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La maîtresse légitime

Titre original : Mogliamante
  • 1977
  • 16
  • 1h 46min
NOTE IMDb
6,8/10
670
MA NOTE
Laura Antonelli in La maîtresse légitime (1977)
ComédieDrameRomance

Ajouter une intrigue dans votre langueA vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; the... Tout lireA vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.A vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.

  • Réalisation
    • Marco Vicario
  • Scénario
    • Rodolfo Sonego
    • Marco Vicario
  • Casting principal
    • Laura Antonelli
    • Marcello Mastroianni
    • Leonard Mann
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    670
    MA NOTE
    • Réalisation
      • Marco Vicario
    • Scénario
      • Rodolfo Sonego
      • Marco Vicario
    • Casting principal
      • Laura Antonelli
      • Marcello Mastroianni
      • Leonard Mann
    • 13avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos3

    Voir l'affiche
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    Rôles principaux17

    Modifier
    Laura Antonelli
    Laura Antonelli
    • Antonia De Angelis
    Marcello Mastroianni
    Marcello Mastroianni
    • Luigi De Angelis
    Leonard Mann
    Leonard Mann
    • Dr. Dario Favella
    William Berger
    William Berger
    • Conte Brandini
    Gastone Moschin
    Gastone Moschin
    • Vincenzo
    Olga Karlatos
    Olga Karlatos
    • Dr. Paola Pagano
    Stefano Patrizi
    Stefano Patrizi
    • Enrico
    Luigi Diberti
    Luigi Diberti
    • Avvocato
    Enzo Robutti
    Enzo Robutti
    • Prete
    Daniele Gabbai
    • Ufficiale
    Hélène Chanel
    Hélène Chanel
    • Proprietaria della locanda
    • (as Helen Stoliaroff)
    Paul Muller
    Paul Muller
    • Concierge
    Attilio Dottesio
    Attilio Dottesio
    • Ragioniere
    Armando Brancia
    Armando Brancia
    • Medico
    Elsa Vazzoler
    • Teresa
    Annie Belle
    Annie Belle
    • Clara
    Maria Monti
    • Direttrice hotel
    • (non crédité)
    • Réalisation
      • Marco Vicario
    • Scénario
      • Rodolfo Sonego
      • Marco Vicario
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    6,8670
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    Avis à la une

    8rigos63

    A woman's awakening and a husband's discovery.

    I too was thrilled to discover this gem. The voyeurism, Laura's innocent eroticism so obvious in Malizia comes through and is just right for a story of sexual awakening. The idea of a woman following her husband's sexual escapades and taking revenge by initiating her own shows that a woman's liberation from the morays of her time was possible even in the 19th Century.

    The use of Albinioni's Adagio is very appropriate as it imparts a sadness and languorous aura that fits the story particularly Marcello's longing and resignation. This how you make an erotic film that tops the soft porno of the Emmanuelle series.
    10peterosenau

    Truly a splendid period drama

    After „Divina Creatura" (1975) and „L'Innocente" (1976), 1977's „Mogliamante" was Laura Antonelli's next step in the world of auteur cinema. Perhaps even her best performance, although the movie is – unfortunately - kind of obscure.

    A small town in the Veneto, the winter of 1912: Traveling wine merchant Luigi de Angelis (Marcello Mastroianni) is witness to the murder of a business associate. Although innocent, he realizes he would be the prime suspect and therefore decides to fake his own death. But from his new hideout, he can see directly into the rooms of his home. He sees his wife Antonia, a rich heiress. Their dysfunctional marriage has tormented the beautiful woman for years, has even confined her to bed due to delusional illnesses. When she hears about Luigis death, she seizes her chance to break out of the cage. She follows Luigis itinerary and discovers all he had hidden from her for years. His works, his ways, his hobbies, his vices. And she learns all what was kept from her – love, sexuality, self-awareness. Luigi has to silently witness the awakening of his wife, mirroring his former life, and the more she blossoms, the more he suffers...

