Ajouter une intrigue dans votre langueIn a restaurant in New York, the menu is unusual, with some sauces prepared by waiters on the spot. In this scenery, at another table, a reporter interviews a famous prostitute.In a restaurant in New York, the menu is unusual, with some sauces prepared by waiters on the spot. In this scenery, at another table, a reporter interviews a famous prostitute.In a restaurant in New York, the menu is unusual, with some sauces prepared by waiters on the spot. In this scenery, at another table, a reporter interviews a famous prostitute.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Susan McBain
- Girl with Barbara's Waiter
- (as Suzanne McBain)
Jamie Gillis
- Curley
- (as Jaimie Gillis)
Alan Marlow
- Joyce's Client
- (as Alan Marlowe)
Clea Carson
- Waitress with Bearded Patron
- (as Loren Michaels)
Cami Graham
- Florence Dorothy
- (as Camilla Farrell)
Peter Andrews
- Barbara's Waiter
- (non crédité)
John Christopher
- Brother of Shy Fan
- (non crédité)
Zebedy Colt
- Bearded Restaurant Patron
- (non crédité)
Barbara Daniels
- Brunette Leaving Dance Floor
- (non crédité)
Avis à la une
I am sure that anyone interested in the production details about the filming of this striking film from the late 70s will find a lot of information on the Internet, so I will focus on the essentially cinematic aspect, if you can call it that, of a unorthodox film with overtones of Buñuelian surrealism (The discreet charm of the bourgeoisie).
The room of a restaurant (a real one, by the way, not a set) serves to offer on a silver platter any à la carte sexual demand that customers require from their waiters, to the rhythm of a waltz. Each with their own demands, the mistakes of the female servants are paid for with fellatio to the head waiter. All very strange and at the same time so magnetic.
I haven't really found a specific plot thread to intertwine the different scenes, but the majestic setting and the appearance of a spectacular Annette Haven seem like two essential arguments for reviewing this title once again. And then another.
P. S.- The sensational oral study that actress C. J. Laing performs on one of the waiters, and which ends with one of the most morbid facial discharges that I can remember, will be etched in your retina in perpetuity. You are welcome.
The room of a restaurant (a real one, by the way, not a set) serves to offer on a silver platter any à la carte sexual demand that customers require from their waiters, to the rhythm of a waltz. Each with their own demands, the mistakes of the female servants are paid for with fellatio to the head waiter. All very strange and at the same time so magnetic.
I haven't really found a specific plot thread to intertwine the different scenes, but the majestic setting and the appearance of a spectacular Annette Haven seem like two essential arguments for reviewing this title once again. And then another.
P. S.- The sensational oral study that actress C. J. Laing performs on one of the waiters, and which ends with one of the most morbid facial discharges that I can remember, will be etched in your retina in perpetuity. You are welcome.
I strongly don't recommend this movie unless your a fan of the 70's porno genre.It is quite tame by today's standard,but the plot is just as incoherent as the modern porn plot.Barbara Broadcast is a author who takes tricks on the side because its so much fun!She is not that bad looking of a lady,kind of like a Julieann Moore type.Only thing is she is not nearly as attractive.Attractiveness is not found at all in this movie,plastic surgery wasn't as relevant as it is now.A guy could probably see better looking girls at his local watering hole.There is a dude who has a cool porno mustache that was amusing.If going to the XXX movie theater's remind you of the gold old days than see this movie.Than seek help.
Set in a dystopian New York, Barbara Broadcast takes place entirely in a restaurant with an usual menu, sex, fellatios, cunnilingus, and most kinds of fetishes. Waiters and waitresses stop by tables quite frequently to satisfy their customers or find somebody who can in due time, and quick-witted questions like, "Barbara, is your business still open for pleasure?" and "It's past my head-time" are exchanged amongst waitresses and customers.
Director Radley Metzger, who gave us the decorative and elaborate pornographic film The Opening of Misty Beethoven, gives us Barbara Broadcast in the same sort of light and position as his other films. For one, this film is captured in a surrealist state of mind, in a world where casual sex, most specifically public sex, isn't a taboo or something to bat an eye at. Metzger keenly imagines a world robbed of the societal taboos and double takes people do upon seeing public displays of affection, much less sex. Secondly, he conducts everything in a very beautiful, almost picturesque manner, with soft lighting not over-embellishing the light colors on-screen and very mood-sensitive music to compliment the decadent setting.
