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IMDbPro

La Fièvre du samedi soir

Titre original : Saturday Night Fever
  • 1977
  • Tous publics
  • 1h 58min
NOTE IMDb
6,8/10
92 k
MA NOTE
POPULARITÉ
2 331
132
John Travolta and Karen Lynn Gorney in La Fièvre du samedi soir (1977)
Regarder Trailer
Lire trailer1:19
6 Videos
99+ photos
Le passage à l'âge adulteDrameMusique

Inquiet quant à son avenir après le lycée, un américain de 19 ans originaire de Brooklyn tente d'échapper à la dure réalité de sa vie de famille en dominant le dance-floor de la discothèque ... Tout lireInquiet quant à son avenir après le lycée, un américain de 19 ans originaire de Brooklyn tente d'échapper à la dure réalité de sa vie de famille en dominant le dance-floor de la discothèque locale.Inquiet quant à son avenir après le lycée, un américain de 19 ans originaire de Brooklyn tente d'échapper à la dure réalité de sa vie de famille en dominant le dance-floor de la discothèque locale.

  • Réalisation
    • John Badham
  • Scénario
    • Nik Cohn
    • Norman Wexler
  • Casting principal
    • John Travolta
    • Karen Lynn Gorney
    • Barry Miller
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    92 k
    MA NOTE
    POPULARITÉ
    2 331
    132
    • Réalisation
      • John Badham
    • Scénario
      • Nik Cohn
      • Norman Wexler
    • Casting principal
      • John Travolta
      • Karen Lynn Gorney
      • Barry Miller
    • 321avis d'utilisateurs
    • 110avis des critiques
    • 77Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 6 victoires et 14 nominations au total

    Vidéos6

    Trailer
    Trailer 1:19
    Trailer
    Saturday Night Fever: Blu-Ray Directors Cut
    Clip 2:11
    Saturday Night Fever: Blu-Ray Directors Cut
    Saturday Night Fever: Blu-Ray Directors Cut
    Clip 2:11
    Saturday Night Fever: Blu-Ray Directors Cut
    Saturday Night Fever: Blu-Ray Directors Cut
    Clip 2:19
    Saturday Night Fever: Blu-Ray Directors Cut
    Saturday Night Fever: The Competition
    Clip 2:04
    Saturday Night Fever: The Competition
    Saturday Night Fever: Kiss Me
    Clip 1:21
    Saturday Night Fever: Kiss Me
    Saturday Night Fever: Dancin'
    Clip 2:13
    Saturday Night Fever: Dancin'

    Photos192

    Voir l'affiche
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    + 185
    Voir l'affiche

    Rôles principaux44

    Modifier
    John Travolta
    John Travolta
    • Tony Manero
    Karen Lynn Gorney
    Karen Lynn Gorney
    • Stephanie
    Barry Miller
    Barry Miller
    • Bobby C.
    Joseph Cali
    Joseph Cali
    • Joey
    Paul Pape
    Paul Pape
    • Double J.
    Donna Pescow
    Donna Pescow
    • Annette
    Bruce Ornstein
    • Gus
    Julie Bovasso
    Julie Bovasso
    • Flo
    Martin Shakar
    Martin Shakar
    • Frank Jr.
    Sam Coppola
    Sam Coppola
    • Dan Fusco
    • (as Sam J. Coppola)
    Nina Hansen
    Nina Hansen
    • Grandmother
    Lisa Peluso
    • Linda
    Denny Dillon
    Denny Dillon
    • Doreen
    Bert Michaels
    Bert Michaels
    • Pete
    Robert Costanzo
    Robert Costanzo
    • Paint Store Customer
    • (as Robert Costanza)
    Robert Weil
    Robert Weil
    • Becker
    Shelly Batt
    • Girl in Disco
    Fran Drescher
    Fran Drescher
    • Connie
    • Réalisation
      • John Badham
    • Scénario
      • Nik Cohn
      • Norman Wexler
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs321

    6,892.2K
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    Avis à la une

    10Bandit1974

    I Don't See Anyone Givin You A Raise Down At Unemployment

    I am 31 so I was 3 when this movie came out. The first time I saw Saturday Night Fever was the "Edited For Television" version probably when I was 6 or 7 years old. At that point, it was about the music, the dance scenes and the clothes.

