Âmes perdues

I ended up watching this movie after reading the book from which it was adapted, written by Giovanni Arpino. Adapted by Bernardino Zapponi and enriched with some aspects, it has not lost the charm of the novel. The director did an excellent job. Halfway between gothic and dramatic, it gradually reveals its cards, leading the viewer towards the end. A film almost forgotten today but that deserves to be seen, also for the interpretation of its protagonists. The great scenic couple formed by Vittorio Gassman and Catherine Deneuve is impressive. Anicée Anlvina also intrigued me. An Italian film that deserves a chance, of that I am more than sure.

i had heard about this flick,as a giallo & i liked the previous collaboration of Risi/Gassman in "Profumo Di Donna", so i was curious to watch this "anima persa".

even though this movie is't a gaillo at all,(it doesn't have typical giallo's elements), but it could be classified as a decent horror film. it's impossible for the viewer to forget a major thing : Gassman' penetrating eyes! (what a good actor he is) & he definitely steals the movie.

it could be predictable after the half,that what's going on , but this movie is entertaining to watch.

Amina persa is sometimes considered to be a Giallo by cult fans; in my opinion, it isn't although there are shades of the genre thrown in. The film is more along the lines of a Gothic mystery and reminded me a lot of the classic Spanish film The House That Screamed. Amina persa is a very high quality film; the acting and production values are superb, and while the script can go a little over the top at times - the whole thing comes off very well and the film could easily go toe-to-toe with any art house flick. Like Nicholas Roeg's earlier classic, Don't Look Now, this film takes place in Venice. We focus on a young man named Tino who is taking an art class in the city and goes to stay with his aunt and uncle that live there. It soon becomes apparent that all is not quite right with the pair, and the mystery deepens as the young man begins hearing strange noises at night. It's not long before he considers the out of bounds staircase and the room at the top of it, and discovers that in fact there is someone else living upstairs...but that is only the start of the shocking revelations.

The film is very slow build, but director Dino Riso keeps things interesting thanks to the tension emanating from the three central characters. Contrary to the pace of the film, the first twist is revealed very early as we discover the identity of the person living in the 'forbidden room' upstairs, but the film has much more than just that up it's sleeve and the revelations get more interesting as the film moves along. Amina persa is bolstered by a trio of great performances from its lead stars. Vittorio Gassman is excellent as the imposing uncle, while the beautiful Catherine Deneuve is convincing as the melancholy aunt. The central cast is rounded off by Danilo Mattei, who is good in the lead role though is overwhelmed a bit by the two more experienced performers. The atmosphere of the film is fantastic and without doubt one of it's strongest elements; the house in which everything takes place cuts an imposing figure and provides an excellent location. The final twist does become obvious just before it happens, but the film keeps it's cards close to it's chest up until that point and overall; this is a fantastic mystery horror film and comes highly recommended (if you can find it!)

Stunning cinematography, beautiful 70's aesthetic, charismatic actors and a sad/twisted Gothic story. That's enough to make any cinephile invest in this movie and watch it pleasantly. Gassman is imposing, commanding the screen. Deneuve is not just a beautiful face but a great actress, too. Of course, it's a flawed movie. If you think it through, story doesn't make much sense, plot has many holes. But it's a 70's mystery movie, they didn't care much back then for realism and verisimilitude, focusing on other aspects of film making. And they did fine because 70's cinema is among the best cinematic decades ever, if not the best.

Keep in mind though, this is more mystery than horror. You don't watch movies like this in order to get scared. Sit back and enjoy the show. Although, in the end, it's not that" "enjoyable", more like sad and heart breaking.

According to my Aurum Encyclopedia of Horror, Dino Risi's Anima Persa can be read as a critique of filmic realism, as an illustration of psychoanalytic processes, or as a political argument, while the entire film is constructed in terms of a process of splitting or 'doubling, making every identity suspect and undermining any sense of emotional and intellectual security.

What is even more baffling than that load of old twaddle is why the film is in the book in the first place: it's not a horror. It's not even a giallo, as some have described it. No-one gets killed. At all. In fact, no-one suffers so much as a stubbed toe. Yes, there's a madman in an attic, but all he stabs with his carving knife is a watermelon. Which might be scary if you're a watermelon, I suppose, but I'm not, and I doubt you are either.

Set in Venice, the film sees teenager Tino (Danilo Mattei) go to stay with his Aunt Sofia (Catherine Deneuve) and Uncle Fabio (Vittorio Gassman) at their sprawling but run-down home. At night, Tino hears strange noises and suspects that someone is living in the attic, which turns out to be true: Fabio keeps his crazed brother Berto there, under lock and key, rather than commit his sibling to an asylum. After this revelation, the plot goes nowhere slowly, with Berto locked in his room, occasionally appearing at the door peephole covered in paint and waggling his tongue.

Tino becomes friendly with Lucia (Anicée Alvina), the pretty life model at his art classes, Uncle Fabio bickers with his wife, and Tino sees his uncle's wild side on a night out on the town. No-one gets killed. In the film's final act, Berto's real identity is revealed and a family secret comes to light. I repeat, no-one is killed.

N. B. Vittorio Gassman actually plays a gas man, Fabio having worked for a Venetian gas company.