L'affaire de la fille au pyjama jaune

Quite an oddity this and none the worse for that. So late into the seventies and set in Sydney, Australia, this was never going to be in any way a standard giallo and in truth it is more a romantic thriller with giallo overtones. This did not start well for me with the opening song and I never really appreciated the soundtrack throughout which I found to be rather grating. Things didn't get better with the appearance of a seemingly over acting Ray Milland but gradually it began to win me over until it seemed Milland was in some other film. Calming down again, helped by the constant on screen smouldering of Dalila Di Lazzaro, I allowed the film to wash over me and presto a most unusual film with most original structure reveals itself. It's not perfect but give this one a chance to surprise.

It's weird but always thrilling to come across a completely unknown and hard-to-find giallo, especially when you're an avid fan of this Italian sub genre of horror, like myself. The majority of good gialli have received fancy DVD-releases by now and, considering this gem was still nowhere available, I began to fear that it might be a real stinker. The opposite is true, however, as this is an engaging murder mystery with original plot-twists, an innovating structure and good acting performances. The decomposed body of a murdered young girl is found on the beach, with only her yellow pajamas as a possible lead to find the killer. Retired detective Thompson (Ray Milland from "Premature Burial") teams up with the police and his old-fashioned investigation methods are a lot more fruitful than the routine cop-work. This film differs from other gialli because the body count is really low and the cinematography is is rather monotonous. Nevertheless, the red herrings are more effective than usual and the flashback sequences are extraordinary stylish. If the whole thing seems too confusing at first, just force yourself to carry on watching, as the actual revelation clarifies all you need to know in a very original way. Intriguing stuff, definitely worth a look if you can find it.

Those expecting a sleazy, gory late entry in the "giallo" cycle of Italian cinema might be let down at THE PYJAMA GIRL CASE, but the film is actually a superb murder mystery, a fascinating character study, a police procedural, and a visually striking experience. Perhaps it's best to say that it was "inspired by a true story," since much liberty is taken with the original Australian case on which the film is based (and the Blue Underground DVD has as an extra an interview with investigative Australian author Richard Evans, who wrote a book about the real case from the 1930's). Ray Milland stars as a retired detective who spends time most of his time in his greenhouse (is this an allusion to the Columbo episode where Milland was into gardening?) but is brought out of retirement by a baffling case where an unknown corpse is found charred and decayed in an abandoned car on a beach. The police must first find who the woman is before finding who killed her. All the while as this story is being told we are following a second plot which I won't divulge here. At about the mid-point it seems as though the film might be nearly over, but it takes another turn and the chronologies of the stories become clear. As a regular watcher and reader of murder mysteries, the red herring characters were clear to me, the identity of the victim was no surprise, and the solution to the crime was not as much of a surprise as other IMDb reviews seem to think. However, I was riveted the way I am in a good Columbo episode thinking about the HOW and the WHY of the crime, and the clever way in which the various threads are tied together. Milland is, as always, superb, bringing many interesting quirks to the character of Thompson the retired detective. Michele Placido is impressive as the Italian immigrant waiter who is a major player in the parallel story, and Mel Ferrer is his usual suave self as a Professor who is having an affair with Placido's wife, who is played by the lovely Dalila Di Lazzaro. Fortunately, Milland and Ferrer provide their own voices. Howard Ross is also memorable as a vain and brutal German who is also having an affair with Dalila. While Riz Ortalani's music is largely the thumping electric euro-funk one expects in a 1977 film, it's much more subtle than, say, a soundtrack by Goblin, and two songs by Amanda Lear (my wife asked me "is that Nico?") are haunting and perfect, although many will find themselves initially put off by her singing. I don't think I can get the main song of hers out of my head. I had always considered buying a pan-and-scan VHS of this, but I'm glad I waited for the new and beautiful widescreen DVD. The Australian locations for the film as surprising and shot in an unexpected way that is fresh and makes the background an important character. I've been waiting to see this for two decades, and while it wasn't exactly what I was expecting, I was completely satisfied by it and watched it twice the day I bought it. Mystery fans and those into 70's Italian genre films should not miss it. However, don't expect the level of sex and violence you're usually provided in such films.

