Communion sanglante

I had never heard of Alice Sweet Alice until a a while back when it was on a list of overlooked horror films. I had never heard it mentioned as even a cult classic but I was intrigued. The 1970's produced some pretty good horror films. I went in with pretty low expectations and even though I can't say that this film blew me away I do think that it is better than your average slasher film.

I do know that the original title was Communion but they chose Alice Sweet Alice which is a lame title in my opinion. The film is about a spoiled 12 year old girl named Alice played by Paula Sheppard. She is jealous of her angelic 10 year old sister Karen who is played by Brooke Shields. One of her church's priests Father Tom gives Karen his mother's crucifix and Alice is very jealous. Alice torments Karen by taking one of her dolls and scaring her by wearing a weird translucent mask and a raincoat. She threatens Karen not to tell anyone. All of this is set up to make Alice look like a bad seed. On the day of her First Communion, Karen is strangled to death in the church transept by a person wearing a translucent mask and a yellow raincoat. Her body is stuffed into a bench compartment near the confessionals, which is set on fire with a candle, but not before her crucifix is ripped from her neck. This first murder is not gory but is very brutal. Alice comes into the church to receive her communion but is found to have Karen's veil. The film is pointing to her as the killer so obviously that it is not hard to figure she's really innocent. But of course she's so unlikable that the film leaves the possibility open. We see Alice's mother Catherine played by Linda Miller dealing with her grief along with her sister Annie who loves in to help. She does not get along at all with Alice. Catherine us divorced, but her ex husband Dominick comes to the funeral and wants to find out more about Karen's murder. The whole film is set up in a sort of melodramatic way. The performances are good but border on camp in some scenes. The killer keeps appearing going after others in Alice's life. The film is very tense and creepy at times. It also has alot of religious imagery. I don't think that directpr Alfred Sole is a big fan of Catholicism, he deals with sin, guilt and especially hypocrisy. Even though the film does have a simple even cheap.look it is well made. The image of the translucent mask and tge raincoat is very creepy. The film throws some clues on who the killer is but really wants to.keep the possibility that it could be Alice. When it us revealed who the killer actually is it is kind of confusing but all I can say is that the motivation is very similar to what was seen in David Fincher's Se7en. The final 30 minutes kind of lags a little butthe story is pretty involving.

The film is not really that bloody but the violence it does have is pretty brutal. It is a film that has been largely ignored in the mainstream but I think it is one of the better early slasher horror films of the 70's. At times,, it actually feels very much like an Italian giallo.

Very creepy and effective.

Grade: B

Alice, Sweet Alice is a hard movie to forget. Dealing with religious repression, mental illness, and child murder might make it sound like a depressing chore to sit through but director, Alfred Sole, loads the film with so many memorable images and set pieces and keeps things both gritty and grounded, but elevated and a bit campy at the same time which throws the viewer out of whack. There are also some very surprising deaths and attack scenes that you don't see coming and that's always a plus in a film like this.

After a young Catholic girl, Karen (Brooke Shields), is brutally murdered during communion, suspicion falls on her emotionally disturbed older sister Alice (Paula E. Sheppard).

Director Alfred Sole's Alice Sweet Alice is the closest thing you will find to an American giallo: the death scenes are sudden and brutal, the score is haunting, the killer is distinctive in creepy plastic mask and yellow raincoat, and the film's overall atmosphere and aesthetic is redolent of many a Euro thriller/horror.

Admittedly, the film falls short of the best work of maestros Argento and Bava, the motive for the killings a little weak, and the pacing a tad pedestrian, while the identity of the killer is revealed way too early for my liking (true giallos generally wait until the very end before letting the cat out of the bag), but Sole conducts matters with an assured hand, presenting some striking visuals, and his cast give solid performances (with the exception of Jane Lowry as Alice's Aunt Annie, whose histrionics are waaaayy OTT).

6.5 out of 10, rounded up to 7 for Alphonso DeNoble as morbidly obese, cat-loving pervert Mr. Alphonso, who is wonderfully grotesque.

"Alice, Sweet Alice", unfortunately listed here under its more tame alias "Communion", is a modest but sublime thriller that excellently fits in the superior horror decade that were the 70's. It's in fact a thriller with just that tad bit extra… Despite of the modest budget Alfred Sole had to work with, his film doesn't look dated like many others and the influence it had on the slasher sub-genre is amazing. Who killed little Karen Spages during her first communion service? This question with a seemly obvious answer keeps you entertained and – especially – frightened throughout almost the entire film. Too bad the story loses some of its impact around the hour, due to a few tedious sequences and unexciting dialogs. Luckily, Sole rapidly continues where he left off and delivers us a truly marvelous finale where even Hitchcock himself would show respect for. There's a terrific catholic atmosphere and symbolism featuring in this film, stressed extra by the chilling musical score. Although the movie more or less became famous because it introduces Brooke Shields, it's in fact Paula E. Sheppard who gives away a flawless and imposing acting performance as Alice. She has this brilliantly nihilistic glance in her eyes that makes you feel uncomfortable. "Alice Sweet Alice" is definitely a film I would recommend to every horror fan. It contains several highly memorable sequences like, for example, all the ones involving the fat filthy and perverted neighbor. Fundamental horror viewing for Gothic lovers.

Alice, Sweet Alice - 1976 (This Film Rates a B ) The film takes place in 1961, New Jersey. A young girl Karen played by Brooke Shields, is about to receive her first communion. Her sister Alice becomes jealous and starts to torment and bully her. However, Karen is strangled in church by an unknown assailant wearing a translucent mask. The mothers ex-husband starts to investigate the murder but the police are also interested in the case. Her overly bitchy mother (Annie) moves in to help out and Alice is not a fan. The family start to suspect that Alice killed Karen and the police are a bit suspicious as well. The rather obese cat daddy neighbor tries to molest her while she is delivering the rent money. He is dirty and disgusting. But that poor kitty! The masked figure attacks Annie on the stairs in an overdramatic but gripping sequence. Alice is sent to a psychiatric unit and states that Karen tried to kill Annie not her. The ex/detective receives an odd call from someone claiming to be Annie's daughter and that she has the crufix belonging to Karen. He learns of the killers real identity before he dies. The reveal is a little anti climatic but the death has some intensity. Eventually a pathologist is able to rule out poor Alice as a suspect. The real killer is a bit off kilter since the death of her own daughter on the same day as this communion. She kills the pervert neighbor but is spotted fleeing the scene by police. She has one more kill before its all over, right in front of the whole church congregation. But in the end, Alice might not be so innocent after all. The ending is a little bit of a downer. The build is spectacular even though some of the camera shots/angles aren't particularly great. At times its hard not to laugh even if not intentional. The chaotic church scene, The whole cake interaction at the 22 minute mark with the obese neighbor was a bit weird. The reaction of the congregation at the end was puzzling. It's not overly gory but what is present is top notch. Its just to quick for the eye and not often enough. The script is above average for a slasher film even if overlong. The acting is fairly decent, some average highlights and some not so good ones. It really is overdramatic like the 46:40 min mark at the hospital. For the most part, the soundtrack is spot on. A real mixture of vintage sounds. But it all fits. A lot of religious overtones and church scenes throughout. No T&A. It's an odd but sinister film.