Our titular character is played by Annette Haven, and is being interviewed by a local women determined to get to the bottom of Barbara's seasoned history as a server of her valued customers. Right in the middle of her interview, Barbara stops to give a young customer a blowjob and, immediately after asking is he could finish in her mouth, she stops her performance to say that he is not old enough. "How old do I have to be to cum in a woman's mouth," the young customer asks Barbara. "Old enough not to ask," she states before batting her eyes and devoting her undivided attention back to her interview.
Metzger, who serves as the film's writer and director, joyfully plays with the film's tone here and doesn't skimp on the eroticism. While a plethora of sex scenes have that occasionally jarring series of closeups on the actions, but Metzger is always one to make his sex, whatever the position or the situation, classy in a way that a great deal of early pornography could struggle with. Consider the sex scenes of Mona the Virgin Nymph, a film I proclaimed limp and remarkably forgettable had it not been the first pornographic film to obtain a wide, theatrical release in theaters. That film beared so many washed out sex scenes ruined by angles and cloying music.
Barbara Broadcast has a much more elegant presentation, with sex scenes that emphasize eroticism, music that is actually immersive to what's occurring on screen, and a plot that's somewhat interesting based on the simultaneous inanity and the destruction of sexual taboos. With this and The Opening of Misty Beethoven, Metzger has firmly shown his true colors for pornographic filmmaking and they are colors that shine brighter than a great deal of his contemporaries.
Starring: Annette Haven. Directed by: Radley Metzger.
Director Radley Metzger, who gave us the decorative and elaborate pornographic film The Opening of Misty Beethoven, gives us Barbara Broadcast in the same sort of light and position as his other films. For one, this film is captured in a surrealist state of mind, in a world where casual sex, most specifically public sex, isn't a taboo or something to bat an eye at. Metzger keenly imagines a world robbed of the societal taboos and double takes people do upon seeing public displays of affection, much less sex. Secondly, he conducts everything in a very beautiful, almost picturesque manner, with soft lighting not over-embellishing the light colors on-screen and very mood-sensitive music to compliment the decadent setting.
Our titular character is played by Annette Haven, and is being interviewed by a local women determined to get to the bottom of Barbara's seasoned history as a server of her valued customers. Right in the middle of her interview, Barbara stops to give a young customer a blowjob and, immediately after asking is he could finish in her mouth, she stops her performance to say that he is not old enough. "How old do I have to be to cum in a woman's mouth," the young customer asks Barbara. "Old enough not to ask," she states before batting her eyes and devoting her undivided attention back to her interview.
Metzger, who serves as the film's writer and director, joyfully plays with the film's tone here and doesn't skimp on the eroticism. While a plethora of sex scenes have that occasionally jarring series of closeups on the actions, but Metzger is always one to make his sex, whatever the position or the situation, classy in a way that a great deal of early pornography could struggle with. Consider the sex scenes of Mona the Virgin Nymph, a film I proclaimed limp and remarkably forgettable had it not been the first pornographic film to obtain a wide, theatrical release in theaters. That film beared so many washed out sex scenes ruined by angles and cloying music.
Barbara Broadcast has a much more elegant presentation, with sex scenes that emphasize eroticism, music that is actually immersive to what's occurring on screen, and a plot that's somewhat interesting based on the simultaneous inanity and the destruction of sexual taboos. With this and The Opening of Misty Beethoven, Metzger has firmly shown his true colors for pornographic filmmaking and they are colors that shine brighter than a great deal of his contemporaries.
Starring: Annette Haven. Directed by: Radley Metzger.
Barbara Broadcast is an erotic adventure set in a dystopian New York City. The film takes place entirely in a restaurant, but don't expect your typical dining experience! The menu features an unusual selection of sexual delights, with waiters and waitresses catering to their customers' desires.
The story follows Barbara, a high-class prostitute-turned-best-selling sex author, who is interviewed about her career. The interviewer, Roberta, is intrigued by the sexual acts unfolding around them and takes a break to explore the restaurant's steamy kitchen, where she encounters a handsome dishwasher.
