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Sinbad et l'oeil du tigre

Titre original : Sinbad and the Eye of the Tiger
  • 1977
  • Tous publics
  • 1h 53min
NOTE IMDb
6,4/10
9,2 k
MA NOTE
Sinbad et l'oeil du tigre (1977)
Trailer for this fantasy sci fi
Lire trailer2:13
1 Video
99+ photos
SwashbucklerActionAdventureFamilyFantasy

Ajouter une intrigue dans votre langueSinbad the Sailor sails to deliver a cursed prince to a dangerous island in the face of deadly opposition from the powerful witch Zenobia, her son and their several monsters.Sinbad the Sailor sails to deliver a cursed prince to a dangerous island in the face of deadly opposition from the powerful witch Zenobia, her son and their several monsters.Sinbad the Sailor sails to deliver a cursed prince to a dangerous island in the face of deadly opposition from the powerful witch Zenobia, her son and their several monsters.

  • Réalisation
    • Sam Wanamaker
  • Scénario
    • Beverley Cross
    • Ray Harryhausen
  • Casting principal
    • Patrick Wayne
    • Jane Seymour
    • Taryn Power
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    9,2 k
    MA NOTE
    • Réalisation
      • Sam Wanamaker
    • Scénario
      • Beverley Cross
      • Ray Harryhausen
    • Casting principal
      • Patrick Wayne
      • Jane Seymour
      • Taryn Power
    • 81avis d'utilisateurs
    • 64avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Vidéos1

    Sinbad and the Eye of the Tiger
    Trailer 2:13
    Sinbad and the Eye of the Tiger

    Photos140

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    Rôles principaux14

    Modifier
    Patrick Wayne
    Patrick Wayne
    • Sinbad
    Jane Seymour
    Jane Seymour
    • Farah
    Taryn Power
    Taryn Power
    • Dione
    Margaret Whiting
    • Zenobia
    Patrick Troughton
    Patrick Troughton
    • Melanthius
    Kurt Christian
    Kurt Christian
    • Rafi
    Nadim Sawalha
    Nadim Sawalha
    • Hassan
    Damien Thomas
    Damien Thomas
    • Kassim
    Bruno Barnabe
    • Balsora
    Bernard Kay
    Bernard Kay
    • Zabid
    Salami Coker
    • Maroof
    David Sterne
    • Aboo-Seer
    Pierre Mattocks
    • Prince Kassim the Baboon
    • (non crédité)
    Peter Mayhew
    Peter Mayhew
    • Minoton
    • (non crédité)
    • Réalisation
      • Sam Wanamaker
    • Scénario
      • Beverley Cross
      • Ray Harryhausen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs81

    6,49.1K
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    7Wuchakk

    Fun Sinbad Adventure with Patrick Wayne, Jane Seymour & Taryn Power

    I don't get why so many people pan this 1977 Sinbad adventure film, the third in a trilogy featuring Ray Harryhausen's special effects creations. The previous installments are 1958's "The 7th Voyage of Sinbad" and 1973's "The Golden Voyage of Sinbad."

    THE PLOT: Princess Farah's (Jane Seymour) brother, who's about to be crowned Caliph of the kingdom, is turned into a baboon by the envious sorceress Zenobia (Margaret Whiting) who wants her son to be Caliph instead (Kurt Christian). Sinbad (Patrick Wayne) escorts Farah and her baboon brother on a grand adventure to restore his humanity before Zenobia's son is crowned. The long quest includes meeting the wizard Melanthius (Patrick Troughton) and his beautiful daughter Dione (Taryn Power). They travel to arctic regions and along the way are exposed to all kinds of fantastical creatures and supernatural experiences.

    Sinbad adventures play like a Middle Eastern version of Conan the Barbarian, albeit with a slightly funner edge and a less dour protagonist. So, if you love Conan you'll likely appreciate all three Sinbad films. And even though I describe it as having a fun edge, don't think "Eye of the Tiger" is goofy. It's not. This is a serious Sinbad adventure, but the protagonists exude the joy and vitality of living.

    The items I demand in a Sinbad adventure are obvious: A good casting choice for Sinbad, a great adventure story & locations, a colorful assortment of likable characters & love-to-hate villains, beautiful women, and quality F/X work. "Eye of the Tiger" delivers in all these areas: Patrick Wayne is superb as the titular hero and IMO the best of the three actors who played the character in the trilogy (the others being Kerwin Mathews and John Phillip Law). I don't see why so many criticize him as "wooden" or somehow sub-par. He's perfect for the role and I'm bewildered as to why he didn't have a more stellar career. I know this is blasphemy to some, but I prefer him to his famous father. He's in the same masculine league as Charleton Heston and Burt Reynolds.

    The story is everything you'd want in a Sinbad yarn -- grand adventure on the high seas with intermittent supernatural elements. The locations are fabulous -- Jordan, Petra (Melanthius's lair), Malta and Spain. There's even an arctic sequence with snowy locations and fairly convincing studio sets.

