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Le chien des Baskervilles

Titre original : The Hound of the Baskervilles
  • 1978
  • Tous publics
  • 1h 25min
NOTE IMDb
4,5/10
1,5 k
MA NOTE
Le chien des Baskervilles (1978)
A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.
Lire trailer1:48
1 Video
29 photos
ComédieCriminalitéHorreurMystèreParodie

Ajouter une intrigue dans votre langueA Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.

  • Réalisation
    • Paul Morrissey
  • Scénario
    • Peter Cook
    • Dudley Moore
    • Paul Morrissey
  • Casting principal
    • Peter Cook
    • Dudley Moore
    • Denholm Elliott
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,5/10
    1,5 k
    MA NOTE
    • Réalisation
      • Paul Morrissey
    • Scénario
      • Peter Cook
      • Dudley Moore
      • Paul Morrissey
    • Casting principal
      • Peter Cook
      • Dudley Moore
      • Denholm Elliott
    • 44avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Vidéos1

    Trailer
    Trailer 1:48
    Trailer

    Photos29

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    + 22
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    Rôles principaux31

    Modifier
    Peter Cook
    Peter Cook
    • Sherlock Holmes
    Dudley Moore
    Dudley Moore
    • Doctor Watson…
    Denholm Elliott
    Denholm Elliott
    • Stapleton
    Joan Greenwood
    Joan Greenwood
    • Beryl Stapleton
    Hugh Griffith
    Hugh Griffith
    • Frankland
    Irene Handl
    Irene Handl
    • Mrs. Barrymore
    Terry-Thomas
    Terry-Thomas
    • Dr. Mortimer
    Max Wall
    Max Wall
    • Arthur Barrymore
    Kenneth Williams
    Kenneth Williams
    • Sir Henry Baskerville
    Roy Kinnear
    Roy Kinnear
    • Selden the Axe Murderer
    Dana Gillespie
    Dana Gillespie
    • Mary Frankland
    Lucy Griffiths
    • Iris
    Penelope Keith
    Penelope Keith
    • Massage Receptionist
    Jessie Matthews
    Jessie Matthews
    • Mrs. Tinsdale
    Prunella Scales
    Prunella Scales
    • Glynis
    Josephine Tewson
    Josephine Tewson
    • Nun
    Rita Webb
    Rita Webb
    • Elder Masseuse
    Henry Woolf
    Henry Woolf
    • Shopkeeper
    • Réalisation
      • Paul Morrissey
    • Scénario
      • Peter Cook
      • Dudley Moore
      • Paul Morrissey
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs44

    4,51.4K
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    Avis à la une

    tomfarrellmedia

    Elementary my dear Watson! this stink bomb makes Arthur II: on the Rocks look like Citizen Kane

    Looking at today's conveyor belt of mind-numbing remakes of old shows, idiot teen comedies and action fests that have great special effects but little else, it's easy to get very nostalgic about the 1970s. But the decade of Coppola, Scorcese, Altman, Malik, Bogdanovic etc produced its fair share of cow pats and what an 'Annis Mirablis' 1978 was for truly wretched cinema. Hot on the heals of 'Sergeant Pepper's Lonely Hearts Club Band' (with the Bee Gees), 'Carry on Emmanuelle' and 'Renaldo and Clara' (a Bob Dylan vehicle..don't ask), came this fetid attempt to satire Holmes and Watson. First off, it has to said that the Cook-Moore contribution to postwar British comedy is immeasurable and would probably fit in third place after the Pythons and Goons. But even the greats have their off days and Pete and Dud were well off when they agreed to let Paul Morrisey direct a comedy that manages to bungle every comic moment. The falsetto Welsh accent of Watson (Moore) and the stage Jewish accent of Holmes (Cook) simply irritate and a very strong cast is completely wasted. Why, for example, is Spike Milligan only afforded a 'fleeting appearance'? Others do their best with lamentable gags. The urinating dog of Denholm Elliot isn't funny, simply disgusting and Roy Kinnear's flasher could have been funny but simply falls flat. Morrisey doesn't know whether to be clever and satiric, akin to 'Life of Brian', or cheerfully bawdy like a Carry On movie. The result is a movie that's neither seaside postcard humour nor the anarchistic satire that Pete and Dud had presented so well a decade before. A truly washed out Kenneth Williams, fresh off 'Emmanuelle' (Jesus wept) is slotted in, his usual flared-nostril, bulgy eyed caricature demolishing the myth that he was a great actor trapped by the Carry Ons. Better artistes like Henry 'Arthur Sultan' Woolf and Prunella 'Sybil' Scales simply have walk ons. Meanwhile, the look of the movie is cheap and stagey while Moore's piano score is out of place in a comedy. Given that he and Cook were successfully belting out the punk humour of Derek and Clive at the same time, this dog can't be explained by the fact that Cook was by then alcoholic and depressed. Perhaps Morrisey was really Moriarty in disguise.
    didi-5

