Le Toboggan de la mort

Thrilling and entertaining catastrophe movie with some clichés and stereotypes containing enjoyable performances from George Segal and Richard Widmark ; dealing with a psychotic person who plans a massive killing spree in amusement parks . Police and FBI are called in to investigate and trace the crimes to a young man (Timothy Bottoms) , as this is a race against time and terror . They are pursuing a nameless, faceless man through America's greatest amusement park . This disaster movie blends action , intrigue , breathtaking spectacle, suspense and emotional byplay . ¨Rollercoaster¨ was a successful film that grossed at box office . The FBI led by superior officer named Hoyt (Richard Widmark) and helped by technical supervisor Calder (George Segal) learn of the plot and rush to the scene , as the psychopath blackmails a whole conglomerate of companies for a million dollars . Still , they may be too late , as an all-star cast finds itself lined up in the sights of a madman . They spend most of their time devising various ways for avoid to psychopath carries out his aims : a massive killing spree in parks and rollercoasters especially . As our heroes get stuck in the before it blows up and when slaughter takes place they go into action ; as they pay tribute to policemen . There takes place a struggle between two forces , the cops along with FBI and the sinister assassin and ultimately erupts when the crowd turns almost effortlessly and devours itself in a climax of panic .

Exciting film that packs thrills , noisy action , overwhelming scenes , suspense , emotion and turns out to be pretty entertaining . This formula intrigue movie belongs to catastrophe genre of the 70s , being the undisputed king , ¨The towering inferno¨ along with ¨Earthquake¨ , ¨Two minutes warning¨ and many others ; this formula disaster movie was widely developed by Irwin Allen , previously winner of numerous Oscars for ¨Poseidon¨ until the failures as ¨Beyond Poseidon¨, ¨Swarm¨ and ¨When the time ran out¨ . ¨Rollercoaster¨ results to be an intriguing and thrilling film . Filmed at the height of the disaster genre from the 7os , this entry in the spectacular series profits of a strong acting by starring trio George Segal , Richadd Widmark and Henry Fonda . Good performance by Timothy Bottoms , the filmmakers later decided that the movie was more suspenseful if the motive behind the Young Man's actions were never known, as well as keeping the audience from sympathizing with the Young Man's situation . Succeeds in combining various talented actors , an all star cast came together that tie for film's top casting honors ; furthermore a top-notch secondary casting such as Harry Guardino , Susan Strasberg , William Prince , Robert Quarry and a teenager Helen Hunt and Craig Wasson , Steve Guttenberg's first film . Furthermore , most of the actors portraying police officials in the film were actual police officers from the surrounding area . And for the first time, you are experiencing the most sensational rides of our time, to be presented in "Sensurround", a special low-frequency bass speaker setup consisting of four huge speakers loaned by distributors to select theaters showing the film , this system was employed only during certain sequences of the film, and was so powerful that it actually cracked plaster at some movie theaters. "Sensurround" was employed in only three other films released by Universal: Earthquake, Midway, and the theatrical release of Battlestar Galactica .

Colorful and gripping photography in Panavision by David Walsh , including persistent high-angle shots , subjective camera-work and use of long lenses . Some of the amusement park scenes were shot at Kings Dominion in Doswell, Virginia, just north of Richmond and also partially filmed at Ocean View Park in Virginia (including the destruction of the roller-coaster) and the roller coaster featured in the main climax of the movie is the Revolution at Six Flags Magic Mountain in Valencia, CA and was the first to feature a complete 360-degree vertical loop . Intriguing and thrilling score by Lalo Schifrin in his usual style . This big-budgeted disaster movie was professionally directed by James Goldstone , an ordinary TV movies director and subsequently made another catastrophe film , the disastrous ¨When time ran out¨ . Rating : Good and entertaining , it's a fairly watchable disaster movie.

i thought this was a pretty good little thriller.it kept me entertained throughout,and it never became boring.In a nutshell,it's a about a guy who blows up a roller coaster ride and extorts money from the owners of other amusement parks to keep more of the same from happening to their roller coasters.Timothy Bottoms plays the psychopath,with George Segal as his main nemesis.Bottoms is quite chilling and cold,and Segals' character matches wits him.watch for a young Helen Hunt,as well.i really liked the music by Lalo Schifrin,which is reminiscent of Bernard Herrmann.it really added to the atmosphere.the tension and suspense is down to the wire in this one.for me,Roller-coaster is a 6/10

Rollercoaster is directed by James Goldstone and co-adapted to screenplay by Sanford Sheldon, Richard Levinson and William Link from a suggested Tommy Cook story. It stars George Segal, Timothy Bottoms, Richard Widmark, Harry Guardino, Susan Strasberg and Helen Hunt. A Panavision/Technicolor production in Sensurround, it features music by Lalo Schifrin and photography by David M. Walsh.

A psychopathic bomber known only as "Young Man" (Bottoms) is causing terror at American theme parks. When safety inspector Harry Calder (Segal) is brought in to investigate, it sets off a cat and mouse game as the "Young Man" ups the ante...