    The characters are indeed colorful and well-cast. Whiting puts her heart & soul into her role as the witch with a capital "B" and Troughton is charismatic as the likable old magician.

    As for women, this is one of the highlights of the film as the young brunette Jane Seymour and blond Taryn Power (Tyrone's daughter) are breathtaking to behold in every scene they appear. The film's worth watching just for Jane & Taryn. As for Harryhausen's effects, they're pretty much the same as his work in his other films, e.g. "Clash of the Titans," "Jason and the Argonauts" and "Mysterious Island." It just comes down to whether or not you like the creature(s) in question. Nothing here is as good as his Medusa and skeleton gang in other films IMHO, but it's a matter of preference. I personally don't find the saber-tooth tiger very impressive, but who can deny the greatness of the troglodyte as a sympathetic animated character? Anyway, the F/X sequences are just icing on the cake as far as I'm concerned. They don't make or break the film. The story, characters and locations are what really matter.

    FINAL ANALYSIS: Don't listen to the critics! This is a very entertaining Sinbad adventure on all counts. It's main flaw is that it's too long for it's own good. Regardless, I have a good time whenever I see it and prefer it to the previous two films. Patrick Wayne is a great Sinbad, the story captures your attention, the locations are fabulous, and Jane Seymour & Taryn Power are delectable. It's at least on par with "The Golden Voyage," although I give "Eye" the edge.

    The film runs 113 minutes.

    GRADE: B
    8r-c-s

    good harryhausen fantasy movie

    This is a good, mild, entertaining family-oriented fantasy movie. SFX by Harryhausen are good era & genre-wise. However this movie is not quite a pure SFX extravaganza, but belongs better to a fairy tale, say Krull or else. You get many conventional subplots: * good prince is turned into a baboon while his evil stepmother wants to see her own son becoming Calif. * belle princess in love with the brave sailor Sinbad. * a secret hermit from a mysterious island. * mummies out of hell, giant tigers, a robot minotaur. * only six moons to counter the spell. * a trip through the north pole. etc etc. A nice movie, very easily watchable.
    7Doctor_Mabuse

    7/10 ~ 4/5 ~ Imperfectly Wonderful Ray Harryhausen Fantasy Fun.

    Sinbad the Sailor voyages to the mythic northern realm of Hyperborea to restore a caliph from an evil witch's transformation.

    Sinbad and the Eye of the Tiger, the follow-up to the classics The Seventh Voyage of Sinbad and The Golden Voyage of Sinbad, is an uneven conclusion to Ray Harryhausen's celebrated "Sinbad Trilogy". The troubled production began with a draggy script, budgetary restrictions and an inexperienced director; the film as released suffers from choppy editing, over-length and routine music scoring. One animation highlight (the giant walrus) is obscured by an optical snowstorm. The attractive cast performs listlessly and the villain is campy rather than truly menacing, although former "Doctor Who" Patrick Troughton is delightful as a befuddled wizard.

    Yet, for all its flaws, Sinbad and the Eye of the Tiger remains an entertaining escapade in the old-fashioned Saturday-Matinée tradition. Costuming and settings are colorful and the film looks handsome in widescreen. The quest for the mystical Shrine of the Four Elements has a particularly epic quality with the usual eclectic blend of mythical elements set against the backdrop of the Arabian Nights.

    Most importantly, Harryhausen's realistic stop-motion animation is as extraordinary as ever, with two of the animated-puppet creatures -- Kassim the Baboon and Trog the Troglodyte -- successfully functioning as actual communicative characters within the body of the story. Other wonders include insectoid demons, an over-sized mosquito, Minaton the Brass Minotaur and the saber-tooth tiger of the title.

    Genuine movie fantasy is a rare commodity, and Ray Harryhausen's vision and conviction shine through the circumstances of production to make this a satisfying final visit to the land beyond Beyond.
    7Apollo_Tweed

    Still holds up pretty well after 26 years

    After having re-visited Harryhausen's Sinbad trilogy recently, I have decided that this one, overall, compares very favourably with the other two. It is the most epic of the trilogy and has the most ambitious storyline (POSSIBLE SPOILER) involving a voyage into a lost world hidden behind the ice sheets at the North Pole (no doubt an idea partly influenced by Disney's 1974 'The Island at the Top of the World').

    The creatures in this one are the least spectacular of the trilogy (THE SEVENTH VOYAGE & THE GOLDEN VOYAGE have better and more spectacular ones) but Harryhausen's artistry is as great as ever and he really should have been given a special accolade for imbuing Kassim the Baboon and the Troglodyte with so much character. It really is remarkable watching them 'act'. Demanding kids may find the creatures disappointing but now that I am older I can appreciate the fine work that went into realising them. Harryhausen's puppet work possesses a tangibility that CGI is only just now coming close to emulating.

