La Nouvelle Fureur de vaincre

It was a mistake in trying to model Jackie Chan as the new Bruce Lee. There will only be one Bruce Lee. "Golden Harvest" attempted to make Chan's character in "New Fist of Fury" another version of Chen Chen (Lee) from the previous "Fist of Fury" movie. In the above film, Chan is angry, hard-edged and determined but none of that suited him. Jackie Chan needed a chance to develop his own personality and identity in the Asian film community. Eventually, he succeeded as we know. The plot picks up where "Fist of Fury" left off and the narrative here is a rambling mess! I can't be sure but I reckon the DVD I have of this movie is heavily edited. There is poor continuity and the film's depressing tone doesn't help. It is rather obvious that Chan and the school he belongs to, haven't a chance against their Japanese enemies. The film may have a generous dose of location shooting but that doesn't compensate for much. The fight scenes are still pretty good and at least they provide some distraction from the film's weaknesses.

After co-starring in Hand of Death, Jackie Chan was forced into an early retirement because of the shift in consumer tastes in movies. The Hong Kong audience was dissatisfied with the action films after the death of Bruce Lee, leaving an ever-widening amount of unemployed stunt-men and bit-players. Since Jackie was one of these casualties he retired to Australia to be with his family. There he did construction in the day and worked in a Chinese restaurant at night. Then he received a telegram from Willie Chan wanting him to work in a new film called New Fist of Fury – a sequel to the beloved Bruce Lee film Fist of Fury. He told him that the movie would be for the newly formed Lo Wei Productions and that the film would be directed by Lo Wei himself. Jackie would receive 3000 Dollars (HK) per month for acting (he would later receive 9000 for being the stunt coordinator.) Little did anyone know that this unknown actor would become a big boon to the industry; though, this would not happen for a while and would not happen (directly) because of this film.

New Fist of Fury is typical of a Lo Wei film, it lacks cohesion and character with an overuse of plot elements. The film starts after the destruction of the Ching Wu School in Shanghai. The remnants of the school, led by the delightful Miss Lee (Nora Miao), are forced to flee to Taiwan to avoid persecution from the Japanese. She will stay with her grandfather Su Onli who is the head of a martial arts school. Unfortunately, the Japanese are ubiquitous in Taiwan too. When her group arrives, they are the target of a thief Helong (Jackie Chan) and his companion Old Chin (Hon Siu). Helong (Ah Lung in some translations) steals a wooden box containing the prize weapon of the late Brother Chen (Bruce Lee in the superior Fist of Fury) – nun-chucks.

Later, after Helong is found in a ditch beaten half-to-death by the students of Chin Ching Kai, he is found by Miss Lee's group and is nursed back to health (with the help of his prostitute mother's money, whom he does not know.) For all of this help and their forgiveness of him stealing their property, he refuses to learn Kung Fu so he can continuously be beaten up. Miss Lee has bigger problems than trying to get Helong to learn Kung Fu – the Japanese occupancy.

Akumora (played by the muscular Chan Sing) is the Japanese provincial leader who wants to combine the Chinese martial art schools under his Di Wah school. There is a great scene with him catching a knife in his teeth and then throwing it from his mouth killing an attacker. It is so hard to take this scene seriously, but it reminded me what Ed Wood might have done if he directed a Kung Fu film. Akumora is an interesting character that starts off semi-decent and then ends up completely anti-Chinese ("I kill Chinese, just like I kill dogs.") This is another annoyance with the film; it is completely ethnocentric with one-dimensional Japanese characters. This annoyance is especially evident when Akumora challenges a staged Kwong Gung, stating that the Japanese heroes are much better than Chinese's heroes. This infuriates Master Su during his 80th birthday celebration and leads to his death (when he jumps over a large crowd of people and apparently has a heart attack.) With the death of Master Su, Miss Lee decides to revive the Ching Wu School. This leads to an obvious clash with the Di Wah School.

One of the biggest problems with this film (yes even worse than the ever-yelling Jen Da So, the kiai spewing daughter of Akumora) is that Jackie is misused and miscast in this film. He constantly gets beat up by both Japanese and Chinese and yet refuses to learn Kung Fu. He does not get a decent fight scene until at least three-fourths of the film is over and yet he obtained his skills in just a few days (it is amazing what anti-Japanese sentiment can make you accomplish). When he does fight, his skills are quite evident. Jackie is very acrobatic and his fight scenes flow well though he is relegated to using actors who are weak in martial arts (with a few exceptions like Han Ying Chieh) and they slow down many of the action scenes.

