L'Empire des fourmis géantes

Bert Gordon gave this film a good shot - and the results were not altogether bad. It was pretty well cast, too. What really kills it is the cinematography and some of the staging. The ant attacks are just not convincing and the special effects are horrid (especially the boat blowing up). The leads do an OK job, but the script just had tons of dead air and there's not much good dialogue. The bit where Margaret Ellis (played well by Jacqueline Scott) reminisces in the boat about her being fired after 20 years of working for the same boss is nicely delivered, but falls painfully flat. Things perk up a bit when Albert Salmi comes in as the sheriff. I guess Joan Collins' character got what she deserved in the end, but she doesn't seem like a truly evil person. Some sense of fulfillment is reached in the end when the two couples (seemingly in love) manage to escape. Still, a good drive-in flick and the whole set-up of the "real estate sales outings" seemed to be popular in the late 70s/early 80s when the market was really starting to boom. I guess I like this flick because four of the actors (Jacqueline Scott, Albert Salmi, Robert Lansing, Irene Tedrow) starred in episodes of "The Twilight Zone" and this movie certainly has elements of that great TV series. Bert Gordon's daughter, Susan, also starred in a "Zone" episode.

Like one reviewer says, (and I paraphrase) this is an Arkoff/Nicholson/ Bert I Gordon film, people - lighten up! Did you seriously expect Academy material (not that that means anything) out of a film called "Empire of The Ants?" Yes, the effects are laughable, yes the acting, and especially the reactions to the ants, are hilarious. It's all in good fun. I just love that grainy 70's print and the actors forging ahead despite the ridiculousness of it all. I personally think that credible acting in a film like this is a whole lot harder than a typical 'dramatic' production. I mean, how much harder would it be to get into the 'zone' and understand your motivations with something this silly? An absolute must watch for fans of bad movies. Especially if 70's bad movies really get ya. Similar titles: Squirm, Frogs, Tentacles. Anybody know any more good obscure 70's eco-horror? Please email me.

Based very loosely on the short story "Empire of the Ants" by H. G. Wells, the film involves a group of prospective land buyers led by a land developer, pitted against giant, mutated ants.

This was one of Bert Gordon's final films, and from a technical standpoint it is among his best. The production value looks much higher than his earlier work, and the star power of the cast is evident. The ants, while still relying on a few cheap effects, are overall pretty effective -- though why must they be screeching the entire time? But really, what makes this only a "good" film rather than a "really good" film is the length. This is clearly a 60 or 70-minute film stretched out to 90 minutes, and that allows for the ultimate sin to creep in: boredom.

I guess I'm the only one who noticed the potential "love story" here. Don't believe me? From the beginning it seems very clear that Robert Lansing's Dan Stokely has a thing for the bitchy Marilyn Fryser (played by everyone's favorite bitch, Joan Collins). Check out that elongated "stare" they share on the boat. Then there's Jacqueline Scott's droopy, whiny, bitter, button-obsessed Margaret Ellis. She has a thing for Dan, but Dan tries to brush her off by saying he doesn't need any buttons. The clincher, however, is when Marilyn decides to go it alone through the forest, but is immediately confronted by those annoying picnic pests. Take note how she runs back right into Dan's waiting arms. Note also how he eagerly holds her tight and caresses her. And make one final note at Margaret Ellis's reaction -- you think she was bitter before?

That one scene provides more drama and suspense than anything else in the film! For example: Does Margaret really love Dan? Does Dan really love Marilyn? Does Marilyn really want to give up her life as an independent and successful woman for the macho Dan? Will Margaret kill Marilyn so she can sew buttons for Dan? Will Marilyn kill Margaret and steal her buttons so SHE can sew them for Dan? Will Dan say "to hell with the buttons," rip off his shirt and have his way with both women? Or will Dan say "to hell" with both women and offer them up as sacrifices to the ants?

Alas, the movie never answers these questions. But wouldn't it be cool if it had?

I absolutely love this movie and would highly recommend if you're looking for something fun to watch! There are only two or three clips of ants that are consistently overlaid and recycled and it just gets funnier every time. Not sure if this is quite what H. G. Wells saw in his mind, but so happy it exsists!