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Double Jeu

Titre original : Der Richter und sein Henker
  • 1975
  • PG
  • 1h 46min
NOTE IMDb
5,9/10
1,2 k
MA NOTE
Jacqueline Bisset, Jon Voight, Robert Shaw, and Martin Ritt in Double Jeu (1975)
CriminalitéDrameMystèreThrillerSuspense et mystèreWhodunnit

Ajouter une intrigue dans votre langueWhen a Swiss cop is murdered, a veteran homicide inspector and a rookie are assigned to solve the case but they are obstructed by interfering Swiss politicians.When a Swiss cop is murdered, a veteran homicide inspector and a rookie are assigned to solve the case but they are obstructed by interfering Swiss politicians.When a Swiss cop is murdered, a veteran homicide inspector and a rookie are assigned to solve the case but they are obstructed by interfering Swiss politicians.

  • Réalisation
    • Maximilian Schell
  • Scénario
    • Friedrich Dürrenmatt
    • Maximilian Schell
    • Roberto De Leonardis
  • Casting principal
    • Jon Voight
    • Jacqueline Bisset
    • Martin Ritt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    1,2 k
    MA NOTE
    • Réalisation
      • Maximilian Schell
    • Scénario
      • Friedrich Dürrenmatt
      • Maximilian Schell
      • Roberto De Leonardis
    • Casting principal
      • Jon Voight
      • Jacqueline Bisset
      • Martin Ritt
    • 26avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 2 nominations au total

    Photos25

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    + 18
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    Rôles principaux21

    Modifier
    Jon Voight
    Jon Voight
    • Walter Tschanz
    • (as John Voight)
    Jacqueline Bisset
    Jacqueline Bisset
    • Anna Crawley
    Martin Ritt
    Martin Ritt
    • Hans Bärlach
    Robert Shaw
    Robert Shaw
    • Richard Gastmann
    Helmut Qualtinger
    Helmut Qualtinger
    • Oskar von Schwendi
    Friedrich Dürrenmatt
    Friedrich Dürrenmatt
    • Lamont Friedrich
    Lil Dagover
    Lil Dagover
    • Gastmann's Mother
    Gabriele Ferzetti
    Gabriele Ferzetti
    • Dr. Lucius Lutz
    Rudolf Hubacher
    • Bodyguard 1
    Rudolf Hunsperger
    • Bodyguard 2
    Norbert Schiller
    Norbert Schiller
    • Dr. Samuel Hungertobel
    Rita Calderoni
    Rita Calderoni
    • Nadine
    Guido Cerniglia
    • Coroner
    Willy Hügli
    • Alphons Clenin
    Margarete Schell Noé
    • Frau Schönler
    Otto Ryser
    • Blatter
    Toni Roth
    • Old Lady
    Wieland Liebske
    • Taxi Driver
    • Réalisation
      • Maximilian Schell
    • Scénario
      • Friedrich Dürrenmatt
      • Maximilian Schell
      • Roberto De Leonardis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    5,91.1K
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    Avis à la une

    9samuelbrya

    This film has resonated with me for over 30 years

    I have described the opening scene of TEOTG to dozens of people over the years, and it always provokes a terrific reaction.

    A consummate cat & mouse story of two strong wills, a tooth-achingly gorgeous woman, and a dead body. Shaw is in his usual brilliant form. Ritt's performance is extraordinary. Voight is believable and compelling. Bisset is spectacular to watch. Sutherland must have had fun playing the corpse. Directed by Maximilian Schell, and originally titled Der Richter und sein Henker and released in W Germany in 1978 (?), TEOTG became (and remains) my definitive detective mystery.

    Be sure you get the full-length version in the language that you want. You won't regret renting or buying this classic film.
    9mirko-2

    The book is even better, but untranslated.

