didn't come up with that idea for THE MAN WITH THE GOLDEN GUN.) Bordering on self-parody, it is nonetheless naughty and fun and colorful and oh-so very James Bond. 9 points.

Theme Song: No beating around the bush here, the song gets right to the point: "Nobody does it half as good as you, Baby, you're the best." Just what Bond is best at is open to interpretation. The music by Marvin Hamlisch is swanky and matched by Carol Bayer Sager's dreamy and only slightly sarcastic lyrics. And Carly Simon's vocals bring it all home. Maybe not the best Bond song, but right up there. 9 points.

"Bond, James Bond": Moore finally makes the role his. The number of smug one-liners have been trimmed, yet he still invests the character with humor -- plus some warmth and charm, and unexpected sadness. And we get to see a bit of Bond's vanity as he matches wits with a female agent who is his equal and not impressed by his stock-and-trade flirtations. Moore's best appearance as Bond. 9 points.

Bond Babes: The prevailing notion has always been that "Bond Girl" equals "Bimbo," which is only partly true. Most of the women Bond encounters are highly skilled professionals -- as well as being bimbos. But Soviet agent Major Anya Amasova, a.k.a. XXX, is the first Bond Girl to give James a run for his money. She's smart, sexy, capable, resourceful and it takes her almost the whole movie to actually fall in love with Bond. What will power! As played by Barbara Bach (a.k.a., soon-to-be Mrs. Ringo Starr), Anya ranks as one of the best Bond Girls, easily worthy of 9 points.

Bond Villain: Karl Stromberg (nice villainous name, by the way) is one of those mad billionaires who hopes to create a new world order by mass genocide and building a new society, this time underwater. It is pretty much a cliché character and unfortunately Curt Jurgen plays the part like a grumpy old man and can't seem to muster up even a maniacal laugh. 5 points.

Bond Baddies: Oddjob look-a-like Sandor, played by Milton Reid, puts in an appearance long enough to die a memorable death, but it is Richard Kiel who steps into the limelight as Jaws, one of the great Bond villains. If being a hulking, seven-foot tall muscle man weren't enough, he also has steel teeth and an amazingly obsessive desire to kill 007. Playing Wile E. Coyote to Bond's Road Runner, Jaws earns 9 points.

Sinister Plot: Stromberg steals a Russian and a U.S. sub, as well as a British one, with the hopes of starting World War III and destroying the civilization as we know it today. Been there, done that. 4 points.

Production values: Romantic imagery, clever lighting effects and intriguing camera angles make this the most visually appealing Bond film. In the past, the emphasis was always on the most effective way to film action sequences, but here director Gilbert Lewis strives for that little bit extra as far as mood and romance. 9 points.

Bonus Points: Connery had his Astin Martin and Moore gets a Lotus Esprit. It is not nearly as snazzy, but it does turn into a submarine and you never know when that will come in handy. 5 points.

Summary: It had been hinted at in the three previous Bond adventures, but a new sense of style is fully apparent here. The roughness and grit that many of the purists loved about Connery's films are pretty much gone in favor of a polish and panache. Whether that is being suave or merely superficial is open to interpretation, but it does set the tone and the expectations for all future Bond adventures.

Bond-o-meter Rating: 84 points out of 100.