Une adolescente autrefois possédée par un démon découvre qu'il se cache toujours en elle. Pendant ce temps, un prêtre enquête sur la mort de l'exorciste de la jeune fille.Une adolescente autrefois possédée par un démon découvre qu'il se cache toujours en elle. Pendant ce temps, un prêtre enquête sur la mort de l'exorciste de la jeune fille.Une adolescente autrefois possédée par un démon découvre qu'il se cache toujours en elle. Pendant ce temps, un prêtre enquête sur la mort de l'exorciste de la jeune fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
- Liz
- (as Belinha Beatty)
Avis à la une
Rather than go for the spinning heads and pea soup that were featured in the first film, Boorman opted to go in a less horrific and more surreal and dramatic direction. Most people claim that sequels shouldn't be a rehash of the original, well this certainly wasn't!
The acting was quite good here. The cinematography as in most every Boorman movie, is exquisite. The score by Ennio Morriconne is terrific and sets a slightly different tone from the first film.
Overall, the film has a much broader feel to it, I think because the film takes place at many places rather than confined to the room of the first film. Also, there are some elaborate special effects scenes that are breathtaking. Everyone of them quite chilling.
This isn't really what I would call an actual horror film. It's a drama involving the supernatural. I'm not sure exactly what I'd classify this as. It's a genre all it's own almost.
See it with an open mind. Forget what people have said in the past.
You just might be surprised.
The scientific part was actually quite interesting to me, and the metaphor was excellent foreshadowing. Linda Blair has grown since the first exorcist, and was very good as an actress.
While not as scary as the original, this movie was filled with mystery and suspense. I recommend this movie to most fans.
7/10 ~*StaRz*~
As a sequel it's thematically detached from the first and creates it's own new mythology and imagery. The events from Exorcist are referenced extensively and Regan, now 17, has multiple flashbacks to her bedroom. Father Lamont, a rogue priest played by Richard Burton, investigates the case in an effort to find out what really happened to Father Merrin by involving himself in Regan's therapy sessions. A muddled plot about curbing the spread of evil and the divinity of our teenage heroine fills up the rest of the film with regular cutaways to Africa where Lamont researches the recent history of Pazuzu (not the Devil, as most believe).
Nothing, repeat NOTHING in this film is even remotely intelligible. Towards the end there are dozens of unexplained elements. On top that there is some hilariously stupid dialogue. How did some of this stuff get approval? I would flat out refuse to say "Oh, I was possessed by a demon. But it's okay, he's gone now," upon meeting a new friend. When the credits finally roll you'll be scratching your head, unable to make head nor tail of what you've just witnessed.
What it does have going for it however is absolutely stunning photography. Only a few 70s set designs date this film aesthetically. The shots of African sunsets and the rock churches are amazing and the general dark, silhouetted appearance of the dialogue scenes create a wonderful, moody atmosphere.
It's a shame that Linda Blair's career collapsed after this. After getting involved in several bad relationships her acting career went down the toilet and she's never starred in anything as up-market as this ever since. She's such a cutie in Exorcist II and, as a bonus, hardly ever wears a bra.
As a sequel to a classic it's a bit of a let down, but as a stand-alone weirdo melodrama it's nothing if not interesting. Do check it out, but keep in mind everything I just said.
Le saviez-vous
- AnecdotesThe original cast and crew of L'Exorciste (1973) were very much opposed to a sequel. William Friedkin and William Peter Blatty actually met to discuss ideas at one point, but when they failed to develop a suitable premise, they abandoned the project. Both Linda Blair and Ellen Burstyn turned down repeated offers by the studio, though Blair eventually agreed to return when presented with what she considered a good script. However, according to Blair, due to various rewrites the script ended up a total mess. By that point, however, she was contractually bound to a sequel, and unable to drop out of the project.
- GaffesThe institution where Regan receives treatment has glass offices in which you can see the patients and their counselors with the only privacy being offered is by audio. Glass rooms in actual institutions usually have blinds/ curtains to provide visual privacy.
- Citations
Regan MacNeil: What's the matter with you?
Sandra Phalor: [hesitant, stuttering] I'm autistic.
Regan MacNeil: How do you mean?
Sandra Phalor: I'm withdrawn. I can't talk.
Regan MacNeil: But you're talking now.
Sandra Phalor: [shakes head no]
Regan MacNeil: Yes, you are. I can hear you.
Sandra Phalor: You can hear me?
Regan MacNeil: Sure!
Sandra Phalor: [pause] What's the matter with you?
Regan MacNeil: I was possessed by a demon. Oh, it's okay. He's gone!
- Crédits fousTap Dance Routine Choreographed by Daniel Joseph Giaghi
- Versions alternativesExorcist 2 exists in at least three versions. The original version was 117 minutes long and was recut by director John Boorman the day after the premiere into a 110 minutes version, the one released theatrically. Major differences include the addition of a recap of the events of the first film through narration and freeze frame. Using stock shots of Linda Blair from the first film for the climax (all new shots of Regan possessed were done by a double because Linda Blair refused to have the possession makeup done on her again) and an alternate ending where Richard Burton's character is killed (In the original version, he runs off with Regan to help her be a force of good). The European version is also purported to be different. For a long time, only the recut version of Exorcist 2 was available for TV, cable and on video. Recently, the original 117-minutes cut has found its way to video and recent TNT airings.
- ConnexionsEdited into Exorcist II: The Heretic: Alternate Opening (1977)
- Bandes originalesLullaby of Broadway
(uncredited)
Music by Harry Warren
Played on the saxophone while Regan is tap dancing
Meilleurs choix
Détails
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 30 749 142 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 735 000 $US
- 19 juin 1977
- Montant brut mondial
- 30 749 142 $US