Ajouter une intrigue dans votre langueThree teenagers leave Los Angeles and drive north to Alaska, wind up robbing a pipeline and taking one of the employees hostage.Three teenagers leave Los Angeles and drive north to Alaska, wind up robbing a pipeline and taking one of the employees hostage.Three teenagers leave Los Angeles and drive north to Alaska, wind up robbing a pipeline and taking one of the employees hostage.
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I found this watchable in the sense that it passed the time. As for if it had an entertaining story and engaging character, uh-uh. It's hard to sympathize with these youths because they seem too arrogant, and also unbelievably naive at times. As for the story, it doesn't seem to know where it's going. First we see the youths struggle, then we see them get involved with a big plan, then their subsequent escape, then... well, the movie after that point has even less of a clue what to do. To top it off, there's no real ending. The "joy" comes from the producers who took ticket-buyers on a "ride" - though I doubt this sold many tickets.
This movie, unfortunately, brings up some of where I grew up. Basically we have some late teens or early twenties on road trip. ( The actors are older than that but I think that's what they're trying to represent).
So they steal cars and wreck them. Also they had a hostage situation but it ended up with the girl being okay as a matter of fact she kind of joined them.
I grew up in a low rent place and the people in this movie reminded me of the people I grew up with. Not much morals. But steal a few things. Even the adults where I grew up stole things or cheated people. Yeah I grew up in a low rent town in Upstate New York and that's what this movie reminded me of.
Also they wrecked a couple of nice cars including a '68 Dodge Charger and what I believe is a 68 Mercury Cougar. Of course they're all classics today. Just a one-time watch for me.
So they steal cars and wreck them. Also they had a hostage situation but it ended up with the girl being okay as a matter of fact she kind of joined them.
I grew up in a low rent place and the people in this movie reminded me of the people I grew up with. Not much morals. But steal a few things. Even the adults where I grew up stole things or cheated people. Yeah I grew up in a low rent town in Upstate New York and that's what this movie reminded me of.
Also they wrecked a couple of nice cars including a '68 Dodge Charger and what I believe is a 68 Mercury Cougar. Of course they're all classics today. Just a one-time watch for me.
This is a difficult video to find which is just as well. I had searched for 15 years wanting to view the film I saw in 1977 with a soundtrack from ELO (Electric Light Orchestra). When I recently found a video store that specializes in obscure videos, I rented it and Vestron Video (now out of business) had released this road-pic as "Joyride-special video edition"...now that sounded to me like it was going to better than the original. What it meant was that they had removed all of the ELO music from the soundtrack, then cheaply dubbed a new soundtrack. The story in a word is boring. It would only be worth renting if (like me) you wanted to hear the ELO soundtrack again. It was interesting to see Melanie Griffith and Robert Carradine in their younger days. The clerk at the video store said this title hadn't been rented in five years!
HOWEVER, a few years later....I have found a copy of the video (thanks to ebay)that was intact with the ORIGINAL soundtrack as released on video in the U.K. Seeing the movie again with its original soundtrack made it a pleasure.
HOWEVER, a few years later....I have found a copy of the video (thanks to ebay)that was intact with the ORIGINAL soundtrack as released on video in the U.K. Seeing the movie again with its original soundtrack made it a pleasure.
Two guys and a girl, all apparently in their early twenties, leave their dreary jobs in the lower forty-eight and head north to Alaska in their hearse, in search of adventure and freedom from "the system". It's a weak script. The main characters are shallow and rather generic. We never learn enough about their back-stories to empathize with them.
The plot trends repetitive and aimless. Some of the sex scenes seem gratuitous, and included to extend the runtime. I couldn't find much of a theme, apart from the obvious idea that youthful dreams, sans pragmatism, lead nowhere but to disappointment. Much of the script's dialogue is too on-the-nose.
Color cinematography is conventional. There's a tendency toward dull, grayish, dreary visuals, which is fine, given the geographic setting. Casting is acceptable, except for Melanie Griffith, whose childish face and extremely weak voice seem out of place. Overall acting is below average. Probably the best element is the music of Electric Light Orchestra.
"Joyride" looks and feels very much like a 1970s film, with its emphasis on free-spirited youth and cheap visuals. It's not an awful film. It's just that the story lacks substance.