    It wouldn't be until years later that I understood what a great story this is. It's a coming of age movie. It's a modern day tragedy. It's a love story.

    The first thing that people think about when they hear Saturday Night Fever is disco and bell bottoms, but the story is timeless. Travolta plays Tony Manero, a loser in a nowhere job who only feels alive when he is on the dance floor at the local disco. There he is adored by his friends, by women and by strangers. There he is king. Everywhere else he is nobody. Even at home.

    Tony becomes infatuated with a woman named Stephanie. On the surface Stephanie appears to be much better off than Tony. For the most part Stephanie is a big talker, but Tony is bothered by her observations.

    "Let me guess. You work all week long at some dead end job and then you go and blow it at all at 2001 (the disco) on the weekends. You're a cliché. You're no one, going nowhere." As much as Tony is upset by her words he can't argue with them. Soon Tony becomes frustrated with his "station in life" and tells Stephanie he wants out (of Brooklyn).

    What makes Saturday Night Fever work so much for me is Tony is very typical of a lot of males who would rather have a good time and party now than build something toward the future. Bars are full of guys like Tony. Guys who are super stars in their local drinking establishments, but have no life outside of the night life.

    And of course there's the superb dance scenes that most people remember Saturday Night Fever for. The soundtrack is also one of the best out there.

    For whatever reason, Saturday Night Fever also has my favorite closing shot of all time. It's really nothing special, but I get choked up every time I see it.

    Saturday Night Fever is also a snapshot of a period in recent American history. The movie took place in 1977. The country was a mess after the Vitenam war ended and before Reagan stormed Washington and once again instilled a sense of pride in Americans. There was no longer a war to protest, but the average American didn't have much faith in our country. I think Saturday Night Fever does an excellent job of capturing what was probably a common attitude among young adults during the late 70's. Live for the moment because the future is pretty bleak.
    9notarepublican

    Modern, and Misunderstood, Classic

    While the movie is more apt to be recalled for its impact on American pop culture, few who watch the movie will ever see beyond the admittedly fantastic dance sequences. As a result, many people might never recognize Saturday Night Fever as perhaps one of the best movies ever made about class struggles among white ethnics.

    While his quick study under Denny Terrio for those dance sequences showed a great deal of determination, Travolta's Tony Manero shines in so many other way. The looks of embarrassment and exasperation that his character expresses when confronted with the possibility of working in a Bay Ridge paint store all of his life, or the prejudice and regional chauvinism of his friends, or the behavior of his friends at White Castle or his initial inability to express himself to Stephanie in any way that might impress her, all of these and more contribute to a fully realized character.

    While Tony's friends idolize him, the movie never really does, but it does allow empathy for his plight, because even Tony realizes that he is virtually trapped by the current conditions of his existence. While much might be made of the homophobia, racism, and misogyny of the protagonist and his friends, these things are never excused and the movie goes to some lengths to express Tony's own recognition that these are shortcomings in not only his character, but those borne of a provincial mentality which he desperately longs to escape.

    Forget those who call this a musical. While the music is an intricate part of the film and setting, Travolta's performance is what sets this film apart.
    tfrizzell

    Living Vicariously Through the Weekends.

    An uneducated Brooklyn teen (John Travolta, in an Oscar-nominated role) lives in a dream world over the weekends as the king of a disco dance floor. Disillusioned, quietly upset with where his life is, Travolta finds solace by dancing in public to Bee Gee's music and finds love with his newest dance partner (Karen Lynn Gorney). The duo practice for an upcoming contest that could mean total success at last for Travolta and the opportunity to get discovered doing what he really loves. Travolta and his friends seem destined to go down a path of destruction though as a soap opera develops for all the key people found within. "Saturday Night Fever" is a total over-achiever as it could have fallen to exploitation tactics of the 1970s, but becomes one of those iconic films that still stands the test of time. Travolta is a revelation in arguably his greatest role. The other players are adequate and the screenplay is deceptively smarter than it appears on the surface. The movie also works as a time capsule to a part of contemporary American history where discos and bell-bottoms were all the rage. Still one of the finer films of the time period. 4.5 out of 5 stars.
    7Quinoa1984