    I also find that I care about the characters in this film and what happens to them. The woodenness of the acting and the dialogue of the previous 2 films in some way stopped me from caring very much. This picture does not suffer in the same way, as both acting and dialogue, while nothing special, are better here. Jane Seymour is also very easy on the eye and is the best looking Sinbad girl of them all.

    Overall, highly recommended for young (but not very young) children and for adults who were kids when it first came out and want to recapture some nostalgic vibes. I feel that this one is best for a sense of epic adventure and empathetic characters, THE SEVENTH VOYAGE OF SINBAD is best for the monsters and THE GOLDEN VOYAGE OF SINBAD is quite possibly the best of the trilogy overall.
    7lambiepie-2

    For children when wonder and Imagination were still in vogue!

    (Minor Spoilers)

    Let's be honest and a tad realistic about this film, shall we?

    By TODAY'S standards, this is a "cheesy" kinda film compared to what technology we've got. And I think at the time of this release we had gotten "Close Encounters of the Third Kind" and "Star Wars" so our expectation levels were running higher for "special effects" and "whimsy" than this.

    But I still can get entertainment out of this film.

    How?

    By remembering how old I was when I saw it and WHOM I was with when I saw it. My family.

    I was a child. This film wasn't in my all time top ten, but it was...fun. It was one of those movies local channels threw on Sunday afternoon before or after a televised ball game..or when a ball game was rained out. Come on, admit it..you remember!

    And that's the point. This film's special effects were nice..not spectacular..not even up to Ray Harryhausen's standards, but the Harryhausen mark was there which made it entertaining (Admit it, you LOVED the walrus scene!! How 'bout that Cyclops?!?! As a child this was all good! You remember!!).

    For very young girls, this Sinbad was REALLY nice to look at back then. For the very young guys, so was Miss Jane Seymour and Miss Taryn Power. Then there was the story which was kinda fun, the adventure which was kinda whimsical and the happy ending where the bad guys got theirs'.

    This was done at a time of assuming children would love this kinda stuff. Back then, more would have. Now, most children don't even think "Spy Kids" can give them a buzz.

    This movie is about childhood and remembering what it was like to have an imagination and watch a story unfold for nothing but the sheer enjoyment of it...the fun of eating "Good 'n' Plenty", "Snowcaps", "Malted Milk Balls" and Popcorn without thinking about calorie content to make this even more fun to watch...and the "eye candy" of Wayne, Seymour and Power help a so-so story that's really better than a lot of stuff I've seen today that they charge ya $10 a ticket for! Parents may not have liked it as much as the children but that too is part of the fun!

    Have a heart when watching this. Watch this as a "fun" romp....as remembering when families watched shows together (..or in my case my dad mumbling under his breath about how the game was due on and he had to sit through this 'crap' first!), the pre-teen tingles of watching a handsome Wayne, young Seymour and/or Power (...ya know...before having breast implants and weighing 95 pounds was mandatory in Hollywood for women to do this kind of film work?!?) and telling your parents you were REALLY interested in the story...really.

    Maybe I've got a more "nostalgic" view about this film..its because I'm not looking for academy award winning material with this kind of film, but it does its job of...entertaining...and if you have children and want them to be children for a tad longer, this may be the film fare for them. Or just for you, if you want to curl up with some popcorn and remember "the good old movie fluff days" where special effects were done by hand and stop motion photography by the "grand-daddy" of the genre and a Sinbad movie where Sinbad actually looked like you might imagined him to look like back then and evil characters who were evil and got theirs....pretty much simplified.

    Open your mind and when you have a moment...enjoy. Don't take it seriously just sit back... watch...and HAVE FUN..with your children, as a family.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      An uncredited Peter Mayhew is the live suit actor stand-in for the stop-motion Minaton (the bronze mechanical minotaur), whose name is a portmanteau of "minotaur" and "automaton." Before filming, Mayhew was a hospital attendant at King's College Hospital in London. Producer Charles H. Schneer saw Mayhew's photo, in which he was literally standing above the crowd around him. This was Mayhew's very first role, right before his more famous role of Chewbacca in Star Wars: Épisode IV - Un nouvel espoir (1977). Both films were released in 1977, and "Star Wars" was released three months before this film.
    • Gaffes
      When Zenobia's son is killed and she goes down the steps to see him at the end of the film, you clearly see she is wearing two shoes and no longer has the bird's claw on her right foot.
    • Citations

      Hassan: I've never seen a black man turn white before

    • Crédits fous
      The opening and closing titles appear over the crowning ceremony of Prince Kassim.
    • Connexions
      Featured in Science Fiction Film Awards (1978)

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    FAQ17

    • How long is Sinbad and the Eye of the Tiger?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 août 1977 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langues
      • Anglais
      • Arabe
    • Aussi connu sous le nom de
      • Sinbad and the Eye of the Tiger
    • Lieux de tournage
      • Petra, Jordanie(Melanthius' castle)
    • Sociétés de production
      • Columbia Pictures
      • Charles H. Schneer Productions
      • Andor Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 3 500 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 53 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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