A quite curious case on display here - no pun intended. Then again, the "display" scene in the movie is based on an actual case! A case the movie is losely based on. As said million times before, Life is stranger than Fiction. This movie still tries to go as strange as possible.

Having said that, the two storylines evolving here are nicely cut and edited together. And while the main police character is quite funny, there are other characters too that hold the film. Our female main character for example, who does enjoy and play with her sexuality. Now some falsely may think or judge her for that. May even wish her bad things, which is never a good thing. A free spirited individual like that, cannot be contained. One should make peace with that, otherwise one may get hurt - which leads to more hurting of course.

A really stellar cast in a I guess strange Giallo as everyone seems to point out (I wouldn't call myself an expert but those who are say so). Still strange is not bad as I hope I made clear already ...

Often referred to as a giallo, The Pyjama Girl Case (or The Girl in the Yellow Pajamas) is one of the more unique entries into the sub-genre. Frankly, it's not really much of a giallo in my eyes. I look at it as more of a dramatic murder mystery with some underlying splashes of the yellow paint.

In Sydney, a young girl discovers the charred remains of a woman in an old car on the beach. The woman's face is too badly burned for the police to make a proper identification. The case is given to an inspector by the name of Ramsey, though retired Inspector Thompson insists on getting involved as well much to Ramsey's dismay. While we watch their investigation unfold, we are also treated to an alternate story involving a sexually troubled young woman who has gotten herself involved with three different men. What's the connection? Ray Milland is solid as the retired Thompson, and he delivers a few laughs to boot. He has a distaste for the methods that police have began using since his time on the force, and it's quite entertaining to watch his sense of glee whenever he's crowding Ramsey's space. Ramsey is a pretty unlikable guy too. He refuses to listen to Thompson's logical reasoning, and he tries his best to find a scapegoat as quickly as he can. Caring more about getting credit and going on a nice vacation as soon as possible, Ramsey is behind Thompson every step of the way.

On the alternate end of the spectrum, Dalila Di Lazzaro successfully captures the very troubled and torn nature of her character, Glenda. She spends her time between a wealthy doctor (Mel Ferrer) and a German factory employee (Howard Ross), both of whom she uses for meaningless sex. Through Roy, the German, she meets Antonio, a Polish waiter with a seemingly soft and sensitive nature. They fall for each other and marry, but the marriage is a very troubled one as Glenda, starved for both intimacy and an emotional connection, becomes very bored with the shy natured Antonio. This in turn sets off his jealous tendencies. As Antonio, I think Michele Placido gives what is perhaps the film's best performance. He's just as troubled as his wife, and his emotional outbursts seem genuine and heartfelt.

The film's unique narrative is constructed in an effective manner as we bounce back and forth not only between stories, but in time as well. Director Mogherini also throws in some wonderful pieces of misdirection throughout the alternating story lines. Carlo Carlini's cinematography is splendid. Sydney is a lovely city, and Carlini milks it for all it's worth, delivering some striking shots and images. Mogherini's film is further complimented by some rather arty directorial flourishes. One of my favorite sequences has tons of people in trance-like states shuffling around a tank containing the woman's body, the police hoping someone will be able to identify her. The scene plays to Riz Ortolani's beautifully haunting score, and has a very surreal, detached feel to it. It's a masterfully crafted little sequence.

Overall, while a stylish film, The Pyjama Girl Case is mainly about the characters. It's a very character driven story with a real emotional punch to it, something I wasn't expecting when I first gave it a go. I have zero reservations about recommending this to fans of gialli and Eurohorror in general. Just don't go in expecting your typical giallo.