Even now Rollercoaster is still wrongly being lumped in with the disaster movie genre that surfaced in the 1970s. Released at a time when that particular genre of film was fading out, Rollercoaster is anything but a disaster movie. What it is, in fact, is a psychopath character based thriller that adheres to procedural values and character involvement. As it runs at nearly two hours in length should notify viewers that it isn't a film chocked full of Rollercoaster sequences and explosive pyrotechnics. Yes, there's some exciting "Coaster" sequences, neatly shown to us in POV, and in spite of the (obvious 1970s) use of dummies for the plot set up carnage, this thrives on human interest and race against the clock suspense.

The marker is set early on as Bottoms' smirking killer sets up his first murderous act whilst listening to some deathly string arrangement on his cassette player. We then segue into funfair music as the joys of the amusement park brings a warmth and calm to the viewer, this however is soon vanquished as the terror that a terrorist can bring comes right to the fore. From here on in the Bottoms character remains mysterious, but we now know just what he is capable of. Likewise does Segal's character, as do the likes of Widmark's Agent Hoyt and the rest of the "suits" frantically scratching around trying to avert further tragedy as the fresh faced bomber demands money with menaces. This ensures the bulk of the film is made up of Calder and Young Man interactions and police procedural movements. It has much talk, very much so, but it's well scripted dialogue and heightens the tension as we enter the final third.

One of the few films to feature the Sensurround gimmick, the film perhaps logically loses much impact on the small screen. Prints of the film are only adequate, and the sound mix doesn't shake your lounges in the way it certainly did back in 1970s theatres. Yet this is still a damn fine suspense picture, a pic that also carries with it some stoic performances from Segal and Widmark - and a chillingly effective villainous turn from the undervalued Bottoms. Henry Fonda is on the credits, but really it's just an early cameo appearance, while there's much interest value in watching future Academy Award winner Helen Hunt as the young daughter of Harry Calder.

Expect a taut thriller like "Two-Minute Warning", which was released the previous year, and you hopefully will not feel at all let down. Expecting a two hour disaster movie full of Coaster Carnage, however, will only lead to a crushing disappointment. 8/10

This is probably my favorite childhood film having seen it 30 times at the theater during the summer of '77 (to put it in perspective I only saw Star Wars 12 times) and it still holds up very well. I'm sure part of that is the nostalgia factor as it seems to capture a time and place(s) pretty well, but there's a bit more to its appeal to me than that. It works because none of the characters are grossly exaggerated caricatures but everyday men with foibles like struggling to quit smoking. The Caulder character is identifiable because of his family and work failings while Bottom's soft-spoken psychopath (which probably would be portrayed as over the top if the movie were to be made now) is much more in tune with an understated realism that most contemporary madmen you see on screen today lack. While the Widmark character of Hoyt is a pretty much by the book portrayal of a federal dick, his sardonic exchanges with Segal lend an heir of authentic, yet begrudging mutual respect. That credit should go to the screenwriters. Henry Fonda's exchanges with Caulder are similar in their edge and that makes for an understanding of what Harry is up against in trying to stop the bomber. Susan Strasberg as Caulder's love interest is sympathetic, and very pretty, but isn't given much screen time outside of being a nanny for Caulder's daughter...a minor complaint to be sure.

After Roller-coaster came down from my long since demolished local three screen multiplex and had its initial HBO run it sadly all but seemed to disappear from my life, outside of an occasional run on late night TV during the eighties, but reappeared in 1998 when I stumbled upon a VHS copy from a company called GOODTIMES at a Tower Record store in Seattle. I was ecstatic. I still pull it off the shelf every once in awhile to remind myself that some of the minor films of the seventies that weren't appreciated in their day deserve another view.

Roller-coaster if seen should be seen in a specially equipped theater rigged for Sensurround. I didn't see this in theater, but I did see Earthquake and I still remember both seeing Earthquake and later going to the same multiplex cinema seeing another feature and hearing the Earthquake noises from the adjoining screening room. It just wasn't the same thing when I later saw Earthquake on television. Nor was it the same seeing a DVD of Roller-coaster.

Timothy Bottoms plays the young genius at electronics and explosives who has figured out that the amusement park industry is very unsecure and impossible to secure as a target for terrorism. After causing a couple of accidents where lives were lost, Bottoms blackmails several park owners.

On one of those accidents the safety engineer George Segal gets a dressing down on his dereliction of duty and that sends him on a mission. For a guy who hasn't any training in this field, Segal proves to be a remarkable sleuth who matches FBI guy Richard Widmark in this field.

Bottoms kind of bonds with Segal in the same way that Scorpio bonded with Dirty Harry and it ends just about the same way.

Roller-coaster and other high speed amusement rides are thrilling in and of themselves, adding the possibility of explosion does heighten the tension in Roller-coaster.

It's an interesting film premise and Roller-coaster does provide some nice entertainment and it's a catalog of Seventies fashions.