Mustang Country

With the exception to the incredibly sappy song you unfortunately hear twice during "Mustang Country", this is a dandy film...especially since it represents Joel McCrea's final movie appearance.

The plot to this film is a bit like that of a similar film of the era, "Mackintosh and T. J.". In it, Roy Rogers comes out of retirement for one final film...and both have to do with an old cowboy befriending a mixed up kid who just needs a bit of guidance.

In this case, Dan (McCrea) is out trying to capture a very elusive wild mustang when he comes upon young Mika, a native teen who's run away from school. Dan helps the boy make his way to his grandfather's house, but when it turns out the man is dead, Dan keeps Mika with him to help him in his quest for that Black horse.

The film clearly has 'Family Movie' written all over it...and that's not a bad thing. It felt like the actor McCrea mentoring the next generation and it's one of his better performances. Not a brilliant film but a very good and enjoyable one that I recently found on YouTube. Plus the scenery around Banff is simply breathtaking.

This has been described as a Western but I tend to disagree feeling it has more of an affinity with the "wilderness"movies and TV series that were being made around the same time ,such as Adventures of the Wilderness Family and Grizzly Adams.It is a simple tale of an ex-rodeo star turned rancher (Joel McCrea)who ,joined by a young native American boy (Nika Mina)sets out to capture the last wild mustang in Montana ,during the 1920's .There are only two other roles -a brief one scene appearance from Robert Fuller (ex of the Laramie TV show)and Patrick Wayne.

The movie is pleasant but inconsequential offering little drama or character interaction but beguiling the eye with some attractive scenery and I suspect its main appeal will be to those seeking undisturbing family entertainment . It was to be Joel McCrea's last movie and he brought to it his usual rock solid professionalism The movie uses clips from earlier McCrea movies to illustrate the psst life of his character in this movie ..It would have been more fitting if he had ended his career with what turned out to be his penultimate movie Ride the High Country -that wonderfully elegy and tribute to a passing breed of men .As it was he left with this movie -pleasant ,untroubling but a bit too soft focused to be really aimed at adults

Its nice and its amiable -nothing more.

I did not know that this movie existed until happening upon it on AMC. It was very pleasant to see Joel McCrea back in action. His performance is enough to recommend this film. The scenery, mostly filmed in Banff National Park from what I can gather, is an equally pleasing costar to McCrea. There is much filler footage of animals doing animal actor tricks which is silly and distracting. At these points the movie feels like a sub-par Disney nature film, but the main story line of McCrea's aging rancher out to capture a wild mustang and bonding with a young American Indian orphan in the process is a nice story that rises above the lame moments.

If you like Joel McCrea, spectacular Rocky Mountain scenery, or are in the mood for a straightforward family Western this film may be of interest to you.

A 70-year-old Joel McCrea emerged from retirement to make one last film - a simple unpretentious western about a hunt for a lone black stallion on the Montana-Alberta border in 1925. Ironically, McCrea was in Hollywood just two years after the setting of this film starting out in a series of uncredited modern dress roles. But I digress.

This is largely a two character movie, with McCrea accompanied for the majority of the film by young Nika Mina as a runaway Indian boy who, after he discovers that his grandfather has died, gets McCrea to agree, after numerous failures, to help him capture a stallion. There's a reward for the horse which the boy wants for his family. The story will also involve Three Toe, a grizzly who wiped out all the sheep on McCrea's ranch and who, of course, will emerge from the woods to cause trouble again.

Filmed on location in Banff National Park the scenery, needless to say, is breath takingly gorgeous, from the first shot in this film to the last. Those who love the sight of mountains and forests, lakes and streams, will have nothing to complain about in regard to that aspect of the film. There are also a lot of cutaway shots of animals, at times giving the film a bit of a Disney feel, but it's not too much of a distraction from the main story.

In his only film appearance Nika Mann is clearly limited as an actor but even though he's a bit stiff as a performer, he's a likable kid companion. McCrea, even in his grey haired senior years, still looks mighty convincing riding a horse, and there's a comfortable screen presence about him, as well as a direct honesty in his delivery of dialogue that makes his final screen performance an appealing one.

By the way, aside from the Indian boy, McCrea's other two companions throughout most of the film will be his horse, Rosie, and a remarkably bright dog, Luke, who will play a role in saving both McCrea and the Indian boy from wilderness tragedies.

Briefly appearing at the beginning of the film are Robert Fuller and Patrick Wayne as a couple of cowboys who try in vain to capture the stallion. While the film seems designed to appeal to kids, adults should also enjoy it for the scenery and McCrea's seasoned performance.

Joel McCrea came out of retirement to do this, and one can only wonder why. It seems likely it was either the chance to spend a lot of time on horseback in astonishing mountain countryside (which one would imagine he'd done plenty of times before this), or he was too nice to turn down a friend. The story is basic and unadorned by nuance or insight. Old cowboy wants wild mustang. Orphaned kid with spunk helps him. Adventures follow. There's no conflict in the story beyond whether the pair will capture the horse. The only two other actors in the movie are nice guys who disappear after one scene. And of the two main actors, Joel McCrea is the only one who can act. (He's not given anything remotely complex to act, though.) The kid is out-acted by McCrea's dog. In fact, the kid is out-acted by McCrea's hat. But it's wonderful to see McCrea in his twilight years, still a consummate pro, still a splendid rider, still a movie star. And the scenery is worth four of the five points I voted the movie.