Ajouter une intrigue dans votre langueWhen God appears to an assistant grocery manager as a good-natured old man, the Almighty selects him as His messenger to the modern world.When God appears to an assistant grocery manager as a good-natured old man, the Almighty selects him as His messenger to the modern world.When God appears to an assistant grocery manager as a good-natured old man, the Almighty selects him as His messenger to the modern world.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 3 nominations au total
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On the DVD commentary tract, the makers of the film, looking back on it after 25 years, seem to be equally as surprised. The director, Carl Reiner, points to an eight-minute scene in which it is just Denver and Burns talking in a bathroom. There is no music, no fast cuts, no special effects, and the scene simply holds our attention on its own. Mr. Reiner indicates that there is no way that the scene would be made that way today.
Some scenes are timeless, such as Jerry's first encounter with the Almighty via intercom in the all-white room. Also classic is the infamous scene in the bathroom in which God first reveals himself in the flesh to a humbled and still somewhat disbelieving John Denver.
Unfortunately, not all of the movie holds up as well. Some things, especially exteriors, seem very dated. And even though it is quaint, it is hard to believe that an intelligent and capable husband and wife team would cherish a Supermarket Assistant Manager Job so much. Ah well, it was another time when people still believed in sticking with one company and working their way up through the ranks.
I wish that the film would explore some of the harder questions of religion a little more seriously, but one wonders if the film would collapse if taken out of its sweet, feel-good movie formula in which it is helplessly trapped forever.
If anything, rent it for the performances of the two leads. George Burns, playing the role at 83, is so good, that it is, (not to be cliched,) awesome. However, what is equally as unbelievable is the performance of John Denver in his first and only acting gig. He hits some of his notes perfectly, and it really shows a significant skill and timing to play straight man to a legend like Burns.
George Burns is terrific as God taking the form of a kind old man. God (Burns) asks a man (John Denver) in the 1970s to relay His message to the world: that, despite the tough times, "it can work" if people get their act together. The man is put in the unenviable position of trying to convince people that he really is God's messenger. In the end, it's not about politics or who's right and who's wrong; it's a friendly reminder that we shape the world in which we live, and we can make it good again.
Carl Reiner's film seems like a fairly realistic (if comical) portrayal of the difficulties that would arise if God appeared to only one man in today's modern society. There's a satirical side to it. But the God in this film isn't concerned with who believes and who doesn't. He realizes He can't win over everybody, but He remains in good humor. He watches over the universe in a hands-off manner.
Personally I'm not very religious, but Burns is the kind of God I'd like. Great casting.
In terms of entertainment value, OH, GOD! might not be the *best* choice for a movie night, but I enjoyed it. I wouldn't want to watch it over and over again, but it's nice to check out once every so often. And I think it's definitely worth seeing once.
7/10
As, God, Burns is astonishing. Whenever John Denver asks questions that every being would ask if confronted by God, Burns replies with a certain, common sense, matter of fact response. There is no grandiose answer. One of my favorite lines is when John Denver's character asks "Why me?", God says, "Why not you? You know those supermarket things, every one millionth customer. Or whoever crosses the bridge at a certain time. Well you're the one millionth customer."
Speaking of Denver, he also is great, playing Jerry, not as a crazed man, but as an average grocery market assistant manager who is suddenly faced with the fact that God has chosen him to carry a message. He plays his character with a certain warmth, and naturalness.
Carl Reiner directed this film, and with a great eye. Notice how Jerry's everyday life is just that, everyday. The way he is with his wife, and kids, and people around him. I've seen it a dozen times, because that's how people actually act. Reiner brought a sense of realness to this movie, which in effect brought with it believability.
This is a very low-key movie for the most part about God choosing to make an appearance basically to plead - through Jerry - for people to start getting along with each other and to stop hurting each other; an appeal to set aside all the things that divide us and start to focus on being the human family. Not a bad message - but, as the film portrays, a message not received well at all. Instead of embracing the message, those who heard it chose to either attack or ridicule the messenger - surely a warning for those who claim to bring a word from God. Through Burns, God isn't portrayed as a being of great power, breathing fire and brimstone and anxiously waiting to bring judgement upon us. God is frustrated with us, disappointed in us, amused by us, but not especially angry. It's hard to imagine God as portrayed here being angry.