    fairly lousy comedy

    A misguided attempt to present a comic parody of the Conan Doyle tale, with Peter Cook as Sherlock Holmes and Dudley Moore as Dr Watson. Moore also plays Holmes' mother (!) and in this guise, is possibly the best thing in the film. Otherwise there is a spoof of the spinning head in The Exorcist, Denholm Elliot and a constantly urinating dog, and lame excuses for ‘jokes' and ‘funny situations' which really – aren't.

    Although it has one or two moments which provoke a smile, the original source material isn't such that it survives being tweaked to this extent. Perhaps not the point, but the rest of the inspiration for this turkey must have been written on the back of a postage stamp. Skip this and watch Bedazzled and Not Only … But Also instead.
    3BaronBl00d

    Moore and Peter Cook Up a Big DUD!

    Painful. Wincing. Shameful. Just a few quick words to summarize my experience sitting through what looked to be a promising parody by a couple of generally very funny and talented men - Peter Cook and Dudley Moore. This film starts off badly and then bottoms out within the first ten minutes. The rest of the film really became an onerous chore to sit through and only and I mean ONLY was saved by the promise of seeing some great British character actors and funny men/ladies in bit parts. Unfortunately watching Hugh Griffith, Prunella Scales, Terry-Thomas, and oh so ever did I feel sorry for someone Joan Greenwood embarrass themselves with witless, nonsensical, unfunny material did little to improve matters at all. Peter Cook plays Sherlock Holmes and really misses the character entirely, but he need not fear because Dudley Moore as Watson with a hideous Scottish brogue is even worse. The jokes are stale for the most part - missing hugely. There is a terrible Exorcist sequence that made me just want to fast-forward the rest of the film. but like a trooper I sat through till the end and was relieved when it finally finished. The story has the basic structure of the Doyle novel intact with some obvious changes meant to be funny. And some of the changes would have been funny maybe if a little more had been done with the material. I am not saying there is nothing funny in the film. There are a few bright spots. Dudley Moore with a chihuahua and Denholm Elliot was a decent comedic scene until it just went on and on. And I also liked the sequence with Cook and Moore as a one-legged man trying for a position as a runner on the moors for Holmes. That was, for me at least, easily the funniest scene in the entire film. The rest is a mismatch of things that just didn't work for me at all. Maybe a bit more respect for the material would have rendered this more amusing. Maybe some more realistic characterizations and less broad, really broad, and embarrassingly broad portrayals by Cook and Moore and Griffith as a man with a young girlfriend with the bust of a popular stripper and who enjoys throwing chunks of meat on the moors, Joan Greenwood, yes, Joan Greenwood, vomiting pea soup with spinning head, and Kenneth Williams really going over the top- even for him - toning it down a bit and making their characters a bit more believable might have helped. The script though is woefully lacking even for a farce like this. Director Paul Morrissey show little talent here and it is a real pity when you have such huge talents to work with. Penelope Keith is wonderful in a brief cameo as a bordello hostess(sultry too). Spike Milligan has a fine brief cameo as a policeman. Terry-Thomas is Terry-Thomas in a final bow as that which he basically made his career playing, a cad. This was his last meaningful screen role - a pity for Thomas fans but at least you get an older vintage Thomas nevertheless. More than anything else I was just surprised at the low level of intellect, given a title like The Hound of the Baskervilles, required, nay, even expected, to enjoy this moronic, sophomoric tripe. A real pity as I said.
    5Tweekums

    A 'comic' retelling of a classic story

    This story sees Holmes being approached by Dr Mortimer to investigate the death of the owner of Baskerville Hall. While the death is officially natural causes it is suspected that the real cause may be a beast known as the Hound of the Baskervilles. Holmes declines the case but passes it on to Dr Watson; it is to be his first solo case. Watson, Mortimer and Sir Henry Baskerville, the dead man's heir, head to the hall on a bleak moor. Once there Watson and Sir Henry meet the locals, all of whom are more than a little strange and rather suspicious. Inevitably Watson eventually has to call Holmes for help.

