NOTE IMDb
8,1/10
18 k
MA NOTE
Deux voisins, un journaliste persécuté et une femme au foyer résignée, font connaissance lors de la visite d'Hitler en Italie en mai 1938.Deux voisins, un journaliste persécuté et une femme au foyer résignée, font connaissance lors de la visite d'Hitler en Italie en mai 1938.Deux voisins, un journaliste persécuté et une femme au foyer résignée, font connaissance lors de la visite d'Hitler en Italie en mai 1938.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 13 victoires et 5 nominations au total
Galeazzo Ciano
- Self
- (images d'archives)
- (non crédité)
Adolf Hitler
- Self
- (images d'archives)
- (non crédité)
King Victor Emmanuel III
- Self
- (images d'archives)
- (non crédité)
Benito Mussolini
- Self
- (images d'archives)
- (non crédité)
Avis à la une
I just saw this film for the second time today, and for the first time in the movies (it was a release of a new print).
I found it even more beautiful than the first time, if that is possible. The most striking thing about it, from a cinematic point of view, is that everything is so simple. Two people: a tired housewife and a homosexual unemployed radio-announcer. Two actors: Loren and Mastroianni. One empty building. A fascist parade going on outside. And with just this elements Scola constructs a beautiful and touching masterpiece.
Today, you can see films with far more technical resources, wonderful locations, enormous casts and complex storylines - yet they rarely if ever achieve the level of beauty of something like this. Does beauty lie in simplicity? Or is it Scola who makes it seem so easy? I wonder. Other films by Scola (`Brutti, Sporchi, Cattivi', `Il Viaggio del Capitan Fracassa', etc.) are also very good, but this is the best one.
By the way, I once saw Mr. Ettore Scola in person (he came to Brazil for a conference) and he seemed to be a very kind and sympathetic soul, just as one would expect.
I found it even more beautiful than the first time, if that is possible. The most striking thing about it, from a cinematic point of view, is that everything is so simple. Two people: a tired housewife and a homosexual unemployed radio-announcer. Two actors: Loren and Mastroianni. One empty building. A fascist parade going on outside. And with just this elements Scola constructs a beautiful and touching masterpiece.
Today, you can see films with far more technical resources, wonderful locations, enormous casts and complex storylines - yet they rarely if ever achieve the level of beauty of something like this. Does beauty lie in simplicity? Or is it Scola who makes it seem so easy? I wonder. Other films by Scola (`Brutti, Sporchi, Cattivi', `Il Viaggio del Capitan Fracassa', etc.) are also very good, but this is the best one.
By the way, I once saw Mr. Ettore Scola in person (he came to Brazil for a conference) and he seemed to be a very kind and sympathetic soul, just as one would expect.
This film literally took my breath away ! Both Mastroianni and Loren are fantastic actors, who can express a whole range of human feelings in just a look or a silence. This film is an unbelievable contrast : simplicity and sobriety in form but ultimate sophistication in content and in the actors' performance. I have never seen a film which raises so many questions at the same time : war, family, tolerance, women's condition, fanaticism, homosexuality, etc. Furthermore, it is a wonderful love story between two people who are actually too good for the world they live in. And last but not least, the contrast between the scruffy apartments and the beauty and elegance of Mastroianni and Loren is incredible. Mr. Scola achieved a masterpiece without make up, special effects or wonderful sceneries. When you have seen the film, you will understand that the special day was not for Mussolini and Hitler, who all the sudden seem very unimportant compared to what happened to the two characters. The day I have seen this film was definitely a special day for me as well, unforgettable ! It is just the most human film I have ever seen, a wonder of refinement.
I had intended to commemorate the 10th anniversary of Marcello Mastroianni's passing with numerous unwatched films of his that I own on VHS; however, given my ongoing light-hearted Christmas marathon, I had to make do with just this one! As it happens, it features one of his best performances - and he was justly Oscar-nominated for it (with the film itself being likewise honored). This was also one of 14 collaborations with that other most widely-recognized star to emerge from Italy, Sophia Loren; both, incidentally, are playing against type here - she as an unglamorous housewife and he a homosexual!
By the way, the film's title has a double meaning: the leading characters are brought together on the historic day in which Hitler came to Italy to meet Mussolini (the event itself being shown in lengthy archive footage), but it more specifically refers to the stars' 'brief encounter' in which they share moments of friendship, revelation and, briefly, passion - though each knows that a return to their normal existence is inevitable, which leads to the film's abrupt bittersweet ending. This is virtually a two-hander (with all other characters - save for the nosy concierge of the apartment block in which the story takes place in its entirety - which include Loren's gruff and fervently patriotic husband, surprisingly played by John Vernon, appear only at the beginning and closing sequences); still, the cramped setting doesn't deter director Scola (for the record, this is the 7th film of his that I've watched and own 3 more on VHS) and cinematographer Pasqualino De Santis, so that the result - though essentially low-key - is far from stagy: the camera is allowed to prowl the various sections of the large building, observing the proceedings intimately or dispassionately as the situation requires, but always keenly.
