Un vendredi dingue, dingue, dingue

The original 'Freaky Friday', the original switcheroo movie. A mom and daughter getting their bodies exchanged (on Friday the 13th) is rife with possibilities, but considering this is a Disney production, it's a commendable adaptation. It's hilarious from beginning to end, especially because of the two talented leads, Barbara Harris and Jodie Foster, who assume each other's characters with terrific ease. Supporting actors like Marc McClure (Boris), Sparky Marcus (Ben) and John Astin (Bill) are noteworthy too.

There are so many laugh-out-funny and memorable sequences in the film, from the sports scenes (baseball and hockey) to car chases to stunts (water-skiing), but my favourite scene is the one with the father's (Bill's) secretary - after listening to Annabel's comments, she keeps entering the office, making herself modest with each entrance; it's just unbearably rib-tickling.

"I wish I could switch places with her for just one day." - I wonder, how many people must have tried using this line.

Even one likes, be sure to check out the 2003' updated adaptation as well; it's as hilarious and intriguing.

This is definitely one of the very best of Disney's many comedies. Perhaps it's the great writing from Mary Rodgers, author of the book, or the spectacular acting from the entire cast, especially a young Jodie Foster and Barbara Harris.

The film is incredibly funny, without being stupid, and it feels very real and authentic, an element that is gone from almost every other Disney film of the era. Although it includes the typical Disney chase scene, the rest of Disney's usual cliches are dropped so that the focus is on the characters and the believable and hilarious situations that they get into.

A definite 10/10! Go rent it! Be sure that you get the 1977 version, though, not the 1995 remake.

If you changed personalities with your kid--actually found yourself in his or her body--would you spend the rest of the day in school? If you found yourself in your mother's body, would you bother cooking a meal for your husband's corporate buffet? Disney's "Freaky Friday", adapted by Mary Rodgers from her popular young adult novel, doesn't quite work; there's no awe in the circumstance involved--just lessons to be learned. Mom Barbara Harris earns points for daughter Jodie Foster at school, while Foster (in Harris' body) gets closer to the guy next door. Both leads are very good however, and Harris is wonderful calling her husband "Daddy" (with a quick switch to "Bill, Dear") and later playing a hot game of softball with a group of boys (while chewing bubblegum AND smoking a cigarette). Foster has some funny outbursts but generally has less to work with (she screws up a typing class, a photography class, band practice and field hockey, but does great in social studies). The movie is far too long, with inertia setting in right about the time Harris is called to the principal's office to discuss her daughter's schoolwork. The slapstick finale, a painful "Love Bug" flashback, is pure juvenalia (complete with a magic twist that makes no sense--not even in this movie's universe), yet the picture was a blockbuster anyway. **1/2 from ****

It wasn't 100% perfect, but it did entertain me. I will say I also enjoyed the 2003 remake as it was fresh and funny. That said, this is definitely worth seeing. It does start off very briskly, but it loses its way just towards the end, and one or two of the gags were lacking. That said, the script does have its humorous and touching parts, the film is nice to watch visually with nice cinematography, scenery and costumes, the music was nice and upbeat and the premise intrigued me. The direction was also assured, but what made the film was the two sterling lead performances of Barbara Harris and especially Jodie Foster as the mother and daughter who swap bodies for a day. The supporting performances while not as effervescent were also effective. Overall, I liked it, it wasn't perfect, but there are certainly worse movies out there. 7/10 Bethany Cox

With their vibrant turns, Harris and Foster make the movie. The idea of body reversals may not be a new one but it's never been done better than here. Mom (Harris) snipes at daughter (Foster) who still does her own thing anyway. So what would each do if they had role reversals for a day. What would Mom do if she were suddenly in daughter's body and vice-versa. So it's a 30-year old in a teenager's body and a teenager in a wife-mother's body. The concept's loaded with funny potential without much trying. Mom learns what it's like to be in school again, especially when grappling with a new-fangled typewriter, while daughter cooks for Dad's (Astin) big business buffet, with something called an "oven".

The material, of course, makes the laughs easy to come by. Still, the two leads shine in their respective roles. Some of the material can get touchy as when daughter uses Mom's mature figure to tempt neighbor boy. Nonetheless, it's humorously finessed. Hard to believe Foster really is only 13 given her abilities. Good to see such movie vets as Marie Windsor, Patsy Kelly, and Iris Adrian picking up paydays. I had to check the cast list twice to make sure it really was noir vamp Windsor playing a teacher, of all things. Anyway, except for the overdone madcap of the finale, the movie's a delight, even for non-Disney viewers like myself.