Une petite musique de nuit

The most baffling thing about this disaster of a film is the fact that it was directed by Hal Prince..the director of the original Broadway production. Unfortunately Prince,who managed to create a stage masterpiece gave us a film flop! Miscasting,poor editing and excising of songs really hurt this one. Elizabeth Taylor is terrible as the wistful Desiree Armfeldt,clodhopping through the film like a bull in a china shoppe.Her singing is pitiful(in send in the clowns she actually can be heard trying to find the note!)Christopher Guard and Leslie Anne Down are dull as Henrick and Anne,no emotion,no passion.

There are some strong performances however, Len Cariou,Laurence Giuttard and Hermione Gingold shine in the roles they created on Broadway (even with Guittard's and Gingold's big solos being cut)and Diana Rigg is outstanding as Charlotte,giving the film some much needed life. Altogether its a big miss,but with some small rewards.

With this much talent on the table this should have been so much better. Liz was a great star, not a singer though, just the wrong actress for the role she should never have been cast. Not only does she not seem comfortable in the role she is not looking her best. It is a shame they didn't cast Glynis Johns in the stage role she created, she would have been perfection as the flighty, melancholy aging actress and she and Hermoine Gingold make sense as mother and daughter. Hermoine and Elizabeth Taylor bear no resemblance in either feature or gesture making it even harder to get into the material. Diana Rigg, Hermoine Gingold and Len Cariou do what they can with their parts and the settings are lovely but the direction is flat, in this sort of whimsy that is deadly. It has moments of pleasure but overall a miss.

The turgid screen adaptation of Stephen Sondheim's 1973 masterpiece A LITTLE NIGHT MUSIC is probably in the top five of worst adaptations of Broadway musical to the motion picture screen. The musical, based on the Ingmar Bergman film SMILES OF SUMMER NIGHT, follows the revolving lives of three couples who clearly at the beginning are mismatched and how they end up being with their soulmates by the end of the film. Elizabeth Taylor, looking fat and tired, sleepwalks her way through the film and enough has been said about her singing so I won't even go there. Director Hal Prince did have the sense to hire Len Cariou and Laurence Guittard to repeat their stage roles Freidrich and the Count, who both think they are in love with Desiree, but even these two charismatic actors come off as stilted. Lesley Ann-Downe is a lovely woman but she just looked way too old to be playing Freidrich's young wife, Anne, who in the original script, was 18. The only completely satisfying performance in the film is by Diana Rigg as the Countess, who brings so much more to the role than the screenplay allows and also surprisingly gives the film its loveliest musical moment with her rendition of "Every Day a Little Death." Speaking of music, I found it interesting that Prince felt the need to completely overhaul one of the most beautiful musical scores ever written for the stage. Hermione Gingold's role as Desiree's mother is reduced to a glorified cameo since they chose to cut her song, "Liasons". The Count also has a gorgeous solo in the show called "In Praise of Women" which was also cut. The song "The Glamorous Life" was rethought and became a solo for Desiree's daughter, Fredrika, charmingly played by Chloe Franks. They also cut "The Miller's Son" a powerhouse of a song sung by Petra, the maid. I could go on ad nauseum about what's wrong with this movie, but that would be pointless. I just cannot fathom how Hal Prince so horrifically screwed up the screen version of a musical HE directed on Broadway. In an eggshell, the only reason to see this film is if you live for Diana Rigg.

My one favorite part of this film has always been THE GLAMOROUS LIFE. If only the rest of the film had been as droll, dry, and on the mark as this segment. No one seems to have an opinion on Chloe Franks, the young actress playing Fredericka. I've always thought she was one of the best people in the film.

This is probably one of the most maligned film versions of a stage musical ever made. And a while some of it's criticisms are well deserved, this film certainly has it's benefits. Among the better parts of the film there is, above all, Diana Rigg's Charlotte. Rigg ranks as one of the most under-appreciated actresses of all time, and her performance is simply pitch-perfect. It is also fortunate to have Len Cariou, Laurence Guittard and Hermoine Gringold re-create their stage roles, and Lesley Ann Down is a lovely addition, well cast as Anne, even if she doesn't do her own singing.

On the downside, the setting of the film is unwisely moved to Vienna, where there is . no midnight sun, and much of the score is eliminated. And then there is the controversial casting of Elizabeth Taylor as Desiree. Taylor is a very gifted actress, but in this role Taylor is simply a black hole, overly dramatic and lacking the warmth and joy Glyinis Johns brought to the stage role. Still, since it is based on one of the finest musicals of all time, this film deserves a DVD release