Bizarre, bizarre

One of those Series that is very difficult to review as a whole, largely due to the vast degree in quality between the episodes, on the whole though I'd say I love Tales of the Unexpected, it's a unique series, one millions remember very fondly, for good reason.

I always preferred the introductions when Roald Dahl was sat in his chair, he added to the sense of Theatre in his own inimitable style.

Fair to say the earlier Series were a better standard then the later ones, at the end they became a little sad and repetitive. The 'twist' was always the best bit, and in the first few series, the twists were big.

Highlights include Lamb to the Slaughter, Fat Chance, The way up to Heaven and Royal Jelly, but it's fair to say that the out and out best episode of the entire Series, is the opener to the third run, The Flypaper, truly one of the nastiest, most horrifying pieces of television ever made, even to this day it's intensely disturbing.

Is that possibly the most iconic set of opening credits and music ever put together, instantly recognisable, impossible to forget, I wonder the mix of emotions that tune creates for people.

No wonder Tales ran for nine years, a great series. 8/10

Regardless of what some viewers may think, I had a great time watching this series as a young adult late in the evenings and before the station screening it closed for the night.

It was brilliantly written by the fabulous Mr Roald Dahl and the theme soundtrack was worth the wait for 'the Unexpected Tale' with a usually camp and fascinating end to unfold.

The series starred many budding and now household names from the British Theatre world and yes, the costumes, sets and furnishings were glam and stylish for the period when the world was a more innocent and romantic place to be.

I wish it could be screened again in Australia for older and even newer audiences to enjoy again; especially now that the 70's are hip and back!

I was in my teens when these were originally on TV. I think they used to follow the ten o'clock news .... I'm sure I should have been asleep, a school night and all that. They are a bit like a time capsule, fascinating reminder of 40 years ago. Phone acting is totally different when tethered by that curly cord. Kitchens were a bit utilitarian and plates were patterned. Each episode is a standalone story with a twist at the end. So many episodes, it's funny when a familiar face pops up, trying to put the name to the face. having paid no heed to the titles at the start as we're all too busy dancing along with the Princesses Di look a like silhouette. Some episodes a better than others. Some acting is a bit iffy and please don't get me started on any attempts at special effects. I've set the box to record the series. I am enjoying a mini binge of 2 or 3 episodes at a time. I can't just watch one..... my attention begins to travel back to this century during a 3rd. Loving them, but I think you need to have been there.

one evening my dad made me sit down and watch this show with the family and i thought what rubbish it seemed! however once i watched one episode i was hooked! ok so the storylines are silly but they are surprsingly entertaining. unfortunately granarda plus have stopped showing them!

Having only discovered this series exists after finding the first two seasons on DVD at a local used bookstore, I took a chance and bought the first disc. The next day I returned to buy the rest, congratulating myself on stumbling across such a trove.

Like the short stories upon which they are based, the 'Tales of the Unexpected' focus on the consequences of duplicity, greed and other less-favourable traits so common throughout human kind. Little, if any, of the appeal is lost in translating these twisting tales from page to screen. The quality of the original material can be thanked for this but the talents of its legendary cast (Jose Ferrare, Joan Collins, Derek Jacobi, Brian Blessed, Cyril Cusack, etc, etc, etc) must also be acknowledged. The creative cinematography, evocative settings and careful casting also contributes to the series' eerie, expectant feel. The result of all this is a must-see for aficionados of speculative fiction as well as devotees of the author, who won't have to worry about his work being desecrated. He introduces each story himself, offering an evocative glimpse of the mind that

Dahl knew that for a short story to be effective, the reader must be made emotionally dependant on its outcome within the brief space allotted. Subsequently, his characters force a reaction from the reader; whether sympathy, affinity or disgust. Similarly, his plots generate a sense of unease in that you can sometimes guess a few different ways they might end but you're never sure until its done. Even then things often turn out to be worse than imagined. The episodes in 'Tales...' follow this rule religiously; superfluous dialogue is non-existent; a twitch of an eye carries the gravity of a soliloquy. The end result is that viewers find themselves inexorably drawn into the action and, at its conclusion, wonder how a half-an hour long program can resonate in the mind for long afterwards.

Some suggest that 'Tales...' is campy. I can't agree and am perplexed at the opinion. Camp to me triggers thoughts of 'The Benny Hill Show,' the Adam West-era 'Batman' or any other program that takes itself less than seriously. This series couldn't be farther from that genre. Admittedly, the opening credits are dated and were probably unimpressive even at the time, but the show itself is executed in the time-tested traditions that give British drama its fine reputation; its use of humour is sparing, satirical, focused and ghoulishly black. The tone, whether deadly serious or incongruously whimsical all serve to throw the ultimate conclusion into skin-raising contrast.

I think the 'Tales...' are consistently excellent but if I had to name my favourites...

The Man From the South - ironically, Rod Serling's 'Twilight Zone'adapted this tale for TV long before the author himself,

Royal Jelly - a beekeeper's obsession becomes his legacy,

Skin - the tattoo on his back offers a down & out man the chance of a new life

Galloping Foxley - drawn from Dahl's own school days, this story showcases a different type of terror(s)

The Hitchhiker - Cyril Cusack. Say no more.