Jabberwocky

Terry Gilliam's fantasy satire (looks like a spoof, but it's a satire) is halfway between "Holy Grail" and "Time Bandits", and about half as good (which ain't bad). The wit is sardonic, and the story pretty well reverses every rule of the fantasy genre -- a dimwitted "champion", out to secure the hand of his 300+ lb. "princess" by killing the evil Jabberwocky that is making life tough for the local peasantry (but very pleasant for the merchants).

Great photography, decent production values. The direction is very good, and although the script's wit is shining, there are not enough really funny jokes (mostly it's stuff you'd have to think about to laugh at). I particularly like, though, how a lot of the good jokes come out of how the value of something is relative -- Palin carrying around a rotten potato discarded by "Griselda", which he prizes for sentiment, but which the townspeople want for food.

Superior medieval satire shows Gilliam was on the right track towards his masterpieces.

I've seen Jabberwocky a few times now over the years and I still can't say that I know where director/co-writer Terry Gilliam intended to go with the film. Without a doubt it's interesting. It has a good premise and varied interpretations can make the film intriguing as different kinds of satire. Unfortunately, it's not consistently entertaining or rewarding to watch, it has some technical, directing and editing problems, and it easily invites unfavorable comparisons to Monty Python. In the end, I had to give Jabberwocky a "C", or a 7 this time around, although I found myself continually wishing that I could give it a higher score.

Jabberwocky is really the story of Dennis Cooper (Michael Palin), a lovable dolt who is in love with Griselda Fishfinger (Annette Badland), the obese daughter of a local fisherman. It is set in the Middle Ages in England, probably around the 13th or 14th Century (partially based on a character identifying plaster as possibly being from the 12th Century). After Dennis' father dies, Dennis decides to head off to the "grand city" to find a job and make his fortune, so he can head back to his village in a state worthy to marry Griselda. However, things aren't going so swell in the city, either. Unknown to Dennis' village, there is a monster called the Jabberwock that has been terrorizing the countryside not far from the city. The city has been closed off and there's tight control over who gets in or out. People in and just outside of the city are starving; there is no work, and so on. Dennis finally sneaks into the city one morning and discovers the dire truth. The bulk of the film is a series of misadventures, focused on Dennis, as he tries to adjust to life within the city.

Because Jabberwocky's release date was only two years removed from Monty Python and the Holy Grail (1975), because it was directed by Python member Terry Gilliam, who also co-directed Holy Grail, and because it has a similar setting, some similar characters, some similar scenarios, and some almost identical costumes, it easily invites comparison to its better-known brother. That's Jabberwocky's first major hurdle for anyone who has seen Holy Grail, which is likely to be a large percentage of the audience who would seek out and/or bother watching this film. The problem is that Jabberwocky isn't anywhere near as funny as Holy Grail, and I don't think that Gilliam intended it to be.

For me, the most favorable reading of Jabberwocky has it as a fairly serious satire (so "satire" in the more academic sense) not of the Middle Ages, but of the popular 20th Century conceptions of what the Middle Ages (or the "Dark Ages") must have been like. This is further enforced by Gilliam and Terry Jones' remarks on the Holy Grail DVD commentary (and maybe better enforced on the Jabberwocky commentary, which I haven't had a chance to listen to yet) during the scene when King Arthur encounters the peasants who get into a political structure debate. There, they explicitly state that they tried to exaggerate the popular misconceptions of how such peasants would have been, and acknowledge that more academic research has shown those ideas to be false. In Jabberwocky, Gilliam has his entire population as filthy, stupid gits with deplorable personal hygiene who can barely figure out how to survive. They resort to eating rats, scams that involve hacking off their own limbs so they can beg as a cripple, and so on.

Monty Pythonesque humor of the less intellectual variety does enter occasionally, especially with the bits involving bodily functions or violating the "sanctity" of the body. That's not to say that Jabberwocky is not an intellectual film in any sense. But the intellect here comes with the interpretation above--in the skewering of our "progress"-oriented misconceptions about the past.

As promising as some of that might sound, and as promising as it might sound to make concrete Lewis Carroll's Jabberwocky poem from Alice's Adventures in Wonderland (1865), the film has a load of problems. Even though the focus is ostensibly on Dennis, he always feels like something of a bystander in the film, making any desired focus, and the viewer's attention, drift. Gilliam has problems making scenes flow smoothly. His pacing seems off. The sets and the cinematography are not very attractive. In fact, at least on the DVD release, much of the film looks extremely murky (oddly, I thought the color on the included trailer looked better). None of the auxiliary characters quite click, and it's often difficult to decipher what they're saying/talking about. Some scenes are almost repeated in the film, and other scenes, such as those involving the princess in her tower, or Gilliam's cameo as he's talking to castle guards, seem like rejected drafts of similar scenes in Holy Grail. In fact, all of this is in sharp contrast to the excellence of Holy Grail.

So despite all of the good points, including the opening, with its hilarious point-of-view of a Jabberwock attack, the fantastic extended final sequence, the more bloody scenes from the tournament, the sly jokes that work (such as accusing the innkeeper of cannibalism after Dennis disappears), and so on, I find my score gradually sinking throughout most of the film. Gilliam and Python fanatics will definitely want to check out Jabberwocky if they haven't seen it yet, but be prepared for a bit of a disappointment.

This often neglected first solo directing effort of Gilliam's is certainly much better than its maligned reputation would have you believe. While it is though sledding the first time through, it gains appreciably with repeated viewings, but does demand you pay attention. Amongst all the excrement, garbage and filth, Gilliam and his co-writer actually have a little something to say about big business, but mainly JABBERWOCKY is very, very funny. Strong stomachs are required, however.

I was flicking through the stations looking for my favourite type of film - low budget comedies and b movies. Lucky me to find Jabberwocky!

I missed the beginning but soon realised I had strayed upon a gem of a film. Michael Palin in a ridiculous outfit in a filthy wretched medieval city! The scenery is perfect and on one level is quite realistic. Starving people, outside 'toilets' and general squalor - but this is a comedy and the characters are hilarious!!!

I noticed Warren Mitchel (Alf Garnet) and Bernard Bresslaw (from the Carry On's) in there too making for a very funny film

There are many memorable scenes and the humour is in a monty python style with plenty of slapstick and toilet humour

The low budget wasn't really noticable, and I thought overall had a more produced feel than the holy grail which really was low budget film!

I would definately recommend this film to anyone who likes crazy off beat comedies

Its not exactly a kids film because its gory in places and the princess at one point seems to lose her clothes, but older kids will probably love it... a bit like how the Goonies was almost too scary to be a kids film

I give it 5 turnips out of 5

I think the mistake a lot of people make is to see this as another Python film. It isn't, and one of the reasons it improves with each viewing is that you come to realise that. In contrast to "Holy Grail" which is essentially a series of sketches, this is a proper film with its own rules and a style which is based much more on gentle whimsy and sly satire than in-your-face Pythonesque clowning.

High points are the cast of veteran British comedy and music hall actors - what a lovely swansong this is for the likes of Max Wall, Harry H Corbett and John le Measurier - the attention to detail, which is quite remarkable, and the constant reversal of expectations. And I love the deadpan little touches like John le Measurier addressing the King as "Darling".

This and "Time Bandits" are my favourite Gilliam movies, I always feel he works better on a small budget where his imagination has to do the work, rather than the somewhat overblown likes of "Brazil"