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La dentellière

  • 1977
  • Tous publics
  • 1h 47min
NOTE IMDb
7,4/10
3,1 k
MA NOTE
Isabelle Huppert and Yves Beneyton in La dentellière (1977)
DramaRomance

Deux jeunes filles, Pomme et Marylène, partent en vacances. Mais Marylène laisse vite son amie seule. Celle-ci fait alors la connaissance de François.Deux jeunes filles, Pomme et Marylène, partent en vacances. Mais Marylène laisse vite son amie seule. Celle-ci fait alors la connaissance de François.Deux jeunes filles, Pomme et Marylène, partent en vacances. Mais Marylène laisse vite son amie seule. Celle-ci fait alors la connaissance de François.

  • Réalisation
    • Claude Goretta
  • Scénario
    • Claude Goretta
    • Pascal Lainé
  • Casting principal
    • Isabelle Huppert
    • Yves Beneyton
    • Florence Giorgetti
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    3,1 k
    MA NOTE
    • Réalisation
      • Claude Goretta
    • Scénario
      • Claude Goretta
      • Pascal Lainé
    • Casting principal
      • Isabelle Huppert
      • Yves Beneyton
      • Florence Giorgetti
    • 19avis d'utilisateurs
    • 23avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Victoire aux 1 BAFTA Award
      • 4 victoires et 4 nominations au total

    Photos124

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    Rôles principaux40

    Modifier
    Isabelle Huppert
    Isabelle Huppert
    • Béatrice 'Pomme'
    Yves Beneyton
    • François Béligné
    Florence Giorgetti
    • Marylène Torrent
    Annemarie Düringer
    Annemarie Düringer
    • La mère de Pomme
    • (as Anne-Marie Düringer)
    Renate Schroeter
    Renate Schroeter
    • Marianne
    • (as Renata Schroeter)
    Michel de Ré
    • Le peintre
    Monique Chaumette
    Monique Chaumette
    • La mère de François
    Jean Obé
    • Le père de François
    Christian Baltauss
    • Gérard
    Christian Peythieu
    • L'ami à la théorie des boîtes
    Heribert Sasse
    • Un ami étudiant de François
    Jeanne Allard
    • Thérèse
    Odile Poisson
    Odile Poisson
    • La caissière du salon
    Gilberte Géniat
    Gilberte Géniat
    • L'épicière
    • (as Gilberte Geniat)
    Sabine Azéma
    Sabine Azéma
    • Corinne - l'étudiante marxiste
    • (as Sabine Azema)
    Valentine Albin
    Agnès Château
      Bertrand De Hautefort
      • Réalisation
        • Claude Goretta
      • Scénario
        • Claude Goretta
        • Pascal Lainé
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs19

      7,43.1K
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      Avis à la une

      9frankde-jong

      A brilliant early role of Isabelle Huppert

      "La dentelliière" is "Pretty woman" (1990, Garry Marshall, difference between man and woman in wealth) or (even more) "My fair lady" (1964, George Cukor, difference between man and woman in education) without an happy end.

      A student falls in love with a hairdresser. His attempts to "upgrade" her are not only an insult for the woman, but in so doing the man also destroys the woman he is in love with.

      The introvert woman is played by a young Isabelle Huppert and it is hard to believe that only a year later she would play a very cynical person in "Violette Nozière" (1978, Claude Chabrol).

      The film is rich in brilliant scenes. I just mention a few. (1) After meeting each other for the first time the man and the woman are searching for each other. Because each of them is looking at places where he/she expects the other they don't find one another. (2) The man introducing the woman to his parents. The father in law likes his daughter in law from the first moment. The mother in law keeps asking questions about her education and carreer opportunities. (3) The man is having heavy philosophical discussions with his study friends. When the woman aks afterwards what al these discussions were about, he is not capable of explaining it in normal words.

      The film ends with a close up renimiscent of "The 400 blows" (1959, Francois Truffaut).
      taproot

      Wonderful film

      Who knows why we retain the memory of some films and others remain a forgotten blip. "The Lacemaker" stayed with me over the years. I thought Isabelle Huppert played a marvelous part, and the story line fascinated me. I can still feel the sadness of her character when she was rejected by her lover, and then paid the price for her addiction to him. Films like "Blade Runner," "Murmur of the Heart," "Experience Preferred but not Essential, " The Unbearable Lightness of Being," "Closely Watched Trains," and a host of other good films will always be special to me, but not as endearing as "La Dentelliere."
      10musiclovers11

      1977-2003

      What can I say about this movie? It reduced me to tears in 1977, and again in 2003. It doesn't stand up to over analysis, but it rings so absolutely true... which has given the film it's resonance down the years. Isabelle Huppert's performance is sublime, and the last scene one of the most heartbreaking in cinema.
      8ranjna

      Art piece

      There is something very beautiful about it though I feel I can't just put my finger on it but it is super simple yet super effective and impacting movie and performance especially by Isabelle Huppert...she is so vulnerable, simple, sad and natural...
      10scharnbergmax-se

      Does Francois Deserve Antipathy?