The narrative, of course, depends entirely on the performances of the two stars for it to be convincing, and they both deliver (their on-screen chemistry is quite incomparable); it's interesting, however, that while Loren walked away with the prizes in their home turf, it's Mastroianni's moving yet unsentimental outsider (the film, somewhat dubiously, does seem to equate his sexual deviance with Anti-Fascism!) who generally impressed international audiences!
By the way, the film's title has a double meaning: the leading characters are brought together on the historic day in which Hitler came to Italy to meet Mussolini (the event itself being shown in lengthy archive footage), but it more specifically refers to the stars' 'brief encounter' in which they share moments of friendship, revelation and, briefly, passion - though each knows that a return to their normal existence is inevitable, which leads to the film's abrupt bittersweet ending. This is virtually a two-hander (with all other characters - save for the nosy concierge of the apartment block in which the story takes place in its entirety - which include Loren's gruff and fervently patriotic husband, surprisingly played by John Vernon, appear only at the beginning and closing sequences); still, the cramped setting doesn't deter director Scola (for the record, this is the 7th film of his that I've watched and own 3 more on VHS) and cinematographer Pasqualino De Santis, so that the result - though essentially low-key - is far from stagy: the camera is allowed to prowl the various sections of the large building, observing the proceedings intimately or dispassionately as the situation requires, but always keenly.
The narrative, of course, depends entirely on the performances of the two stars for it to be convincing, and they both deliver (their on-screen chemistry is quite incomparable); it's interesting, however, that while Loren walked away with the prizes in their home turf, it's Mastroianni's moving yet unsentimental outsider (the film, somewhat dubiously, does seem to equate his sexual deviance with Anti-Fascism!) who generally impressed international audiences!
10wobelix
Ettore Scola, one of the most refined and grand directors we worldly citizens have, is not yet available on DVD... (it's summer 2001 right now....) Mysteries to goggle the mind.
This grand classic returned to the theaters in my home-town thanks to a Sophia Loren - summer-retrospective, and to see it again on the big screen after all these years of viewing it on a video-tape ... it is a true gift.
To avoid a critique but nonetheless try to prove a point: i took my reluctant younger brother with me to see this film. He never saw the film before and "doesn't like those Italian Oldies..." Like all the others in the theater he was intrigued by this wonder. Even during the end-titles the theater remained completely silent.
This SPECIAL DAY is truly special. A wonder of refinement. And a big loss if you haven't seen it (yet)...
This grand classic returned to the theaters in my home-town thanks to a Sophia Loren - summer-retrospective, and to see it again on the big screen after all these years of viewing it on a video-tape ... it is a true gift.
To avoid a critique but nonetheless try to prove a point: i took my reluctant younger brother with me to see this film. He never saw the film before and "doesn't like those Italian Oldies..." Like all the others in the theater he was intrigued by this wonder. Even during the end-titles the theater remained completely silent.
This SPECIAL DAY is truly special. A wonder of refinement. And a big loss if you haven't seen it (yet)...
First of all for this movie I just have one word: 'wow'. This is probably, one of the best movies that touched me, from it's story to it's performances, so wonderfully played by Sophia Loren and Marcello Mastroianni. I was very impressed with this last one, because he really brought depth to the character, as it was a very hard role. Still, the two of them formed a pair, that surprised me, from the beginning until the end, showing in the way, a friendship filled with love, that develops during the entire day, settled in the movie. The story takes some time to roll, as the introduction of the characters is long, but finally we are compensated with a wonderful tale about love and humanity. If you have the chance, see it, because it's a movie that will stay in your mind for many time. Simply amazing - 9/10.
Le saviez-vous
- AnecdotesSophia Loren's younger sister Maria Scicolone was married to Benito Mussolini's son Romano Mussolini from 1962 to 1971. Maria and Romano's daughter Alessandra Mussolini plays Maria Luisa, one of the daughters of her aunt's (Sophia Loren) character Antonietta.
- GaffesHitler's address, heard in the background, is not from his visit to Rome but from the 1934 Nuremberg Party Meeting, more particularly from his address to the German Youth on the third day. He's heard summoning them to be "strong and peaceful", "courageous and peace-loving".
- ConnexionsEdited into Marcello, una vita dolce (2006)
- Bandes originalesHorst Wessel Lied
Composed by Horst Wessel
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- How long is A Special Day?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- A Special Day
- Lieux de tournage
- Viale XXI Aprile, Rome, Lazio, Italie(building's exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
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