Sparkle

Black sibling soul group in 1950's New York hits it big, but big sister Lonette McKee begins to spiral downward with booze and drugs, putting the group's reputation on the line. Well-made, but awfully thin little drama with a fine Curtis Mayfield musical score but not enough drama to involve a wide audience. Certainly begins well but quickly loses steam. McKee is the acting stand-out here, but her character's descent into the blues comes awfully fast. Result is a picture that plays its best cards too soon, leaving a lot of dead space in the second-half. Some enjoyable moments, evocative cinematography and art direction, but a lot of show-biz clichés. ** from ****

An excellent movie. Superb acting by Mary Alice, Phillip M. Thomas, and a young Irene Cara. Tony King was very realistic in his role of Satin. This movie was one of the last predominately "all black" movies of the 70's and unlike the "blaxploitation" movies of that era, this movie actually had a plot, and was very well done. The movie soundtrack, sung by Aretha Franklin, was popular on the R&B charts at the time.

This movie is a true classic. Very well done for the times and way better than the re-done version done 2012.

The movie has that special something that I didn't get with the more recent version. It was also more realistic.

The music soundtrack is awesome!

After several years of reading about this musical film, I finally watched Sparkle on Netflix Streaming. It's about a trio of Harlem sisters consisting of Lonette McKee (Sister), Dwan Smith (Dolores), and Irene Cara (Sparkle). Philip Michael Thomas also appears as Stix who's originally one of two male members of the group before becoming the groups' manager later on. And Mary Alice plays their mother Effie. The original songs are by Curtis Mayfield who was from Chicago of which I'm also a native of. The presentations of the performances are very good especially when Ms. McKee or later Ms. Cara are showcased in their close-ups. It was also a nice treat to see Don Bexley-best known to me and others as Bubba on "Sandford and Son"-as one of the M.C.'s. The drama was maybe a little too quick the way they were presented but overall, I very much liked Sparkle. P.S. When I read the obits of Whitney Houston yesterday and found out about her involvement in an upcoming remake with Jordin Sparks as the title character and Ms. Houston as the mother, my heart broke when I realized she wouldn't live to see the result which will be released this August. So it's in her memory I dedicate this review.

With the success of "Dreamgirls" on Broadway and film, and several other films with similar story lines, one wonders if there will ever be an actual bio-film of the real Supremes? To the embittered review by "Husky Miller"(his handle kind of tells you something of his personality), "Sparkle" is not supposed to be some sort of definitive drama. It is entertainment. Unfortunately, until Berry Gordy/Motown Film Productions began making movies like the multi-nominated "Lady Sings the Blues", Hollywood was very conservative in green lighting films targeted first to the black community. The early 70s saw a mishmash of so-called "black exploitation" movies. Hollywood understood there's an audience of moviegoers that were underserved. But just like "slum lord housing", the movies being made were low budget trash that had extremely limited endurance. Just like Mr. Gordy upgraded the image of black artists and entertainment with global appealing stars like The Supremes (hence Diana Ross), The Temptations. The Jackson 5, Motown films symbolized works with crossover appeal. "Lady Sings the Blues", "Mahogany", "The Wiz", "Bingo Long and the Travelling Allstars" endures nearly a half century later and are still seen on cable. It's no coincidence that Motown gave the world, a Mount Rushmore-like of artists from the aforementioned The Supremes, The Temptations, The Jackson 5, Diana Ross, Michael Jackson, Marvin Gaye and Smokey Robinson for instance. So "Sparkle" is by no means some great work of art, but, it is a labor of love that inspired an update in 2012 by the late, great Whitney Houston, En Vogue even turned one of the songs "Something He Can Feel" into a hit again in the 90s. So Mr. Miller, lighten up and try and find the innocence and joy in an entertaining film.