    It has it's moments of absolute glory

    Saturday Night Fever is thoughtful, engaging, and sometimes brilliant. While some might call it one of the greatest films ever, I must disagree. But along the lines of a groundbreaker, yes it is. The film does for disco what Suburbia did for punk. And the film gives John Travolta, the cool Italian guy from Engelwood, NJ a good break. He plays a paint guy who at nights (and sometimes days) has a love for dancing, which he is absolutely excellent at (those dance scenes are quite memorable). Not always on the money, but when it is, it delivers the goods. Bee Gees provide songs here that everybody likes (I would have to assume from Wayne Campbell's statement in Wayne's World). A-
    californiabeat

    Stayin' Alive

    Who doesn't remember that song?¿? ah ah ah stayin' alive stayin' alive. Yeah! this movie was a classic!.If we are here to compare it with such movies as The Godfather,Apocalypse Now or Gone with the wind,of course most of the people or cinema critics will think this movie as a joke.But it isn't.Saturday Night Fever was considered in 1977 for liberal or funky people an icon movie such as Rebel Without A Cause was for young people in the 1950's.Today it can even be considered a cult movie.Of course that's only my opinion,but i can tell u i'm also a fan of The Godfather.John Badham made a great job directing this movie.He didn't made only a serious discomusic movie about,but also a movie where problems of young people were having on those days.John Travolta made the lead character of one of those young guys.With his ups and downs during the whole movie Travolta expresses a guy who have urges on being "someone" in this world,and yeah,he did a great job.So good that he was even nominated that year for Best Lead Actor.Need to say more...

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      John Travolta had worked hard on the "You Should Be Dancing" sequence and threatened to quit the film when the studio suggested it should be shot in close-up instead of full-body.
    • Gaffes
      When Tony is walking with Stephanie to get coffee, a girl's scream is heard. A group of girls was watching them film the scene and they would scream when they saw John Travolta.
    • Citations

      Tony Manero: Would ya just watch the hair. Ya know, I work on my hair a long time and you hit it. He hits my hair.

    • Crédits fous
      When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking.
    • Versions alternatives
      In 2002, AMC (American Movie Classics) showed a new print of 'Fever' with scenes not in the theatrical release nor home version:
      • 1) After Tony's first night at the disco, he and his buddies cruise the bridge, where the song 'Jive Talkin'' can be heard in the background. He gets out of the car, and begins to caress the bridge's structure with his fingertips.
      • 2) After asking Doreen to dance, Tony and Doreen dance to 'Disco Duck'.
      • 3) Tony takes Stephanie back to her Bay Ridge home, where they kiss in the car.
      • 4) Tony signs for a telegram that tells his father has been asked to go back to work.
      • 5) After getting out of the subway, Tony buzzes Stephanie's apartment building.
    • Connexions
      Featured in Les rendez-vous du dimanche: Épisode datant du 16 avril 1978 (1978)
    • Bandes originales
      How Deep Is Your Love
      Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.

      Written by Barry Gibb, Robin Gibb and Maurice Gibb

      Performed by The Bee Gees

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    FAQ23

    • How long is Saturday Night Fever?Alimenté par Alexa
    • Why did Annette agree to put out for the entire group?
    • What are the differences between the PG Version and the Uncensored R-Rated Version?
    • In the Directors Cut what is the point of the scene where Tony's Dad gets his job back?

    Détails

    Modifier
    • Date de sortie
      • 5 avril 1978 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • Fiebre de sábado por la noche
    • Lieux de tournage
      • 86th Street, Brooklyn, Ville de New York, New York, États-Unis(opening sequence: Tony's Walk)
    • Sociétés de production
      • Paramount Pictures
      • Robert Stigwood Organization (RSO)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 94 213 184 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 878 099 $US
      • 18 déc. 1977
    • Montant brut mondial
      • 237 113 184 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 58min(118 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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