La sentinelle des maudits

Not ready for marriage, a fashion model (Cristine Raines) moves into an unbelievably nice Brooklyn Heights apartment, where scary occurrences turn into a much more frightening turn of events.

I have to first call out the cast: Chris Sarandon (so young he is unrecognizable), Jeff Goldblum, Christopher Walken (in a far too small role), Eli Wallach, Jerry Orbach (also quite young), Burgess Meredith, John Carradine... and more (including a very, very small cameo by Richard Dreyfuss). If you think a film with both Walken and Goldblum is a bad idea, you may as well just walk away now.

The biggest thing for me is how I did not know what this film was or had even heard of it. How has it escaped my attention? With that cast, the great plot and solid storytelling? This is really a must-see for horror fans. It has been ranked in the top 100 of the scariest horror films. I have seen 1000s of horror films, and I would debate putting it in the top 100, but it is not a stretch by any means.

Before Dana Barrett opened her refrigerator and found Zuul, this story was out there of another apartment complex with another kind of doorway...

At the end of the movie you will see a very disfigured man, seems like great makeup job, with warts all over his face, similar to the elephant man but not as severe. This was no makeup. Louie was from my neighborhood and was severely disfigured from birth. He was picked for the movie while on the train coming from work where he used to mop floors in a hospital. Everyone in my neighborhood loved Louie and his disfigurement never bothered us. He actually was married to a normal looking woman and had a child, a son. He had his 15 minutes of fame and we were all happy for him, great guy that made a deficit into an asset.

Christina Raines plays a lovely model in New York who seeks out a new apartment and begins to meet strange neighbors and reveal a secret about the building and herself slowly building up to quite a climax by film's end. This film has all kinds of neat plot elements from the Roman Catholic Church vs. the Devil, to the gateway to Hell, to bizarre rituals, to a growing conspiracy, and finally to a host of talented famous actors and actresses flooding the film. We get Ava Gardner, Burgess Meredith, Chris Sarandon, Jerry Orbach, Deborah Raffin, Arthur Kennedy, Jose Ferrer, Slyvia Miles, Beverly DeAngelo, Eli Wallach, Martin Balsam, Christopher Walkin, William Hickey, Tom Berenger, Jeff Goldblum, and who can forget John Carradine as the old priest. Many of these actors ham it up - particularly Burgess Meredith giving a fine comic/demented performance as one of the neighbors with a little bird and a cat. Meredith is memorable as is Balsam and Chris Sarandon. Some of the performers have virtually nothing to do like Jose Ferrer in a thankless role even if it is nothing more than a cameo. The Sentinel is a fine horror film with plenty of psychological elements and some truly terrifying scenes. The end scene is repulsive and yet chilling. I do find fault with some of the gratuitous sex and violence in the film, particularly that whole scene with DeAngelo and Miles. Was that really necessary? I think not. Also, the father/daughter stuff was a bit much as well, but overall the film works and has a winning pace. Director Michael Winner does a workmanlike job and is effective creating tension and scary movie moments. The scenes with Carradine are particularly effective.

Boasting an all-star cast so impressive that it almost seems like the "Mad Mad Mad Mad World" of horror pictures, "The Sentinel" (1977) is nevertheless an effectively creepy film centering on the relatively unknown actress Cristina Raines. In this one, she plays a fashion model, Alison Parker, who moves into a Brooklyn Heights brownstone that is (and I don't think I'm giving away too much at this late date) very close to the gateway of Hell. And as a tenant in this building, she suffers far worse conditions than leaky plumbing and the occasional water bug, to put it mildly! Indeed, the scene in which Alison encounters her noisy upstairs neighbor is truly terrifying, and should certainly send the ice water coursing down the spines of most viewers. Despite many critics' complaints regarding Raines' acting ability, I thought she was just fine, more than ably holding her own in scenes with Ava Gardner, Burgess Meredith, Arthur Kennedy, Chris Sarandon and Eli Wallach. The picture builds to an effectively eerie conclusion, and although some plot points go unexplained, I was left feeling more than satisfied. As the book "DVD Delirium" puts it, "any movie with Beverly D'Angelo and Sylvia Miles as topless cannibal lesbians in leotards can't be all bad"! On a side note, yesterday I walked over to 10 Montague Terrace in Brooklyn Heights to take a look at the Sentinel House. Yes, it's still there, and although shorn of its heavy coat of ivy and lacking a blind priest/nun at the top-floor window, looks much the same as it did in this picture. If this house really does sit atop the entrance to Hell, I take it that Hell is...the Brooklyn Queens Expressway. But we New Yorkers have known THAT for some time!

I really liked this movie! One of my favorite undead movies of all time infact.

Don't expect a ton of special effects, but do expect some genuine chills and memorable visuals.

If you like Clive Barker-esque horror, you'll like this movie.