Carambolages

I was 7 when this was on TV and was so hyped by the commercials for it. My favorite thing was the time clock in the corner of the screen: 40 minutes to smashup, 30 minutes to smashup, 20 minutes to smashup, etc. Obviously trying to keep people tuned in. And it worked!! At least for a 7 year old kid. My 10

year old brother and I were on the edge of our seats, even tho we were sitting on the floor, our eyes glued to the screen. I was so excited by it waiting for the big smashup and was in heaven when it finally happened! Being kids we just wanted to see cars smashed, not concerned about anyones welfare. Awesome!

SMASH-UP ON INTERSTATE 5 was one of the most entertaining entries on the Tuesday and Wednesday Movies of the Week. This episodic drama, somehow economically told in 90 minutes, opens with a spectacular 39-car crash on a deserted stretch of highway. The film then flashes back 48 hours before the crash occurs and through multiple stories we get to meet all of the people involved in the crash and what they were going through at the time of the crash. The impressive all-star cast includes Vera Miles, Robert Conrad, Donna Mills, Buddy Ebsen, David Groh, Scott Jacoby, and there's an especially lovely turn by Harriet Nelson, widow of TV icon Ozzie Nelson. I like the way this movie showed us the crash first and then took us back. For some reason, it made us care even more about these people, knowing what was ahead for them.

I saw this movie when it aired on ABC, and at the time I was 10 years old. This movie scared the daylights out of me, but I have always remembered it for decades. I'd love to be able to see it again, and have just now saw it posted on here. I didn't realize the amount of stars that at the time weren't even known. This and several other movies from ABC's line up would be great to get on DVD.

I know now why highways have always scared me, and it was because of this movie. I still can't believe that my parents let me watch it at such a young age, but then I saw Deer Hunter, Godfather and Apocalypse Now before I was ten.

Have you ever been in a severe traffic accident? I have... And even though it was nearly 20 years ago, I can assure you the narrated words during the opening sequences catapulted me straight back to the exact same sentiments I felt in the first hours and days after the accident. "For the majority of people, the victims of this smash-up will be nothing more than a holiday weekend statistic". That's also how I felt after I crashed into a tree on a Friday night and miraculously came out almost unharmed. In the blink of an eye, you're nothing more than a weekend traffic statistic. But behind every traffic casualty sits a person with his/her own story to tell, and that's what this modest but more than admirable made-for-TV disaster movie wants to emphasize.

In the weekend leading up to the 4th of July, we follow of handful of seemingly random people living in the area between Los Angeles and San Diego. Now, from the title and the opening sequences we already know these same random people will be the ones heavily impacted by the traffic accident on Interstate 5 (39 vehicles, 65 injured, 14 deaths) but before that tragedy happens, they are all "common" people dealing with versatile issues, like accepting medical diagnoses, romantic dilemmas and running from the law. It's not exactly the most exhilarating segmented film ever made, but it perfectly does what it intends, namely giving a background to usually anonymous traffic accident victims.

"Smash-Up on Interstate 5" can rely on the competences of the best TV-movie director in history, John Llewellyn Moxy, and has quite an impressive cast, with Robert Conrad, Vera Miles, Donna Mills, Scott Jacoby and Tommy Lee Jones. For the latter, it was still a relatively small role, in the period shortly before his breakthrough.

After years of disaster films set on planes, ocean liners and even on trains, we finally got one set on the freeway. Other than that, it is just like the rest of the seemingly endless parade of mid-1970's disaster epics. Also, the characters were just like the ones in the others. You had the lonely rich middle age lady who finds love with a trucker, the older couple facing a terminal illness, the young lovers on the run and the vengeful cop looking for his partner's killer. All of these characters could have been put on the plane, train or ship but instead they are all on a collision course on a major California freeway. Also, it was pretty interesting that this film began with the "smash-up" and showed all the events leading up to it and showing it again at the end and all the aftermaths. For all its faults, it still was a pretty good film.