    This is an outstanding movie in every respect. Most praise must go to the finely balanced, sensitive screenplay. The circumstances around Luigi's suspicion of murder and his injury are a little bit too constructed, but this is just a small nit given the unique and fascinating premise that unfolds. Everything that Antonia does is seen by Luigi (or is reported to him). And the more of his secrets she uncovers, the more is he embarrassed. At some point Antonia realizes that her husband is very alive and watching her, and from then, she will hurt him by living out his vices directly under his eyes. The scenes when Antonia is watching over to Luigis hideout, knowing he's there in the dark, are breathtaking. While the empathy of the viewer is clearly with Antonia, the screenplay carefully manages to shed a different light on the (initially cruel and self-righteous) Luigi. This is just excellent, and you will wonder where and how far this will go for the two. The story is also very complex, not just covering the awakening of Antonia, but providing sub-plots and multi-layered social criticism as well.

    The beautiful landscape of the Veneto in winter adds a lot of atmosphere, be it the town square, the vineyards, the pompous villas and residences, or just the romantic mill in a valley. The wonderful score even tops that, with an incredibly charming, bittersweet main theme that will reappear frequently. Highly memorable.

    Marcello Mastroianni is excellent as always and it is also thanks to his personality that in the end you can feel sorry for Luigi, knowing what he has done (and has not done). But it is the performance of Laura Antonelli what makes the movie so special. Her Antonia evolves from a allegedly frigid, mistreated hypochondriac, into a self-confident, strong woman. Step by step, subtle nuances. This is fascinating to watch, and is played perfectly by Laura in all her outstanding beauty, sensibility and fragility, leaving the old „sexy comedy" clichés way behind her.

    Overall, this is an accessible „arthouse" period drama with erotic touches, full of emotions, tragedy, tears, but also dreams, fullfilment, hope. A feel-good-movie with an unique storyline and outstanding actors, marvellous to behold and to listen to. A shame it's comparably unknown in both Antonelli's and Mastroianni's filmographies.
    10megolmert

    BRING THIS BACK!

    It's been decades since I've seen this. I watched it several times in the 80s as I would insist on friends seeing it. SO beautiful. Not just Antonelli who is a remarkable creature, but even the carriage she travels in-all details exquisite! Wonderful story.

    Like the other reviewer, can't imagine how or why this movie is not a classic always available!
    10Stefan____

    An excellent blend of moving music, photography and story

    I was very pleasantly surprised by this film which I just watched. From the title and cover description, I was expecting a typical raunchy sex flick which I'd have to turn off after 5 minutes.

    But, ... from the very first note of the introductory musical piece, I was engrossed. The story was very real with an emotional pull and the musical score was excellent, complimenting the beautifully photographed film. The story itself is an interesting reflection of society in that time and leaves the viewer thinking after the film has ended.

    Don't hesitate to see this one if you want something beyond the typical dribble of today.!
    10Robo-22

    American title: WifeMistress

    I can not understand why so few people have seen or commented on this film. I`ve seen both the subtitled and the dubbed version and think this may well be Mastroianni's best work. The film runs a very difficult twin course of voyeurism and a woman's sexual and personal awakening.

    Early on in the film, Mastroianni's character is forced into hiding across the street from his shut-in wife, who is unaware of where her husband is hiding. As Marcello's character slowly fades in strength and in conviction, his heretofore frigid, hypochondriac wife slowly becomes her missing husband-- taking over his business, his habits, his thoughts, and eventually even his mistress. The change is all the more striking because Marcello watches the change, peeping through her window. As she gains in strength and confidence, he loses both, realizing that his life had been based on lies. The film is lushly filmed with an amazing score. Did I mention that the actresses in the movie are stunningly beautiful? While most would probably pronounce 8 1/2 or La Dolca Vita as the best Italian films ever made, I`d vote for WifeMistress.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Final film of Hélène Chanel;
    • Connexions
      Featured in Z Channel, une magnifique obsession (2004)

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    FAQ

    • How long is Wifemistress?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 mars 1978 (France)
    • Pays d’origine
      • Italie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • Wifemistress
    • Lieux de tournage
      • Cison de valmarino(Treviso, Italy)
    • Société de production
      • Vides Cinematografica
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 46 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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