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The Good Life

  • Série télévisée
  • 1975–1978
  • 28min
NOTE IMDb
8,0/10
4,4 k
MA NOTE
POPULARITÉ
4 628
336
Richard Briers and Felicity Kendal in The Good Life (1975)
SitcomComedy

Ajouter une intrigue dans votre langueTom Good quits the rat race, and with wife Barbara turns the garden of their Surbiton house into a smallholding. Their neighbours, snobbish Margo Leadbetter and her conventional husband Jerr... Tout lireTom Good quits the rat race, and with wife Barbara turns the garden of their Surbiton house into a smallholding. Their neighbours, snobbish Margo Leadbetter and her conventional husband Jerry, feel variously amused, offended and impressed.Tom Good quits the rat race, and with wife Barbara turns the garden of their Surbiton house into a smallholding. Their neighbours, snobbish Margo Leadbetter and her conventional husband Jerry, feel variously amused, offended and impressed.

  • Casting principal
    • Richard Briers
    • Felicity Kendal
    • Penelope Keith
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    4,4 k
    MA NOTE
    POPULARITÉ
    4 628
    336
    • Casting principal
      • Richard Briers
      • Felicity Kendal
      • Penelope Keith
    • 31avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Victoire aux 1 BAFTA Award
      • 1 victoire et 5 nominations au total

    Épisodes30

    Parcourir les épisodes
    HautLes mieux notés

    Photos84

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    Rôles principaux72

    Modifier
    Richard Briers
    Richard Briers
    • Tom Good
    • 1975–1978
    Felicity Kendal
    Felicity Kendal
    • Barbara Good
    • 1975–1978
    Penelope Keith
    Penelope Keith
    • Margo Leadbetter
    • 1975–1978
    Paul Eddington
    Paul Eddington
    • Jerry Leadbetter
    • 1975–1978
    Reginald Marsh
    • Sir Andrew
    • 1975–1977
    Charmian May
    Charmian May
    • Mrs. Weaver
    • 1976
    Moyra Fraser
    Moyra Fraser
    • Felicity
    • 1975
    Tony Selby
    Tony Selby
    • Sam
    • 1975–1976
    Robert Gillespie
    Robert Gillespie
    • Mr. Carter
    • 1975
    Bruce Bould
    • Guy
    • 1975
    John Quayle
    John Quayle
    • Mr. Coles - Journalist
    • 1975
    Wolfe Morris
    Wolfe Morris
    • Michelangelo Lombardi
    • 1975
    Ray Mort
    Ray Mort
    • Angler
    • 1975
    June Jago
    • The Doctor
    • 1975
    George Innes
    George Innes
    • Constable
    • 1976
    James Cossins
    James Cossins
    • Magistrate
    • 1976
    Michael Robbins
    Michael Robbins
    • Mr. Bulstrode
    • 1976
    Timothy Bateson
    Timothy Bateson
    • Arthur Bailey
    • 1976
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs31

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    Avis à la une

    7Sonatine97

    The Good Life, Good Show!

    The Good Life has been repeated many many times on the BBC ever since it first aired back in the mid to late 70s and for good reason too.

    Back then Britain was going through years and years of industrial strikes culminating in 78/79 with the so-called "Winter Of Discontent" when National Strikes crippled the country. During the 70s there were many situations when most of the country had its power cut off for nights on end by striking energy workers.

    Thus millions of families would be cast in darkness huddled round candles, talking or trying to read under the gloom. It also gave thought to our total independence on eletricity and the power it provides us at the simple flick of a switch.

    And so The Good Life came to light (bad pun I know). However, the writers decided not to make a comedy about people suffering darkness at the hands of militants and strikers. Instead they decided on taking a typical middle-class couple into the realms of voluntary self-sufficiency.

    So enter, Tom & Barbara, our selfless & willing guinea pigs who decide the rat race and huge bills is not a world for them. And for the next 4 years we seem them struggle & succeed in their attempts at going their own self-sufficiency way at the bemusements of their neighbours.

    This kind of environmentalism was a relatively new concept to British audiences in the 70s and perhaps underlined why the show was such a great & enduring success. But it also raised lots of questions both for us the viewing audience and Tom & Barbara themselves.

    Generating electricity is no easy thing as Tom found out when the Electricity Board finally cut their power for not paying their bills. Both Tom & Barbara had to adapt really quickly and get used to the idea that nothing was going to happen any more by simply clicking on a light switch, opening a fridge or turning on a tv.

    All these creature comforts we take so much for granted are all gone for Tom & his wife. And trying to build his own little power generator in his celler using the effluent of his pigs to create some form of electricity not only makes for a great episode but also shows us how much hard work & self sacrifice is involved by going the Green Route.

    Two major questions that surfaced during the show involved the keeping of animals in Tom's back garden and the hard work, noise, odours etc that this creates and the problems it causes to the neighbours; the difficult matter of having to kill their own chickens bare handed rather than simply going to the shops and buying frozen foods killed by other people.

    Interestingly the Goods (Tom & Barbara) were childless which was probably intended by the writers otherwise the show could have suffered if children were involved.

    As time went on some of the episodes looked very "samey" from earlier episodes and the laughs were becoming just a little desperate. So to learn that the series would finally end in 1978 was the right choice. Its always best to finish on top than try to stretch a joke too far.