    Given the array of comic talent on display one might expect this to be a comedy classic... unfortunately it isn't. There are a few funny moments but elsewhere gags aren't particularly funny or go on far too long. The script feels like something rejected by the Carry On team, even they never sank to having gags about urinating Chihuahuas. The cast was solid enough given the material, although I'm not sure why Dudley Moore played Watson with a Welsh accent. All of them have been in better films. Overall I wouldn't recommend going out of your way to see this; it is just about worth watching on TV if there is nothing else of interest on or if the DVD is in the bargain bin at a charity shop.
    jeffc-3

    The only film I have ever not finished.

    I have thousands of films in my library. This includes hundreds of Laserdiscs, VHS tapes, and thousands of DVDs and BLURAYs. Much to my wife's displeasure I NEVER fail to watch anything from start to finish - I feel I owe it to the filmmaker to give them a fair chance by seeing it through. As a result I watch a lot of films alone for the second half (or more). This was the ONLY exception I ever made. I had no more cringes left to cringe after about 40 minutes. I just could not take it any more. I kept hoping it would improve but it never did in the 40 or so minutes we endured. We are big fans of Cook and Moore - their "Bedazzled" is genius. I don't know how this went so far off the rails - great source material ripe for humor - two great British comic actors - but it's just painful to watch. Spare yourself the agony.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Final English language cinema movie of actor-comedian Terry-Thomas.
    • Gaffes
      (52:03) The chihuahua Watson walks past is clearly tethered to the set (in the one opening shot of the sequence) to keep it on-camera.
    • Citations

      Sir Henry Baskerville: All the Baskervilles have hearty dicks... dicky hearts, I mean.

    • Versions alternatives
      The UK R2 DVD contains 2 versions of this film. The original 1978 theatrical print that runs 85 mins and a re-edited re-release print that runs 74m. The major differences are (a) in the theatrical print the opening credits are postioned after the scene with the 3 nuns and roll over various amusing shots of Holmes and Watson in their Baker Street study (Holmes is reading a book by Freud called Guilt without Sex). In the re-edited print, the credits are positioned over the pages of the book after the intro scene with Dudley Moore on the piano. These credits are much abbreviated compared to the theatrical print and run much shorter. (b) When Holmes is first seen in shadow playing the violin the re-edited version then cuts back to Watson with the nuns saying he is Budapest and Holmes appearing behind him. The theatrical print extends the footage of Holmes in shadow so he now gets up, turns a light on, turns off a gramophone player and spits out his coffee before meeting the nuns. (c) the scene in which Watson meets Dr Franklin is much abbreviated in the re-edited version. In this version the scene ends after a brief conversation between the two in front of Franklin's shack. The theatrical print continues on with the scene for several minutes as Watson enters the hut with Franklin, views various stuffed animals' heads, and they have a conversation about why Franklin hated the late Sir Charles - jealously over his mistress. Franklin's mistress then enters the hut, the conversation continues, and then Franklin gets insanely jealous and starts strangling his young mistress as Watson crawls out of the building. The longer theatrical cut makes more sense and is better than the shorter print.
    • Connexions
      Featured in Paul Morrissey - Trans-Human Flesh & Blood (2025)
    • Bandes originales
      Twelve String Ties
      (uncredited)

      Music by John Churston (pseudonym of H.M. Farrar)

      De Wolfe Music Ltd

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    FAQ18

    • How long is The Hound of the Baskervilles?Alimenté par Alexa
    • Where have I seen the scene with Mr Spigot before?

    Détails

    Modifier
    • Date de sortie
      • octobre 1978 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Hound of the Baskervilles
    • Lieux de tournage
      • Bray Film Studios, Windsor, Berkshire, Angleterre, Royaume-Uni(Studio)
    • Société de production
      • Michael White Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 25min(85 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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