Nurse Sherri

Reanhauer (Bill Roy), the leader of a strange religious cult, suffers from a heart attack while trying to resurrect a three week old corpse. When he pops his clogs on the operating table, his spirit possesses buxom nurse Sherri Martin (Jill Jacobson) and forces her to exact revenge on those present at his death.

Nurse Sherri is incredibly cheap and technically inept in almost every way imaginable. The production values are pathetic: for the operation scene, cult director Al Adamson shells out for an oxygen mask and a saline drip—and that's it. The film also has one of the worst optical effects that I've ever seen in the form of the badly animated spirit that possesses Sherri, which looks like someone spilt some corrosive chemical on the negative and then scribbled on it with crayons. The performances are uniformly crap and the direction amateurish. The only half-decent death scene is an impalement by pitchfork. I watched the film last night and it had me drifting off quicker than a shot of Diprivan in the ass.

However, today I have learnt of an alternative edit…

Version two is, of course, still cheap and technically inept in almost every way imaginable, but Adamson compensates for this by throwing in a lot more T&A, which as all fans of low budget horror know, always makes z-grade trash far easier to bear. In the spirit of fairness, I've checked out these racy scenes on YouTube and can testify that the naughtier 'adult' cut is the more entertaining option: curvaceous star Jill Jacobson gets naked (she remains frustratingly clothed in the tamer version) and the film benefits from a lesbian fantasy and an amusing scene in which a nurse gives a doctor head while he is presenting a lecture—all of which is more likely to keep the viewer awake for the duration.

2/10 for the tame version; 4/10 for the saucier cut (which I'll average out to 3/10 for IMDb).

"Nurse Sherri" is proof positive that even a hack genre filmmaker like Al Adamson can still have it in them to produce something interesting and worthwhile. Compared to much of his output, this is actually pretty good. The acting (some of it, anyway) and the script (by Michael Bockman and Greg Tittinger, who also edited the picture) are above average. Dare I say it...Adamson crafts some striking and memorable horror here, especially the scene in the foundry.

The film is still rather crude if you put it up against slicker, more mainstream horror, and the animation effect is primitive, but this viewer still has a good time with this one.

Jill Jacobson plays the title role, who was present for an operation performed on a cult leader / necromancer named Reanhauer (Bill Roy). The trouble is, this was an operation that the patient did NOT authorize himself, so when he dies, his angry, vengeful spirit comes to rest inside Sherri, and compels her to murder the doctors who were involved. Sherri's lover (Geoffrey Land) and two of her co-workers (Marilyn Joi, Katherine Pass) all try to do something to reverse this possession.

There is some stiff and awkward acting, but the actors and their characters are engaging nevertheless, especially lovely exploitation veteran Joi, whose nurse lusts after star football player Marcus Washington (Prentiss Moulden), who was blinded in a car accident. Although quite serious overall, there is time for levity as Pass demonstrates a very sexy bedside manner to a male patient. Jacobson isn't really given enough to work with to make her character all that sympathetic, however. It's the devilishly good Roy who manages to steal the show, although J.C. Wells gives him some competition as a follower who is terrorized by the dead mans' spirit. John F. Goff, another prolific actor in exploitation features of the time, does a fine job as a psychiatrist.

It appears that the music used is stock music, but it's wonderfully theatrical schlock horror movie music that suits the material. And Adamsons' filmmaking may not be that slick, but it's clear that after a decade or so in the business, he'd honed his craft to some degree.

Good fun, for undemanding genre fans.

Also available in an 85 minute alternate version which puts the accent on sex rather than horror.

Seven out of 10.

I bought this on VHS as "Terror Hospital", and when I got home I checked IMDb and was like OMG it's the legendary "Nurse Sherri"!!! So here's another one from Al Adamson, who had clearly learned some minuscule amount about film-making since the "Blood of Dracula's Castle" days. Where that earlier effort is a more or less totally sclerotic lump, this one mixes it up a little, adding a definite element of variety and surprise amid the incompetence. Sure half of the movie is a blind post-op football player shooting the breeze with his stacked nurse, but at any moment we might be cutting away to the cackling disembodied head of the satanist mastermind, or Nurse Sherri running a farmer through with a pitchfork, or a wee bit of abstract student-film quick cutting to go with the pulsing-blob effects in the possession scene, or the most gratuitously half-hearted topless bit ever, or god knows what else (I forget, to be honest). As dumb-ass pieces of sh*t go, this one runs toward the high end. Congrats, Al.

Nurse Sherri (1978)

** (out of 4) - Erotic version

* 1/2 (out of 4) - Horror version

A religious cult leader is doing some sort of voodoo on a dead corpse when he suffers a massive heart attack. He's taken to the hospital where his spirit leaves his body and enters that of Nurse Sherri (Jill Jacobson). Soon the nurse is possessed with the spirit and goes on a killing spree.

Oh yes, here's another film from cult director Al Adamson. If you're familiar with Adamson's work then you probably already know that he would make a movie and often times it would be released under countless titles and sometimes different versions. NURSE SHERRI is one example of there being two different versions out there and thankfully Vinegar Syndrome has released them together. Both versions try to cash-in on the "Nurse" genre that was so popular in the 70s. One version adds in some CARRIE moments and tries to pass it off as a horror film while the other contains more softcore sex scenes.

Personally speaking, I thought the erotic version was much better simply because you've got some very beautiful women and seeing them naked was a major plus. As with most of Adamson's films, this one here has a rather sluggish pace but for the most part it's coherent and entertaining. I thought the softcore version worked the best because it didn't have as many boring dialogue scenes and instead we're treated to the beautiful Jacobson and Marilyn Joi doing what they do best. The horror version has them delivering more lines of dialogue than anything else so the spicy version is much more entertaining.

The horror version does contain some pretty bad special effects with a green animated thing floating around the screen and this here was supposed to be the spirit. I doubt this would have scared anyone who originally saw this at the drive-in. I think Jacobson was entertaining in the lead role and she certainly at least keeps your attention throughout. With that said, NURSE SHERRI certainly isn't a masterpiece but if you're a fan of Adamson then it's worth watching.

Yes...this movie is bad. After all, what did you really expect? It was directed by the king of low-budget exploitation films of the 70s....Al Adamson. He was, if you remember, the same cinematic genius that brought us Dracula Vs. Frankenstein, Brain of Blood, and the classic Blazing Stewardesses. Yet, despite all the negative response to this film, I liked it. There is no question at all that it is poorly acted, poorly directed, has poor sets and scenery and terrible special effects. The story is ludicrous about a religious zealot who exacts his revenge on those people that would not let him die naturally. What the film DOES have is heart. The people involved really seem earnest about what they are doing, and it comes across the screen. The film is also a fountain of laughs. a fun time for anyone who likes to see the ridiculous treated like the sublime. If you like bad film-making, then look no further than Nurse Sherri. I promise you will not be disappointed!