    Even though the topicality of the show was popular at the time, I don't think it set a trend with the British in reality. Self-sufficiency was good & funny providing someone else did it, but for the majority of the population it was just too damned hard to even contemplate.

    ****/*****
    jonathandoe_se7en

    Those where the days!

    In the seventies, television was good, and The Good Life (1975-1978) is no exception. It's a dry, pleasant and warm British situation comedy about an everyday man who decides on his 40th birthday to quit his job and become self-sufficient. The reason this comedy works better than most is down to its brilliant casting, all of the actors have such a believable chemistry. From Tom and Barbara Good (the fantastic Richard Briers and the lovely Felicity Kendall) to Jerry and Margot Ledbetter (the equally great coupling of Paul Eddington and Penelope Keith). The characters are so likeable, you can't help but warn to this show, it's funny, inoffensive and most of all happy, the kind of show that will lift you're spirits and put a smile on you're face. (Incidentally for a show that is so happy, the final episode is actually quite depressing and emotional a bit of a downer. But that aside you can still watch all the other episodes). This is great comedy with great actors that adds up to a true television classic...
    10chasmilt777

    best sitcom ever !

    This was my favorite BBC sitcom. Even though there was only 30 episodes, it ranks as my favorite among all comedies. I was so fortunate to have had access to public television growing up. Channel 13 in Dallas, Texas was the first public TV station to air "Monty Python's Flying Circus" in the U. S. (Three cheers to Eric Idle).

    It was the "Good Neighbors" series that got me started in collecting and recording TV shows onto VHS tapes. One can not help but fall in love with the characters on this show. Tom and Barbara Good are the main characters who decide to live a life of total self-efficiency in the suburbs of London. It is their next door neighbors, Margo and Jerry Ledbetter, that bring in most of the laughs. They remain best of friends with the Good's even though their lifestyles become totally different.

    I highly recommend this excellent British comedy. Everyone has a favorite and this show is mine. My favorite American TV sitcom is "The Bob Newhart Show". These two shows have nothing in common except that they make you laugh.
    ejsawyer

    Stands the test of time

    I remember watching this show on PBS in the early 80's and loving it. However, I hadn't seen it in nearly 20 years, and wasn't sure how much of my "wonderful" memory was simply nostalgia.

    So I was thrilled to discover that my local library has a few episodes on VHS, but it was with a bit of trepidation that I checked them out. Would the show be as good (unintentional pun) as I remembered? I can happily say that yes, this show stands the test of time. True, most of Jerry and Margo's wardrobe is horribly dated, and the typical American wouldn't get a few of the jokes. However, by and large this charming sitcom is still big on laughs, in a very family-friendly way (except for some light innuendo, and the occasional drink, there's virtually nothing to offend here).

    Oh, and even wearing a raincoat and wellies, Felicity Kendal is still one of the loveliest ladies I've ever seen.
    Sheila-12

    Intelligent British comedy with a heart!

    This is one of those series that give Britcoms such a good name! "Good Neighbors" (as we know it here in the states) is intelligent, funny, and extremely endearing. And who can beat the cast? Richard Briers is a very respected veteran now -- he was nominated for a Tony last year for "The Chairs" -- and he was just as talented when he was younger! Felicity Kendall is absolutely precious as his wife (I *love* her scratchy little voice!), and Paul Eddington and Penelope Keith are terrific as the snooty next-door neighbors. "Good Neighbors"/"The Good Life" is dry, but in a good way... You'll laugh out loud at this one! And it has a heart -- you'll fall in love with the Goods, and enjoy following them through their ups and downs! Do yourself a favor and check out this series!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The last episode, "When I'm 65" was the second comeback special (by popular demand) and was recorded in the presence of Queen Elizabeth II and Prince Philip. After the recording the cast and leading members of the crew were presented to the royal party.
    • Gaffes
      In a previous episode ("The Pagan Rite") Barbara was furious when she thought Tom had taken freelance work to help pay their bills, saying that their efforts in self-sufficiency should be all or nothing. But in "A Tug of the Forelock" she is the one who suggests they take on temporary work to afford petrol for their new vehicle. But the operative word here is, "temporary". Tom explains to Jerry that this was not a "permanent state" and therefore not a breach of self-sufficiency. This principle was first presented by Tom in "The Pagan Rite" where he explains taking "one job for one purpose" is an acceptable exception.
    • Citations

      Margo: [reading from a card] "The Ooh-Aah bird is so-called because it lays square eggs." I don't understand that.

    • Crédits fous
      The closing credits listed the actors' names but not the corresponding names of the characters that they played.
    • Connexions
      Featured in The Young Ones: Sick (1984)
    • Bandes originales
      The Bandolero
      Written by Leslie Stuart

      Performed by Peter Dawson

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    FAQ21

    • How many seasons does The Good Life have?Alimenté par Alexa
    • What does Tom mean when he says "Tick VG?"
    • Which musical society shows did Margo Leadbetter star in?
    • What animals did the Goods have?

    Détails

    Modifier
    • Date de sortie
      • 4 avril 1975 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Good Neighbors
    • Société de production
      • British Broadcasting Corporation (BBC)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      28 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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