Stay Hungry

Although "Stay Hungry" feels like the filmmakers made it up as they went along, it still gets you in mainly because of its overall quirkiness and interesting stars early in their careers.

The story centres on Jeff Bridges' character, Craig Blake, and his attempts to buy a gym in Alabama in order to redevelop the site. However he is drawn into the lives of the people he meets including gym receptionist, Mary Tate Farnsworth, played by Sally Field, and Joe Santo, played by Arnold Schwarzeneger, who is training for the Mr. Universe contest.

The story meanders all over the place with many sub plots and characters while everyone goes to town on their Southern accents - all except The Austrian Oak of course.

It's hard to place "Stay Hungry" in a genre; it's a comedy of sorts, but the humour is in the odd situations rather than in funny lines. To be honest, it needed editing; some scenes are interminable. For anyone watching it 40 years later, the appeal must surely be in seeing the stars before their careers really took off.

Arnie is arresting. This was his first speaking part; he looks big chested and powerful, but plays it low key; he's a sensitive guy, no "Hasta la vista baby" or "I'll be back" in this movie. His best scene is when he joins a group in the backwoods and indulges his passion for fiddle playing. Apparently he practiced the violin for months to look convincing.

Sally Field was 29 when she made this (a few years older than Jeff Bridges), but looks as though she would have needed proof of age to get into a nightclub - it actually makes her brief nude scene slightly disturbing. Even now she still looks way younger than her real age; check out 2015's "My Name is Doris" for confirmation.

These days Jeff Bridges looks his years, but like a bottle of Château Mouton Rothschild, he simply improves with age. He has some good scenes in "Stay Hungry", including one where he does a little Appalachian flatfooting.

With memories of Vietnam and Watergate still fresh, filmmakers seemed affected by the mood of disillusionment and mistrust of the 1970's. They came up with some off-the-wall movies, and the chaotic style of "Stay Hungry" fits perfectly into the era.

This movie doesn't really make a lot of sense...

But Jeff Bridges and Sally Field still give it their all and act pretty well with a silly story.

It's also fun to see a bunch of people (Robert Englund, Arnold, Ed Begley etc) who went on to decent and/or great things.

Plus Sally Field looks pretty hot in the film...

All in all, it is weird but it manages to stay together until the end.

Most of its value is as a super-early Schwarzenegger film and a bit of a glimpse into 70s bodybuilding culture.

And yeah, Sally Field doesn't wear much...

A rich young man by the name of Craig Blake (Jeff Bridges), who feels like a guest in his own life and his home after the loss of his parents. He's surrounded by wealthy bores and seductive socialites. Craig decides to do something different in his future, a business deal with some low-life real estate developers. But when he's asked to buy a small Olympic Spa Gym as a part of the deal. Craig finds himself in a world, which he thought it never existed. Craig meets a perky gymnast (Oscar-Winner:Sally Field) and a fiddle-playing, philosophizing Mr. Universe hopeful (Arnold Schwarzenegger). Craig meets these new people that become a part of his life. Craig's new life will be never the way as he expected with his new found friends.

Directed by Bob Rafelson (Black Widow, Blood and Wine, Five Easy Pieces) made an dramatic comedy with happy performances by Bridges, Field and Schwarzenegger make it worthwhile. The film's has good supporting cast like R.G. Armstrong, Robert Englund, Scatman Crothers, Joanna Cassidy and more. This is an extremely underrated comedy. This film has a eccentric mixture of comedy and drama. This film has many fine scenes. This film is based on a novel by Charles Gaines, which he co-wrote the screenplay with the director. If you are a fan of the filmmakers or the stars of this film. You will find this film certainly enjoyable. This is a quirky, funny and a breath of fresh air. Don't miss this 1970's classic. (****/*****).

I stumbled across this movie on the UK's little-watched TV network Channel 5. Initially intrigued by the idea of seeing Arnold Schwarzenegger's screen debut, I was quickly engrossed in this excellent and almost unknown film and the way in which the disparate characters inter-relate over the course of the story. The film manages to appear beguilingly simple and yet it deals with such issues as class, aspiration, loyalty, identity and love.

The way in which all the characters slowly but surely reveal their flaws and weaknesses is quite brilliant. Stand-out scenes include Arnie's bodybuilder character playing the fiddle (yes, the fiddle!) with a bunch of hillbillies out in the woods, Jeff Bridges' drunken jig, and the sight of about a hundred pumped-up bodybuilders running almost naked through rush hour traffic, which for me is one of the classic and most unexpected comic moments in cinema.

I may think more of this film because I 'discovered' it almost by chance, but I will always see it as an underrated classic and I urge everyone to seek it out.

As I watched this film last night it occurred to me that it has a certain fun, Altmanesque element of found local color. The shady southern businessmen Jeff Bridges' character is involved with all talk in a hilarious retro jive, "I'm fine as wine!" and sport really sharp looking plaid blazers. Rafelson decides to throw in random things just for sheer fun; a car race, with 70's Monte Carlos shooting through the streets of Birmingham, Alabama and getting air like it's San Francisco, a whole crew of 70's bodybuilders running through the city streets and posing on top of buses. Arnold Schwarzeneggar puts in his only true serious acting turn, although I'm not sure how much it should be considered acting as he's playing his real self; philosophical and shrewd. Sally Field is hot in this movie, there's even a scene where she jumps out of bed in the nude, displaying a great ass. Jeff Bridges puts on his usual display of fine, unselfconscious screen acting. One of the nicest and most refreshing things about this movie is that it unfolds organically; we don't feel an overarching awareness of chugging plot structure like we do at today's movies.