I am a fan of Jackie Chan (and many of the HK films of this era), but this is not a film that rises above mediocrity. While it is not worse than many films during the 70's it has a few negative attributes that will doggedly follow it -- New Fist of Fury followed one of the most beloved of Bruce Lee films with a weak sequel and misused a future Hong Kong Superstar. Useless Tidbit: look for a small cameo role for Lo Wei where he portrays an inspector.

Ok, call me crazy but I think good Kung-Fu films should have a lot of fighting.....don't you? In the first hour of this film, there's about 30 seconds of fighting. Why? What's the point of this film? This film is said to be a sequel to the original. It is not. This movie is a waste of time if you're looking to watch some good Kung-Fu action films. This movie is a drag. There's no character development, no good action sequences, and no story line.

Leave this one on the shelf and rent the original Fists of Fury instead.

1970s kung fu movies have never exactly been known for outstanding (or comprehensible) plot. So, if you're anything like me, you were expecting this movie to be like the rest of Jackie Chan's early career: silly, unrealistic, and largely nonsensical, but fun nevertheless just because of Jackie's sheer force of personality. And, of course, his incredible stunts and fight scenes.

Unfortunately, New Fist of Fury fails even to meet that modest standard. The entire first half of the movie is apparently dedicated to the development of the plot. Bad move on the filmmakers' part. A kung fu movie is about kung fu, not lots of boring... *talking*. Jackie doesn't even start to learn kung fu until the movie is nearly over, for pity's sake! This would be forgivable, I guess, if the resulting plot were at all interesting. No such luck. Besides which, most of it simply becomes irrelevant by the second half of the movie, when everything hinges around a straightforward martial-arts-school showdown. As for the ending... well, I don't want to give anything away, but let's just say it's incredibly abrupt and surprising. And not in a good way.

This isn't to say there aren't fight scenes. There are several of them pointlessly interspersed throughout the tedious plot development, and one big one at the end that *almost* makes the rest worthwhile. But when the fights do break out, even when Jackie is actually involved, this isn't the almost cartoonish, balletic violence we see in his other movies. Rather, it's fierce and bloody -- the actors in the final fight scenes chomp down fake blood capsules like M&Ms -- and seems to hinge around the frequent use of kicks to the groin. (The guys kicked in the groin, inexplicably, are all given lingering closeups.) The fight scenes are still incredibly cool, of course, but not worth sitting through two hours of cheesy dreck.

In brief, this movie is too ridiculous to work in terms of plot, and its fight scenes are too nasty and spaced-apart to redeem it.

A few particularly ridiculous things to look for, if you watch this movie anyhow:

1. The high-pitched whoops and screeches during the old kung fu teacher's speech. (I don't know if that was a loon being tortured to death, or the cries of agony from one of the groin-kick victims.) 2. The old kung fu teacher's leaping-and-shouting related death, and the fact that his body still stands there looking annoyed afterwards. 3. The Japanese army captain's dubbed-over voice. "Weaselly" is a vast understatement here. 4. Jackie's Fist of Fury technique -- described on the back of my VCR tape case as "a new and deadly art, never before revealed on the screen" -- which involves waving his arms up and down slowly during funky 70s hypno-music. Deadly indeed.

Somewhat a sequel (really in-name-only, although there are minor character references and the dangerous title name method gets used without the same affect) to Lo Wei's "Fist of Fury" that starred martial arts legend Bruce Lee, Wei would go on to direct having Jackie Chan on the main mantle, in what is a virtual remake in the political theme of China vs. Japan and certain story plots. Chinese academies fighting to stay alive against Japanese martial arts school. Spirited, but the impact and charisma of Chan just doesn't feel right. A young Chan is quite raw, in a more aggressive and vengeance-filled role. But it's far from a Jackie Chan vehicle, as he doesn't really come into play until midway through due to his character's reckless and carefree attitude that sees him constantly being beaten up. Still there are some outstanding martial art sequences, namely the final long-winded confrontation where it's brutal and bloody (and those nun-chucks get a work out) with an out-of-the-blue payoff that tries to be as iconic as the film it's wanting to be. Pacing can be a little uneven (excluding those kung-fu slow-motion shots), but director Wei keeps the story straight-forward adding enough interest and tension with Chan Sing making a terrific deadly opponent for Chan and Nora Miao is good too.