The plot trends repetitive and aimless. Some of the sex scenes seem gratuitous, and included to extend the runtime. I couldn't find much of a theme, apart from the obvious idea that youthful dreams, sans pragmatism, lead nowhere but to disappointment. Much of the script's dialogue is too on-the-nose.
Color cinematography is conventional. There's a tendency toward dull, grayish, dreary visuals, which is fine, given the geographic setting. Casting is acceptable, except for Melanie Griffith, whose childish face and extremely weak voice seem out of place. Overall acting is below average. Probably the best element is the music of Electric Light Orchestra.
"Joyride" looks and feels very much like a 1970s film, with its emphasis on free-spirited youth and cheap visuals. It's not an awful film. It's just that the story lacks substance.
"Joyride" is an independent 1977 road flick starring the sons of Desi Arnaz (and Lucy) & John Carradine and the daughters of Tippi Hedren & June Lockhart.
THE STORY: Three footloose youths, two guys and a girl (a young Melanie Griffith) all around the ages of 18-20, decide to leave their dead-end jobs and travel to Alaska. They have some half-baked plan to become salmon fishermen, but they're more likely just looking for adventure, fun and possibly a sense of purpose. Unfortunately they're forced to pick up other dead-end jobs, including working for the oil pipeline. Desperation leads to crime where they acquire a hostage (Anne Lockhart).
I never heard of this film before and took a chance picking it up. I was under the impression that it was a fun 70's car-chase flick like "Eat My Dust" or "Grand Theft Auto." Although it shares aspects of those types of films I was surprised to discover that "Joyride" is essentially a serious road flick, the second half taking on elements of "Bonnie And Clyde." Although this is a fairly low-budget independent film it's quite professionally made. The Washington locations are great and the acting is fine. Anne Lockhart is easy on the eyes and Melanie isn't bad either.
I encourage you to read M.G. DaVega's review on Amazon from May 11, 2008, because he accurately points out what may turn some viewers off. The story has a meandering vibe because the kids are living aimless lives. They're not necessarily "bad kids" or unlikable (although they later turn bad via bad choices); in fact, one part of the story shows one of the guys boldly taking a stand for what's right while working security for the pipeline, but it ends up costing them. DaVega rightly argues that the viewer is unsympathetic towards the youths because they increasingly turn to crime as the story progresses. He calls them "half-wits" who do stupid things and engage in unsavory & deplorable acts like shoplifting, public drunkenness, pissing contests (literally), auto theft, breaking & entering, and armed robbery of the pipeline company.
DaVega also points out that they (seemingly) learn no moral lesson through their experiences and are not much different at the end than at the beginning.
These valid criticisms will certainly turn some viewers off, but I'd like to point out that the events in the story aren't even close to being as morally shocking & appalling as in, say, 1966's "The Wild Angels."
Although the characters seemingly learn no moral lesson, the film itself is a moral lesson, not to mention it smacks of reality. I can remember when I was in my mid-to-late teens, living an aimless existence and doing incredibly stupid things, just as dumb and senseless as depicted in this movie. So I can relate to the kids, their situations and foolish choices. Simply put, "Joyride" is a portrait of lost, fallen humanity. The title is sarcastic because the kid's adventure is more laborious and miserable than fun and joyful, not that there aren't any lighthearted moments.
The film successfully depicts the meaningless, aimless and darkened nature of life "under the sun," in particularly for those who are unaware of the designs of the Creator, or who simply refuse to seek/acknowledge the Almighty. Read the relatively short ancient book of Ecclesiastes to get my drift.
***SPOILER ALERT*** Anyway, the picture ends with the kids getting lost and stranded in the Northwest wilderness, which is reminiscent of that family that got stranded near the Rogue River in Oregon not many years ago.***END SPOILER***
BOTTOM LINE: DaVega is wrong to say that anyone who likes this film has "extremely low standards for movies." I can see why the film turned him off, but his objections are based solely on moral grounds. This doesn't mean "Joyride" isn't worthwhile or well-made for an independent 70's flick. On the contrary, the meandering story keeps the viewer's attention (which is pretty much the most important gauge for discerning the worthiness of a picture), and the film itself makes a potent moral point about the fallen nature of humanity. Plus the viewer gets a good glimpse of what it was like to work on the pipeline back then.