The movie breaks out of its low key feel very briefly for a scene involving the Reverend Willie Williams (played by Paul Sorvino.) One of a panel of religious "experts" called upon to pass judgement on whether or not Jerry's experience of God was real, Sorvino's portrayal of Williams - a corrupt and greedy evangelist - was very well done; a spark of real energy in an otherwise sedate movie. Williams and the others on the panel, of course, are all convinced that God would only speak through them (or at least through their various religions) and not through a lowly supermarket assistant manager. But God chose the humble and unknown Jerry. There's a theological point being made there - an important one actually, and such theological points are made throughout the movie, although never in a hard-sell, in your face sort of way. Teri Garr (who seems to me to have been everywhere in the 70's) was also cast in this as Jerry's devoted but doubtful wife.
Some compare this movie to "Bruce Almighty." It actually has more in common I think with "Evan Almighty" - the idea of God choosing a person to speak through and having him rejected as either insane or a fraud. Jerry wasn't given God's powers, after all - just a message for the world. Low key and sedate, this movie won't get your heart pounding or cause outrageous laughter. It's just gently thought- provoking and mildly amusing. A pleasant viewing experience. (6/10)
God comes in a form that our modern society seems to enjoy dismissing-- the elderly. It's a delight to George Burns, who really does have all that mileage on him, and John Denver, whom no one will mistake for Laurence Olivier, create this relationship between the mundane and the spiritual that is relatable, relaxed and relevant.
In our culture, we already know about the forbidding and the punishing, and the hostility between faiths.
But here's a God who says, paraphrasing here, "Jesus was my son. Moses was my son. Mohammed was my son. Buddah was my son. And so are you. And so is the guy who's charging you 18.50 for a piece of room service roast beef."
Inclusive, with gentle humor. Burns' performance suggests a being who has seen a lot of the world, and doesn't expect anything of importance to happen quickly.
It's a loving and practical relationship between the everyday and the sacred.
And the old hands, Barnard Hughes and Paul Sorvino, and the whole gang of great character actors, make this a treat to watch. And gee, having Teri Garr play exasperated. That's like asking Pavarotti if maybe he'd like to sing something.
Maybe a bit sweet for your taste, I don't know. For me, I can actually watch it whenever it comes on and enjoy every moment of it. (Like Paul Sorvino as a money grubbing preacher, protesting, "And I PERSONALLY have been invited, to give the benediction.....at the SUPER BOWL!!!!"
Le saviez-vous
- AnecdotesAccording to screenwriter Larry Gelbart, director Carl Reiner initially envisioned his often-partner Mel Brooks playing God and Woody Allen playing Jerry Landers.
- GaffesThe trial for slander in this film would have been a civil trial and would have taken many months, if not many years, to come to trial after the alleged slander took place. Neither side would be permitted to call "surprise" witnesses at the trial. The witness list would have been made known to both sides well in advance of the trial as part of the discovery process, and each side would have had an opportunity to depose the other side's intended witnesses before the trial if they so desired.
- Citations
Jerry Landers: How can you permit all the *suffering* that goes on the world?
God: Ah, how can *I* permit the suffering?
Jerry Landers: Yeah!
God: I don't permit the suffering. You do! Free will. All the choices are yours.
Jerry Landers: Choices? What choices?
God: You can love each other, cherish and nurture each other, or you can kill each other. Incidentally, "kill" is the word. It's not "waste." If I meant "waste", I would have written "Thou shalt not waste." You're doing some very funny things with words, here. You're also turning the sky into mud. I look down, I can't believe the filth. Using the rivers for toilets, poisoning My fishes. You want a miracle? *You* make a fish from scratch. You can't. You think only God can make a tree? Try coming up with a mackerel. And when the last one is gone, that'll be that. Eighty-six on the fishes, goodbye sky, so long world, over and out.
- Versions alternativesThe Saul Bass variant of the Warner Bros. Pictures logo is plastered with the 1984 variant in the post-1989 VHS releases and the 2003 variant on the digital platforms.
Meilleurs choix
- How long is Oh, God!?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- ¡Dios mío!
- Lieux de tournage
- Riverside Drive and Main Street, Burbank, Californie, États-Unis(the phone booth where Jerry meets God at the end)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 41 687 243 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 040 920 $US
- 9 oct. 1977
- Montant brut mondial
- 41 687 243 $US
- Durée1 heure 38 minutes
- Mixage
- Rapport de forme
- 1.85 : 1