    I saw the movie a long time ago, in a class in (German) highschool. I remember being mesmerized by the book for which I can not find a translation in English. It's one of the greatest whodunits of all movie history. Baerlach the old Police Kommissaire has one more year to live due to illness just when a policeman is found dead on a country road near his native Swiss town. Baerlach lets his over-eager deputy Tschanz handle the investigation, knowing full well it will lead Tschanz to an old nemesis of Baerlach's, a criminal that he could never get his hands on. The investigations seem to be unsuccessful, but Baerlach knows something that Tschanz doesn't, and has a plan.
    9RSamson105

    An unforgettable film

    My wife & I saw this as the second feature at a drive-in (yes, that long ago) and it has stayed with us long after we've forgotten the main feature that night. A marvelous game of cat & mouse between two chess-masters, with Voight as their pawn. We've looked for it on television, on tape and on DVD ever since, hoping to decide if it was as impressive as we thought. Schell's direction is superb, building and maintaining a constant tension throughout. The actors performances are, well, what you'd expect from these actors at the top of their game. Beginning with two young men circa WWII, one betting the other that he can get away with a murder, The End of the Game ranks with the best of Le Carre's work in its examination of a master detective's plot to finally catch his bete noir in a crime.
    9aromatic-2

    Breathtaking performance by Martin Ritt

    Martin Ritt is absolutely spellbinding. He embodies one of the most unforgettable men I have ever met on the screen. It is a neat little thriller, and Shaw is fine as the would-be super-villain, but it is Ritt that still haunts my thoughts and dreams years after my three viewings of this film; I would love to get it on tape.
    Tails-5

    One hole in the head, two bullets...

    Two bullets. Twoooo bullets. Interesting? Two bullets. That just about describes the wonderful dialogue in the movie. This movie has something in common with "The Sicilian Clan" in the sense that both try to be tense thrillers, but inadvertently end up being awkward comedies. The movie's potential was severely hampered by Martin Ritt, who possesses the worst table manners in the world. He never hesitates to show the world what his food looks like after it's chewed up. Other than that, all the clumsy direction never fails to pull a chuckle or two out of you when it tries to be intelligent (e.g. when the car comes crashing off the highway. It twirls over in slow motion, then lands on the cab and makes a hilarious, synthetic crash sound.) All in all, for me the movie ranks lower than "The Sicilian Clan".

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Robert Shaw claimed that he never received his fifty thousand dollar salary.
    • Citations

      Richard Gastmann: Another year, your doctor says. That is, if he can operate on Thursday.

      Hans Bärlach: Another year.

      Richard Gastmann: Your last year, Hans. Why waste it on me?

      Hans Bärlach: One day I'm going to convict you for your crimes.

      Richard Gastmann: You can't let go of it, can you? You let it chew up your guts until it has chewed up your guts.

      Hans Bärlach: The Barlach's always had poor stomachs.

      Richard Gastmann: Keep on churning, Old Man; keep on churning. Still hung up on right and wrong. One day you're going to realise, there is none.

      Hans Bärlach: Have you ever seen your victims? I could show you pictures. How many people died because of you? Fifty, Sixty...?

      Richard Gastmann: I could show you...

      Hans Bärlach: ...a hundred, thousand?

      Richard Gastmann: ...earthquakes, plagues, famine, victims more mutilated than any explosions could make. Has to be done, Old Man. It has to be done.

      Hans Bärlach: If you don't do it, somebody else will?

      Richard Gastmann: Quite right. Anyway, I sleep now much better than i used to.

      [looking out the window]

      Richard Gastmann: Take the mob down there; pull ten out put ten back - doesn't make any difference.

      Hans Bärlach: You think you're God.

      Richard Gastmann: Only his humble servant, Old Man, only his humble servant.

      Hans Bärlach: You don't believe in God?

      Richard Gastmann: Oh, yes. I think religion's very good for children; Jesus, suffering on the cross. I don't know anything better. Look, Hans, we made a bet together. I won. You lost.

      Hans Bärlach: The result of that bet was death.

