L'Impitoyable

A Jackie Chan movie is like pizza, even when it's bad it's still pretty good. First the good, it's a standard revenge plot. There's nothing wrong with seeing that for the millionth time. We're here for the martial arts not the story and the martial art does deliver. Even the hokey part fighting the wooden men (which easily could have failed) was done surprisingly well. The movie never dragged and the funny parts were reasonably funny. There was the expected build up to the big fight at the end and the fight finale could have been better but again, that pizza analogy.

The bad part was making Jackie a mute until the last fight. Whoever's idea that was (did I hear someone mumble Lo Wei?) totally blew it. Really, not that I love to hear his voice or anything and it would have been dubbed by some British guy anyway, but the hero has to say a few syllables. I really think that keeping Jackie silent made the difference between this movie being a miss instead of a hit on it's initial movie theater run. Think of how history would have changed if Jackie came to stardom in 1976 instead of a few years later! The world would be a different place and we all might have our flying cars if Jackie had only spoken up sooner.

Back in July of 2012, I posted the above review here. Today I watched the movie again. I decided to edit my review to compare the two views. I stand by everything written in my original post. Today I would change nothing in the original post and would add as below.

I had a problem with the final fight. Jackie fights Kang Chin first and that is all wrong. Kang Chin's henchmen would certainly intercept Jackie before he could get to their big boss. The fight against Kang Chin must be absolute last.

Also in the Jackie versus Kang Chin fight sequence it looks like Kang Chin is attacking and Jackie defending. Jackie should appear aggressive, attacking with full power and low accuracy. He could even act angry. Instead it looks like Kang chin is leading with his dance moves and Jackie is following.

Despite that I still consider the movie above average for the year and genre. I also recommend this movie to all fans of martial arts movies of the golden age from 1967 to 1984.

The narrative of "Shaolin Wooden Men" is divided into two neat halves: the first delineates the struggles of Jackie Chan's character (a mute orphan) at Shaolin Temple, ending with his successful navigation of the gauntlet of titular wooden men; the second follows him into the world outside the monastery, as he tests his combat skills and discovers that people cannot always be taken at face value. The film never rises entirely above the conventions of its genre, but in depicting the friendship between Chan and Kam Kang (who plays a prisoner at the monastery), director Chen Chi-hwa effects some nice touches...and there are well-choreographed fights aplenty. Six and a half stars.

(By the way, there's no historical evidence that those fearsome wooden fighting dummies ever existed at Shaolin. It's a great cinematic device, though.)

As far as martial arts movies go, Shaolin Wooden Men is pretty standard stuff, but I think it's still fun enough in bursts to make it worthwhile for fans of the genre and/or Jackie Chan. He plays a character here who doesn't speak, so I think that helps it stand out a little among all the other early Jackie Chan movies out there (I do feel like he really came into his own and made his best stuff during the 80s and 90s, though).

The plot here is one you've probably seen a bunch of times if you've even watched a decent number of martial arts flicks, but the action is solid (not great, but still mostly fun), and I guess that's the main thing. I don't know if I quite feel like it's a hugely underrated gem or anything, but it's a decent watch and a fairly good time.

Jackie Chan stars in one of his early career movie. Lowe Wei who directed Fist of Fury, and the New Fist of Fury directs this movie as well.

Jackie Chan is a new student of kung fu at the Shaolin Temple. They have all sorts of torturous equipments to build the skills of the students. He has a bad memory from childhood. Witnessing his father getting murdered, by a masked kung fu artist.

He then meets series of three teachers who are willing to teach him covertly. One is a drunken monk, the other is a nun, and finally a prisoner in a dungeon. These three teach Jackie Chan techniques of kung fu.

The graduation at Shaolin temple consists of passing the corridor lined with wooden men that will kick and punch at anyone who tries to pass. Jackie Chan with his knowledge, succeeds in passing the corridor.

On the outside of the temple, things aren't exactly peaceful. There's strife everywhere. The man in the dungeon escapes and threatens to destroy Shaolin temple. In order to save the temple, old master teaches Jackie Chan the secret technique of Shaolin temple. The man that's threatening the temple is revealed to be Jackie Chan's father's killer also. Jackie challenges him to a duel.

The movie is old school, but compared to other old school kung fu movies where quality usually was very poor, ones that stars Jackie Chan seems to consistently have high qualities. This movie's quality is several notches above the average movies of this type. This was before he got his role as the student in "The Drunken Master" and his comical side has not yet emerged.

The story has all the old school kung fu movie elements. Shaolin temple, revenge, student coming of age, and a secret technique. It's not a masterpiece by any means, but is a good movie to watch.

Jacky Chan's father is killed by an evil Kung Fu master. Chan vows to remain silent until he can get his revenge. He goes to a Shao Lin temple, and gradually becomes a master of the arts. His instructors include Ping-Yu Chang, who teaches him to fight in a tray of grease, and Kang Chin, who is chained up in the basement.

Chan being silent allows the film to focus on the sheer physicality of the young man. The movie seems to be about four-fifths training sequence; the most striking in the final test, in which Chan must make his way past a gantlet of giant wooden dolls controlled by chains. Of course we know it will all come down to a final fight between Chan and the Big Bad. There's no sign of the comic Jacky here, but the variety of fights, as well as a couple of plot twists that seem obvious once they've happened keep this one interesting.