      On the whole, the user comment by Dennis Littrell above is excellent. But even excellent comment may contain doubtful details. I do not agree that Pomme was proud and hopeful.

      When Francois visited Pomme at the mental hospital, she told him that she had had other lovers and had been in Greece with one of them. This was obviously not true. Then why did she say so? Dennis Littrell thinks that she was proud. I take him to mean that Pomme would give Francois the impression that she was quite capable of going on living without him.

      I cannot imagine that she could have such motives. Although SHE is the one who became sick when he abandoned her, and even so ill that she had to attend a hospital, HE is the one who "needs" support from two friend when he goes to see her, and HE is the one who cries (when nobody sees it). My conception is that Pomme even here revealed her good heart. She tried to make things easy for Francois – he should not need to have any feelings of remorse because of what he did to her.

      Moreover, I disagree that Pomme's face in the last shot shows a vague hope. I think that it reveals the greatest hopelessness.

      One Swedish reviewer wrote that things go bad when Francois lets Pomme remain at her own level, and they go bad when he tries to draw her up to his level. – But this is double nonsense. Things are excellent when he accepts her as she is. Moreover, Pomme is realistic. FIRST Francois must finish his study, and afterward they may see what they can do about her. At the present time they cannot even afford to go to the cinema without saving the money elsewhere.

      Much more important is the other side of the coin. Pomme would really love to be like Francois. In a bookshop she looks at the volumes with paintings by famous artists. But she cannot learn to understand such things without help. And the idea never strikes Francois that he might help her. He just scolds her for being as she is.

      There are several key scenes. In one of them Pomme is afraid of crossing a street full of motorcars. Francois had soon run over, and now he is standing there and shaking from impatience and irritation. The idea never occurred to him to take her hand and lead her over the street. And when she asks him what is the meaning of the word "dialectic", he gives her no reasonable answer.

      By and large, the idea of "sexual Samaritans" is unrealistic. Extremely few people are prepared to sleep with another individual toward whom they feel little attraction and expect no other gain. There are nevertheless a few unusual situations in which I would seriously recommend such things. Francois just throws Pomme away, giving no thoughts to the consequences. He does no even participate in the last meal, when he is at home in front of her and will drive her to her mother's home as soon as the meal is over.

      I claim that Francois did have enough personal strength to continue the relation a little longer, and to try to make the break more gradual and as little harmful to Pomme as possible. He could have seen her sometimes after she had moved to her mother, and he could sleep with now and then for a while.

      I do think that he had an amount of responsibility for her, and should have done something to help her overcome the breaking of their relation.

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Isabelle Huppert's first big movie.
      • Gaffes
        While François first meets and talks to Pomme, she is eating chocolate ice cream. In close ups half a portion is visible above the edge of the cup, but after the cut to medium, suddenly no ice cream is visible anymore.
      • Citations

        Marianne: You treated Béatrice as if you were a boss. When you got tired you threw her away.

        François Béligné: Why do you stick your nose into this? It's got nothing to do with that!

        Marianne: Yes, yes it's the same thing. If there is something you don't understand, you reject it.

        François Béligné: That's nonsense.

        Marianne: You live in your small world in your coat and your scarf. And yet you fear catching a cold.

        Gérard: You did bad, François. It's true you don't see the things that surround you.

      • Connexions
        Featured in Der Beginn aller Schrecken ist Liebe (1984)

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      FAQ

      • How long is The Lacemaker?
        Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 25 mai 1977 (France)
      • Pays d’origine
        • Suisse
        • France
        • Allemagne de l'Ouest
      • Sites officiels
        • French DVD distributor's site
        • Swiss Films page
      • Langues
        • Français
        • Anglais
      • Aussi connu sous le nom de
        • The Lacemaker
      • Lieux de tournage
        • Cabourg, Calvados, France(seaside resort)
      • Sociétés de production
        • Action Films
        • Citel Films
        • Filmproduktion Janus
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        1 heure 47 minutes
      • Mixage
        • Mono
      • Rapport de forme
        • 1.66 : 1

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      Isabelle Huppert and Yves Beneyton in La dentellière (1977)
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      By what name was La dentellière (1977) officially released in India in English?
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