If nothing else, "Joyride" is worth seeing because it's like traveling back in time to 1977.
GRADE: B
THE STORY: Three footloose youths, two guys and a girl (a young Melanie Griffith) all around the ages of 18-20, decide to leave their dead-end jobs and travel to Alaska. They have some half-baked plan to become salmon fishermen, but they're more likely just looking for adventure, fun and possibly a sense of purpose. Unfortunately they're forced to pick up other dead-end jobs, including working for the oil pipeline. Desperation leads to crime where they acquire a hostage (Anne Lockhart).
I never heard of this film before and took a chance picking it up. I was under the impression that it was a fun 70's car-chase flick like "Eat My Dust" or "Grand Theft Auto." Although it shares aspects of those types of films I was surprised to discover that "Joyride" is essentially a serious road flick, the second half taking on elements of "Bonnie And Clyde." Although this is a fairly low-budget independent film it's quite professionally made. The Washington locations are great and the acting is fine. Anne Lockhart is easy on the eyes and Melanie isn't bad either.
I encourage you to read M.G. DaVega's review on Amazon from May 11, 2008, because he accurately points out what may turn some viewers off. The story has a meandering vibe because the kids are living aimless lives. They're not necessarily "bad kids" or unlikable (although they later turn bad via bad choices); in fact, one part of the story shows one of the guys boldly taking a stand for what's right while working security for the pipeline, but it ends up costing them. DaVega rightly argues that the viewer is unsympathetic towards the youths because they increasingly turn to crime as the story progresses. He calls them "half-wits" who do stupid things and engage in unsavory & deplorable acts like shoplifting, public drunkenness, pissing contests (literally), auto theft, breaking & entering, and armed robbery of the pipeline company.
DaVega also points out that they (seemingly) learn no moral lesson through their experiences and are not much different at the end than at the beginning.
These valid criticisms will certainly turn some viewers off, but I'd like to point out that the events in the story aren't even close to being as morally shocking & appalling as in, say, 1966's "The Wild Angels."
Although the characters seemingly learn no moral lesson, the film itself is a moral lesson, not to mention it smacks of reality. I can remember when I was in my mid-to-late teens, living an aimless existence and doing incredibly stupid things, just as dumb and senseless as depicted in this movie. So I can relate to the kids, their situations and foolish choices. Simply put, "Joyride" is a portrait of lost, fallen humanity. The title is sarcastic because the kid's adventure is more laborious and miserable than fun and joyful, not that there aren't any lighthearted moments.
The film successfully depicts the meaningless, aimless and darkened nature of life "under the sun," in particularly for those who are unaware of the designs of the Creator, or who simply refuse to seek/acknowledge the Almighty. Read the relatively short ancient book of Ecclesiastes to get my drift.
***SPOILER ALERT*** Anyway, the picture ends with the kids getting lost and stranded in the Northwest wilderness, which is reminiscent of that family that got stranded near the Rogue River in Oregon not many years ago.***END SPOILER***
BOTTOM LINE: DaVega is wrong to say that anyone who likes this film has "extremely low standards for movies." I can see why the film turned him off, but his objections are based solely on moral grounds. This doesn't mean "Joyride" isn't worthwhile or well-made for an independent 70's flick. On the contrary, the meandering story keeps the viewer's attention (which is pretty much the most important gauge for discerning the worthiness of a picture), and the film itself makes a potent moral point about the fallen nature of humanity. Plus the viewer gets a good glimpse of what it was like to work on the pipeline back then.
If nothing else, "Joyride" is worth seeing because it's like traveling back in time to 1977.
GRADE: B
Le saviez-vous
- AnecdotesAll 4 main actors are children of famous parents. Anne Lockhart - June Lockhart, Desi Arnaz Jr. - Desi Arnaz & Lucille Ball, Robert Carradine - John Carradine, Melanie Griffith - Tippi Hedren.
- GaffesThe surveillance camera in the pawn shop is in the upper corner of the room yet the still shot of John distributed to law enforcement is shot from waist level.
- Versions alternativesAll home video releases have an alternate soundtrack which replaces the music originally composed for the theatrical release by Electric Light Orchestra.
- ConnexionsFeatured in Trailer Trauma V: 70s Action Attack! (2020)
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