La grande traque

United Artist seems to have ignored this 1976 classic for it's not even on video! Karen Lamm runs away from her Montana home to go to the city and gets raped by mexican gang and sold to a high class beverly Hills pimp Johnny Dee (well played by Vince Cannon). Jim Mitchum plays her brother who goes to Los Angeles looking for her with a help from Cathy Lee Crosby and Erik Estarda. Great finale, Good action, like a suspenseful action sequence on the roof of and in the elevator at Johnny dee's building, to the finale, which involves a high speed car vs a rifle (which also had some "distance" bloopers)! Great cast (with early performance as Ray Sharkey), and Hollywood later sort of remade it with "THE COWBOY WAY" with Woody Harreson 14 years later. Intresting note is Ivan Nagy is credit was "story by", when he is the director that was boyfriend of Heidi Fleiss in real life.

I think the film is not on video because of musical copyright problem (Kenny Rogers sings the end credit song). The Late Vince Cannon could've been good villian actor, it's too bad he never did much films. The film was re-released by the producers (not United Artist) in 1980 with Estadra on the cover holding a knife with Cathy Lee Crosby also on the poster. The new poster said something like "He's a killer, He's lover, and only Cathy Lee Crosby can tame him". False advertisement, but the film is worth a good release back then as it still stood up to the action films of 1980. And it is still a great exciting action film with a important message!

This movie is now available on DVD though Warner Home Video. It's a good action movie that makes up in creativity and strong performances what it lacks in budget. There is an action sequence involving an elevator shaft that is particularly good. It was made in the 1970s and really feels like that era in terms of styles, settings, and attitudes. I thought the weakest part of the film was the beginning. We're told the teenage girl is not getting along with her mother but we never see any conflict or even see the mother, then there is a long shot of Jim Mitchum herding horses before he arrives in LA to track her down. It all seemed rather clumsy. When Jim gets to LA, the story finds a groove that plays out at a good pace with a nice mix of action and character development. All of the actors do a nice job. Jim Mitchum and Erik Estrada play well off of each other. It's too bad they didn't make another movie together. It's great to see the always beautiful, always classy Ann Archer in an early role.

Robert Mitchums' eldest son James shows off that trademark Mitchum cool in this mostly routinely written but capably directed little B movie. Whatever it may lack in nuance it makes up for with a pretty solid fun factor. There *is* one sequence that does stand out, and that's a climactic bit of action involving elevators. Otherwise, this is reasonably engaging stuff, written by Paul F. Edwards (based on a story by Ivan Nagy), and directed by Richard T. Heffron ("Futureworld").

Mitchum is good in a low key portrayal of Montana rancher Jim Calhoun, who travels to L.A. in search of his kid sister Betsy (lovely and appealing Karen Lamm ("The Unseen")), who's run away. Soon after she arrived in the city, some lowlifes took advantage of her, and she gets mixed up in a world of prostitution and drugs. At first, Jim is forced to deal with one useless person after another who either can't or won't help. But he does get assistance from Chucho (Erik Estrada), who was one of the young punks that targeted her, but experienced a change of heart. And social worker Lynn (Cathy Lee Crosby) also helps out.

One good thing about "Trackdown" is that it does move forward quite well, maintaining viewer interest consistently. It's got fine cinematography (by Gene Polito) and a nice music score (by Charles Bernstein) going for it. A decent supporting cast also helps matters; young and beautiful Anne Archer is delightful as Barbara, a call girl who shows sympathy towards Betsy, and Vince Cannon is appropriately scummy as nasty mafioso Johnny Dee. The late, great Ray Sharkey plays the small role of Flash and Tony Burton ("Assault on Precinct 13" '76, the "Rocky" series) can be seen as a transvestite.

The character of Jim is worth rooting for, and the story leads towards a final confrontation that packs a good visceral punch. Fans of the action genre will likely see this as an effective diversion.

Seven out of 10.

I want this movie so bad. This was the best movie that I have ever seen and I've seen a lot of good movies. I saw it for the first time while my husband and I were stationed in Germany, the same year it came out. I've never seen it again. Not even as a classic on TV. Can't buy it on VHS or DVD, and believe me, I've been trying to track this movie down for over 25 years. I tried to order it recently, but it was not the same movie, different characters, different plot, but the same title. The performance of Anne Archer, Erik Estrada, not to mention James Mitchem was magnificent. I fell in love with Anne Archer, not only was she classy as prostitute, she befriended the young girl, and tried to help her as much as she could. My sister saw this movie in 1999 on TV, while visiting Aurora, CO. It was on the Turner Classics Network I believe.

Please find this movie. A movie this good should have been put on video immediately.

James Mitchum plays a Montana rancher who goes to the big city to find his runaway sister, who's fallen into the seedy LA underworld. He then takes his down-home style of justice to the big city sleaze peddlers! Mitchum is helped by a local who encountered his sister, Chucho (Erik Estrada), and a local social worker (Cathy Lee Crosby), but it's the evil pimp and sleazy madam, Anne Archer (in what was her breakout role), who Mitchum needs to face down himself. TRACKDOWN's plot is remarkably similar to Paul Schrader's HARDCORE (which came out three years later), where George C. Scott looks for his missing daughter, tracking her down to LA, going down a rabbit hole of the illicit subculture of pornography and snuff films. TRACKDOWN is not as erudite or as disturbing as HARDCORE, but it does deliver the DEATH WISH-like payback you wish Scott was allowed to dish out, and at the same time, does not shy away from the ugliness of prostitution. At the same time, the film might have been stronger if it had a director with more panache, say a J. Lee Thompson or Don Siegel, though TV director Richard T. Heffron does an adequate job. Interestingly, the film is based on a story by Ivan Nagy, who would later become famous as the ex-boyfriend of Hollywood madam Heidi Fleiss, whose Anne Archer's character seems eerily similar to. Nagy's firsthand knowledge of the prostitution racket and sex trafficking likely gave the film its uncomfortable realism. Overall, while TRACKDOWN is certainly not high art, it does deliver the exploitation film goods and a gritty realism that I wasn't expecting.

AI CAPSUL REVIEW: Trackdown is a gritty, exploitation-flavored take on Hardcore, with James Mitchum dishing out cowboy justice in the sleazy underbelly of 1970s L. A. While rough around the edges, it delivers raw thrills and unexpected realism, bolstered by early performances from Erik Estrada and Anne Archer.