    • Crédits fous
      Corpse provided by Donald Sutherland
    • Versions alternatives
      When the film was released internationally it was cut by 15 minutes. For unknown reasons, only the shorter international version has ever been released on home video. Both versions have a full soundtrack in English. The following sequences are missing in the shorter cut: 01 - After Baerlach visits Mrs. Schoenler there is a brief scene in which we see him feeding bears at a zoo. He then goes to the town hall and sees Gastmann from afar. This prompts a brief flashback of Nadine's corpse floating in the river. Baerlach talks to Lutz and asks him for a new partner. He wants Tschanz. Lutz says Tschanz is on holiday but Baerlach insists. Baerlach lights a cigar and is taken over by a coughing fit, Lutz asks for a glass of water but the secretary brings a flower. Lutz finally agrees to assign Tschanz to him and notes that they will make a great team. Baerlach thanks him and leaves. 02 - During the funeral scene there's an additional shot. After Tschanz notices the name on the wreath is wrong we see a woman's hat falling off and one of the mourners pick it up and throw it onto the coffin. The sound of the woman gasping can still be heard on the soundtrack when the trombonist empties water from his instrument in the short version instead of the correct sound of water pouring out. That shot is followed by another shot missing from the shorter cut in which a uniformed policeman congratulates Lutz on his speech. 03 - The first scene with Anna and Tschanz is a little different. They are first seen lying naked on the floor in silence. She gets up, lights a cigarette, and says "Don't think about it, it was good. I wanted that". She then walks over to the bathroom. In the shorter cut, the line is dubbed over the close-up of Anna and Tschanz and then cuts directly into Anna in the bathroom. 04 - There is another brief moment missing from the shorter cut in this sequence. After Anna says "Call me" Tschanz says "I hate telephones. I'd rather stand in front of your house and wait for you". There is a short discussion and she tells him to go. The scene then proceeds like in the shorter cut with Tschanz asking "Who are they". 05 - Right after the scene in which Baerlach returns home and takes off the arm protector Tschanz is seen in a phone box. He calls Anna but she isn't at home. 06 - After the "Dr. Lutz, the minister is expecting you" line, Tschanz is seen lying in bed looking sick and calling Anna's house again but no one answers. 07 - After Tschanz runs out of the baggage loading area there are two brief shots of Gastmann's henchmen watching him hidden behind crates. 08 - The sequence in which Tschanz and Anna are walking next to the river is longer. In the shorter version the scene ends after Tschanz asks Anna about Baerlach's suspicions but in the longer cut they continue talking. Anna tells Tschanz she wants him to be kind and talk to her. They talk about their families and she tells him he needs to grow up and be kind. Tschanz goes into the playground and starts playing football with the kids. Anna smiles at him. 09 - The entire sequence in which Baerlach leaves and is arguing with Tschanz and is then picked up by Gastmann as well as the entire sequence on the bridge in which they discuss their "game" and in which Gastmann disposes of the dead driver takes place at night. The sequence was originally shot day-for-night but the effect was removed in the shorter version. The scene is exactly the same bar one short insert. When Gastmann's henchman throws the driver's body in the water there is a short flashback of Nadine's corpse floating as seen in the Istanbul intro. 10 - After Gastmannshouts at Baerlach ("You fool") we see Tschanz lying in bed thinking. Then we see Anna emerging from the shower and getting dressed. Then we see Tschanz entering her house. Anna walks into her living room and sees him. He tells her he loves her and forces himself on her. She struggles but eventually says "Alright, if you want me you can have me. But you can't HAVE me. Understand?". She then tells him Robert has more power over her than ever before. They talk briefly and Tschanz concludes she never loved anyone. She is then seen leaving by car.
    • Connexions
      Featured in Schach mit Dürrenmatt: Maximilian Schell über 'Der Richter und sein Henker' (2011)
    • Bandes originales
      Violin Concerto in D: III. Rondo
      Written by Ludwig van Beethoven

      [played by violinist practicing under tree]

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    FAQ

    • How long is End of the Game?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 mai 1978 (Allemagne de l'Ouest)
    • Pays d’origine
      • Allemagne de l'Ouest
      • Italie
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El puente sobre Estambul
    • Lieux de tournage
      • Bern, Kanton Bern, Suisse
    • Sociétés de production
      • MFG-Film
      • T.R.A.C.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 46 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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