Contrat à Cherry Street

As I watched "Contract on Cherry Street", I couldn't help but think this should have been better. After all, it stars Frank Sinatra as well as many well respected supporting acts, such as Martin Balsam, Harry Guardino and Henry Silva. But sadly, the film is very slow paced and should have been much more exciting. Perhaps the actors were just too old to generate a lot of energy! After all, the actors I just mentioned all played cops and, by far, the youngest of them was 48 at the time!

Sinatra plays a Deputy Inspector in New York City that is in charge of a police unit aimed at attacking organized crime. For some reason, they are now centering solely on a car theft ring. However, over time, the unit never seems to be making any progress, so after one of the group is killed, they resort to trying to start a gang war. How? By assassinating some of the gang leaders in the hope that the gang will start distrusting each other and then start killing each other. Two wild cards in all this are two psychopathic Greek killers and a psychopathic cop.

The pacing of this film is, at times, glacial. It could easily have been done in 90=120 minutes but clocks in at over 150 minutes. There also is a huge chunk in the middle of the film where Sinatra disappears for at least 20 minutes....concentrating on other characters instead...which is pretty odd since he is the star. Because of this, you have a decent story but it's just bogged down by the pacing. It simply should have been better.

Talk about ego! In this movie, 5'8" 62-year old Frank Sinatra knocks around mob thugs and sends them home crying. Which for a film aiming for a realistic gritty tone, makes it hard to take seriously. Sinatra forms a special cop team to crack down on car thefts in New York City; the team is basically Michael Nouri as the idealistic kid, Henry Silva as the voice of reason (not something Silva was known for playing) and Harry Guardino as a vengeance crazed cop. Somehow, the dedicated team causes a gang war to erupt among the mob families and for a 1970's TV movie, there is a lot more violence than I would expect. The movie gets more and more out of control until Sinatra's mad dash to save the city at the end. Sinatra breaks so many rules, it is really hard to see how he would be able to stay out of jail, much less remain on the job. But hey, this is Sinatra's world and he makes the rules.

This film essentially begins with two rival mob families led by "Baruch Waldman" (Martin Gabel) and "Eddie Manzaro" (Marco St. John) in contention over the lucrative automobile theft business in New York City. At first the detective in charge of this investigation, "Deputy Inspector Frank Hovannes" (Frank Sinatra) insists that his small section abides by the rules and use standard police tactics. This changes, however, when his good friend and colleague "Captain Ernie Weinberg" (Martin Balsam) is killed in the line of duty while on a raid on one of the automobile body shops operated by one of the men belonging to Manzaro family-and things spiral out-of-control after that. Now rather than reveal any more, I will just say that this was a solid crime-drama for the most part but it suffered somewhat by some rather slow scenes along with a longer than normal running time (145 minutes). Likewise, although there were several decent actors involved, none of them really stood out in my opinion either. In any case, those looking for a basic 70's crime-drama of this sort might find this film to their liking and I have rated it accordingly. Slightly above average.

In the 1970s, the TV networks put a lot of money into creating their own collection of original films. The rationale was that they were about as cheap as a series pilot (indeed some, like "Marcus Nelson Murders" did become exactly that -- for "Kojak"; "The Night Stalker/Strangler" for the Kolchak series), and did not entail open-ended commitments like a series would.

This flick is certainly at the high-end of these (the low-end was things like "The Hard Ride" - - motorcycle-gang members with machine guns in Vietnam, in a low budget, low brow version of "Missing in Action"; the immortal "Killdozer"). Frank Sinatra shows his acting chops again (nearly for the last time, from here on there was only one episode of Magnum PI to be proud of), surrounded by the usual suspects of series TV and made-for-TV-movies (notably Harry Guardino, good as always.) The soundtrack is certainly movie-quality (as were most of this era's TV-movies.)

The movie suffers from having an enforced length -- 145 minutes to fill a 3-hour timeslot -- and thus there is painfully unnecessary padding of scenes and dialog, and long traveling shots with the obligatory shoe-leather-sound-effects. But there's a cracking good 90-100 minute movie in here.

Sinatra is cool. Henry Silva is cool. Martin Balsam good as usual. Michael Nouri is young and handsome. Verna Bloom is smart and talented. I won't name all of them, there are many good ones, they look like real gangsters, like mobsters. Robert Davi, in his first film, and Jay Black stand out as two unscrupulous killers. And the one who specially stands out is Harry Guardino, here in a unique role as a crazy cop who kills mobsters. A good film signed by the prolific William A. Graham. And Jerry Goldsmith's music is cool.