Bröderna Lejonhjärta

I think this film, and of course mainly the book by Astrid Lindgren, is one of the bravest children's movie I have ever seen. I remember as a child, seeing this film on video, and feeling totally absorbed with it, as I had never, until then, seen a movie that dealt with such issues for a child my age.

Thoughts moving around life and death are issues that all kids are confronted with, and are issues which evokes questions in the minds of children. Many grown-ups are unable to handle questions from kids regarding death, in these cases I think this film is an exquisite piece of art.

But of course the film is not all about death, it is also a movie about bravery, go about and dare to do what frightens you in life, and of course the life altering condition of love, the love between two brothers.

It's interesting to hear how Lindgren imaginative work started for this book. She told a Swedish newspaper many years ago that it started out with her walking through a cemetery, which was something she liked to do, and seeing the grave of two brothers. Then a time after, that she attended a press conference for the casting of a film based on one of her books, after the press conference the leading actor (a seven-year old) walked down the stage and sat down in his older brothers knee and the older brother kissed him on the forehead, which was something she found very moving; by then she knew her next story was going to be about two brothers. The final imaginative episode was when she went with the train in northern Sweden, she told it as being a cold winter day, "a day when it was as beautiful as if it wasn't of this earth" by then she knew that the story was to involve the question of death, and a life after this.

When I was a child, I saw movies fit for a child. However, there are some movies that appeal to all ages. And even if brother Lionheart is a movie designed for kids, it have a huge influence on all ages. And definitely on me! Since I saw this movie for the first time 18 years ago, I have never forgot it it. Its story is still as clear with me as any movie I have seen this week. It is A drama, its story shows a heartbreaking history, between two brothers, and one who is very sick.

This story is the best this world have ever offered! Astrid Lindgren have time after time been hinted for Nobels Prize in Litterature, and the Director of this movie gives the story from her books among the best transfers from book to video ever! Americans makes among the world best movies! But compared to this movie, Its actors, and its director - all the Americans have to see themselves beaten! Compared to Astrid Lindgrens and Olle Hellboms "Brother Lionheart" They are all amateurs! See this with your children! But bring Lots of napkins!

Maybe it's hard for people outside of Sweden to fully understand what this movie has meant to Swedes through the years. You would especially think so after reading the other comment which compares "Bröderna Lejonhjärta" to Ingmar Bergman - HELLO?!? We do have other directors than Bergman and to compare him to "Bröderna Lejonhjärta" is like comparing "American Pie" to Spike Lee or something. Please don't think you know EVERYTHING about swedish moviehistory just because you've heard of Bergman, there is so much more to it and this movie has virtually nothing in common with Bergman's work.

I am also sorry if people are too destroyed by American blockbusters and can't handle the fact that this movie is for an audience of youngsters and that it's about death. I must also say that grown-ups as well as kids can enjoy this movie. It's very good to see with your children to then discuss it afterwards.

Astrid Lindgren was without comparison Swedish literature's queen and when she died last year it seemed like we couldn't stop mourning. "Bröderna Lejonhjärta" ("The Lionheart Brothers") was maybe one of her most important books, because it handles such heavy subjects in such a great way. When Olle Hellbom's movie came in 1977 it caused a mediastorm Sweden had never seen before. First of all it had a completely new way of speaking to kids about death; a movie that took children seriously and didn't treat them like they could handle only joy and happiness.

Second of all, back in those days the only agelimits on cinemas were 15, 11 and under. They made "Bröderna Lejonhjärta" available only to people over 11 and this caused such a storm that they actually changed the swedish law so that a new agelimit came at 7! All this over one movie.

You can't understand how many kids have found comfort in this story. To children that are about to die you read this novel or show this movie and I don't know how often you read the inscription "We'll see eachother in Nangijala" on gravestones in Swedish cemeteries.

This movie was groundbreaking and it's often wrongfully accused of being too dark and strange. Children can handle a lot more than you think when it comes to strong emotions like love and loss. The only thing that scared me as a kid was the sometimes graphic violence in the end. See this if you have a chance!

I had the privilege of owning this movie when I was a child. I think that my parents bought it from some video store that was going out of business. It was on a BetaMax tape, and was dubbed in English. I had to of watched this movie at least once week. The story is great, and the relationship between the two brothers is rather touching. Despite the fact that even as a child the dragon (who used to remind me of "the secret weapon" from An American Tale) looked terrible, it was one of my favorite movies for years. If anyone can find a copy of this movie, I suggest you watch it. Also, the synthesized soundtrack is quite good (arpeggios reminiscent of Philip Glass or something).

This was a favourite of mine when I was a kid and it's still a haunting and beautiful story. This adaption of Lindgren's story (which I owned too) has to be considered a success (if not wholly a triumph). In our sanitised world, a children's film that contains death, loss, pain, illness, treachery and sacrifice seems strangely out of place. It takes a heart of stone not to tear up not even 5 minutes into the film, and again at the end. In my opinion, children are very well capable of bearing the weight of death, in story as well as in real life. Maybe they have to be accompanied, but keeping such themes from them makes for a poorer education. The film itself still holds up remarkably well. The sets, the horses and the outdoor scenes are beautiful. The costumes are rather laughable and the monster looks as if escaped from Spectro-Man, but at the point where we first see it you're so deep inside the story it really doesn't matter much. The camera-work is simple, but effective. The acting is so-so, but mostly adequate. The music isn't good except for a few moments where it's really gripping.

I heard that there's a new adaption of this book in development, and while I'm curious as to what better production values and a professional soundtrack can do for the story, I wish they'll stay with the dark and haunting mood and maybe even incorporate more of the book.