Directed by Radley Metzger under his hardcore pseudonym, Henry Paris, Barbara Broadcast is a fun and erotic ride. It stars Annette Haven and showcases the talents of C. J. Laing, Shirley Peters, and Jamie Gillis, among others.
One of the most memorable scenes features the legendary C. J. Laing. She enters the kitchen, her eyes scanning the room with a mischievous glint. With a naughty smile, she hikes up her skirt, revealing her bare pussy, and proceeds to stand over a bowl, peeing, the golden arc glistening under the kitchen lights.
The film has a more elegant presentation than typical adult films of the era, with an emphasis on eroticism and immersive music. The sex scenes are well-crafted, and the film even attempts a plot, adding a layer of interest beyond pure physical stimulation.
However, the film's simplicity and focus on one location may limit its appeal. While it has fun and genuinely erotic moments, it lacks the ambition and scope of Metzger's previous work, The Opening of Misty Beethoven.
Overall, Barbara Broadcast is an enjoyable and well-crafted adult film. It stands the test of time as one of the better erotic films of its era, but it doesn't quite reach the heights of a classic.
The story follows Barbara, a high-class prostitute-turned-best-selling sex author, who is interviewed about her career. The interviewer, Roberta, is intrigued by the sexual acts unfolding around them and takes a break to explore the restaurant's steamy kitchen, where she encounters a handsome dishwasher.
Directed by Radley Metzger under his hardcore pseudonym, Henry Paris, Barbara Broadcast is a fun and erotic ride. It stars Annette Haven and showcases the talents of C. J. Laing, Shirley Peters, and Jamie Gillis, among others.
One of the most memorable scenes features the legendary C. J. Laing. She enters the kitchen, her eyes scanning the room with a mischievous glint. With a naughty smile, she hikes up her skirt, revealing her bare pussy, and proceeds to stand over a bowl, peeing, the golden arc glistening under the kitchen lights.
The film has a more elegant presentation than typical adult films of the era, with an emphasis on eroticism and immersive music. The sex scenes are well-crafted, and the film even attempts a plot, adding a layer of interest beyond pure physical stimulation.
However, the film's simplicity and focus on one location may limit its appeal. While it has fun and genuinely erotic moments, it lacks the ambition and scope of Metzger's previous work, The Opening of Misty Beethoven.
Overall, Barbara Broadcast is an enjoyable and well-crafted adult film. It stands the test of time as one of the better erotic films of its era, but it doesn't quite reach the heights of a classic.
Radley Metzger is a director I will always know best for his fantastic 'The Punishment of Anne', which also happens to be one of my very favourite porn films of all time. He would go on to make Barbara Broadcast two years later and while it's certainly a good and interesting little film; it doesn't have much on Metzger's earlier masterpiece. The film does attempt to be a bit more than merely another porn flick and it seems like the director is trying to make some sort of social commentary, though of course the sex is always the star and for the most of the duration; I couldn't really care much less about what the film is trying to say. In terms of the sex scenes themselves; I have to say that there isn't much here that I haven't seen already in other porn films, but what makes this one stand out really is the music, which features throughout most of the film and gives it a feeling all of it's own. The film is a bit choppy and doesn't really follow a strict narrative - there are times when you are likely to know what is going on, and many when you won't have a clue. I can certainly recommend that hardcore fans check this one out because it is well worth seeing; but I wouldn't put it at the very top of the genre.
Le saviez-vous
- AnecdotesAccording to Gloria Leonard on the DVD commentary track, the bondage scene between Constance Money and Jamie Gillis was originally shot as part of Porno Paradise (1976). For some reason it wasn't used in the earlier movie, but director Radley Metzger found a way to integrate it into this film. When Money discovered this, she successfully sued Metzger on the basis of she'd signed a contract to appear in "Misty Beethoven," and not the later film.
- Crédits fousIn the opening credits, the year in Roman numerals is off by ten years: MCMLXVII is 1967, not 1977.
- Versions alternativesVideo versions generally have shortened versions of the kitchen and bondage scenes.
- ConnexionsEdited into Only the Very Best on Film (1993)
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