Not Now, Comrade

Its a shame that the previous comments seem to have focused on so much negative and missed the positive of what was always intended to be a very lighthearted comedy in the style of the Carry On films.

Sets, budget and production are certainly low priority but the script is classic British humour from the 70's and to me is easily as funny as the best Carry On's .. and some parts still make me laugh out loud despite having viewed the film many times to cheer myself up on a rainy day. The best of which has to be the wonderful Ray Kinnear's encounter with the stripper/love interest in the bushes outside the house.

As for the 'self referential marxist theme'comment (??!) I can only say lighten up! This is a silly piece of comedy, not a Chekov play. In a world where CGI is beginning to replace any semblance of a script, its refreshing to see something so simple and intended purely for entertainment.

Or at least to begin with,as Striptease Artiste Barbara(Delectable Carol Hawkins)wearing the aforementioned strategically placed tassels and little else,successfully disrupts a photo-shoot of a Moscow Ballet Company,in order to facilitate the escape of her defecting Ballet star boyfriend Rudi(Amusing Lewis Fiander) to her waiting car.Unfortunately,he climbs into the boot of the wrong vehicle! This belongs to Naval Commander Rimmington(Leslie Phillips),who drives off home,and the frantic "Adventure" begins! The Film is full of Broad British humour,typical of the Seventies:Farce,Innuendo and even Slapstick:Politically Incorrect and Funny for sure. Much of the Innuendo is centred on Barbara and her obvious charms! All of the cast of British Comedy Stalwarts,several appearing in very popular t.v.Sitcoms of the time,rise appropriately to the occasion. Ian Lavender,as Civil Servant Gerry Buss(Also Boyfriend of the Commander's Daughter Nancy),has as much screen time as anyone,including pretending to be both the Commander and Rudi when called upon! Michele Dotrice(Nancy) and Carol Hawkins are fun in their respective roles,as is Roy Kinnear as the increasingly paranoic Gardener,Hoskins. Co-Director Ray Cooney is also amusing as the initially staid Mr. Laver,the MI 6 man,who' loosens up' as his drink ratio increases. Windsor Davies is the local Constable doing his best to sort out the escalating confusion,determined to get his man,even if it's the wrong one!June Whitfield and Don Estelle(Who also sings the Title song) appear later in the proceedings to add to the hilarity in important,if limiting roles. Add the two pursuing Russian KGB men into the mix also! If you enjoy this very British Entertainment of the period then this movie is for you!

How can you not like a film that has Carol Hawkins getting her kit off in the first 5 minutes?! A great little snapshot of an England that no longer exists more's the pity. Lots of cheeky British 70's humour which you'll either love or will be appalled by. A good cast too who give it their all. So often these saucy films fell flat, but this one doesn't, it's actually funny.

This has got to be one of the lowest budget films ever produced in Britain , and considering it`s a British film that is indeed saying a lot . In fact it`s somewhat insulting to consider NOT NOW COMRADE a " film " since as one contributer mentioned it`s a stage play . It`s like someone has gone into the local theartre with a film camera and started filming . The interiors resemble those you`d see in a theartre and you can clearly hear the CLUMP CLUMP CLUMP as the actors run around the wooden floors like you would in an auditorium . I guess some people might be pretentious pseudo-intellectuals and say the film has a self referential marxist theme because of the title and therefore that`s why there`s been no money spent but I`d say correctly that even in 1976 it would have been an outdated British B movie with limited appeal hence no one would want to invest money into it

Not now, Comrade (1976, Leslie Philips, Ian Lavender etc) We've just attempted to enjoy this on Talking Pictures TV, but it was an impossible task. Sadly, this is what the British film industry was reduced to in the mid-70's, although it gave a good number of fading stars and soap personalities something to do. We enjoy a good Ray Cooney farce, but this isn't one of them. It's one of those 'sex comedies' that became popular at the time and no-one comes out of this one well, although Carol Hawkins does have some fine attributes and was good to look at. It's stage roots are very obvious, with people who must not meet coming and going from various doors and asking awkward questions. The scene following the Russian ballet dancer's release from the car boot is excruciating, you just want it to be over as soon as possible. The Triumph Stag was probably the best thing in the entire film and accounts for one of my 3 points. Carol Hawkins gets the other two. Ahem.