Les baskets se déchaînent

This movie was made six or eight years too soon. 1976 was the year that the micro-computer revolution was just getting into swing and it would be a few years before IBM would make Bill Gates a billionaire. So nobody paid much attention to this film. But, it had so much more to offer than the "light-hearted" Revenge of the Nerds films.

We open with a (they didn't have skin heads then) group of Nazi like blonde haired bullies terrorizing the lessor students into "politically correct" thinking ala the burgeoning "family values" <insert twisted cross here> movement. A new kid comes to school and although he has an "in" with the rulers of the hallways, their brutality offends him and he sides with the under dogs. Even using his own physical superiority at fighting to humiliate the gang--and worse steal their women. His friend in the gang is sympathetic, but tries to convince him to join up or get his comeuppance. Our hero gets his comeuppance in spades and now he really gets mad and turns to murder!

After the "Nazis" are eliminated one by one, a power vacuum ensues where there is a mad dash to fill it. We then realize that there is always going to be predator and prey and it just a matter of who is the strongest.

This film is the perfect allegory of High School Life--and Life in general. This is an unheralded masterpiece! It only suffered in production values, which were less than perfect.

"Massacre at Central High" is perhaps misleading in its title, which evokes a gore-filled splatterfest, which this film is not. The premise surrounds David, a teenager who transfers to a new high school where the students run wild, and a group of male bullies torment their peers without consequence. The unhinged David begins to murder each of the bullies, but his plan to cleanse the school backfires when those on the bottom of the social ladder take on the same traits as their former dead oppressors.

A weird but memorable entry in the horror genre, "Massacre at Central" high feels like it occurs in a dreamscape or an alternate world. This is largely due to the fact that the film features no "adult" figures to speak of; the bullies torment the students to extreme lengths, and even attempted gang rapes are left unreported and largely up to the students themselves to sort out. "Lord of the Flies" comes to mind, as well as some elements of "Carrie," minus the supernatural edge. This off-kilter universe in which the film orbits lends it a unique and memorable feel.

It's not what I'd classify as a conventionally "scary" film by any stretch of the imagination. It is a horror film, but only in the sense that there are savage murders occurring throughout and that the subject matter is generally dark. The film itself is aesthetically quite bright, boasting a distinctive Los Angeles atmosphere that is laid on thick. Malibu's beaches set the stage for several scenes, and the film feels every bit a "California" production.

Performances from Robert Carradine and Kimberly Beck (who would later become a genre favorite for her role in "Friday the 13th: The Final Chapter") are some notable highlights, while Derrel Maury plays the outsider/deranged avenger with an appropriate distance. None of the performances are particularly provoking and are by and large rather bland, but serviceable given the material.

All in all, "Massacre at Central High" is a unique and thoroughly strange film that toes the line between exploitation slasher and thoughtful allegory. It is not a great film and at times feels extremely choppy, but it's a certain oddity and a respectable example of a filmmaker attempting something different. The fact that it predates the slasher by a significant amount of time also makes it an intriguing film on the historical timeline that is worth examining. 7/10.

After falling foul of a group of bullies at his new high school, promising young athlete David (Derrel Maury) is attacked and severely injured. His near-crippling leg injury leaves him angry, deranged and thirsty for revenge on those who would bully others.

This entertaining and thought-out horror movie is an interesting addition to the horror genre. Unlike many other similar films, ‘Massacre at Central High' spends a relatively large amount of time building up the plot and developing the central characters. It is through this intelligent characterisation that the viewer is positively encouraged to feel contempt for the gang of bullies. In some ways the actual acts of bullying and violence towards other students committed by the central gang are reminiscent of ‘Carrie' (1976), albeit on a much larger scale. Rather than have the torment revolving around one character, the entire school is subjected to often horrific acts and thus they live in fear of the gang that runs the school. While one could easily question the situations that the students continually find themselves in (such as where are the teachers?), the movie raises some questions about how far a group of people will go before someone steps in to halt their actions. In fact, the gang is convincingly portrayed as taking their violence and brutality further each time and even revelling in the new `experiences' that they create for themselves. Although the film is fairly entertaining even when taken at face value, there does seem to be underlying storylines throughout and while the film does indeed suffer somewhat from implausible situations, there is still a lot of enjoyment and thought provoking material that can be found within it.

Unfortunately, there are two main problems with the film. First of all the acting is of a generally low standard. While the performances are by and large tolerable for this type of movie, the limited talents of most of the performers can be somewhat sidetracking, and when an important point is to be made it maybe does not have the impact that it could have were a more talented actor have been involved. However, considering the obvious low-budget of this movie and the apparent effort that was put in by the entire cast, these lapses are forgivable. The second problem with the movie is that it seems to get sidetracked somewhat around two thirds of the way through and the storyline seems to branch off a little too far. While the second part of the story does have merit and tries to be as thought provoking as the earlier story, the movie fails to mesh together all that well. The slow pacing of the second part of the film becomes something of a distraction rather than being an advantage as it was in the first part. Also, the second part of the film turns the character of David into an almost typical slasher villain whereas in the earlier scenes of the film one felt compassion for him and supported his actions, just as one may support the actions of Doc. Collingwood in ‘Last House on the Left' (1972). Although the reason for David's later actions are explained (albeit completely obvious) there is a lack of further character development where an insight into David's deranged mind would have been something of a refinement.

Nonetheless, ‘Massacre at Central High' is still a generally well thought out movie and certainly an enjoyable enough watch. The grainy picture is, in some ways, a perfect addition to the movie although probably accidental. Fans of other revenge-style horror movies should probably enjoy this and it is recommended for those who like a nice, often subtle subtext to their films rather than just straight-forward and rather unimaginative horror. There are flaws with the film but most of those can be overlooked, even when the story seems to be bordering on the completely ridiculous or senseless. Entertaining, thought provoking and with well developed characters – recommended! My rating for ‘Massacre at Central High' – 7/10.

A real find. I remember I first read about it in "The Phantom's Ultimate Movie Guide." The title alone caught my attention as well as the review found in the book. I finally got to see it a year ago and I found it to be very intelligent and suspenseful, not to mention thought provoking. I am still contemplating the message behind the movie and that is what I love best about it. It is not blunt about what it is saying, it leaves it up to you to decide. Though technically a slasher flick, the movie is anything but routine, with plenty of twists to keep your attention. It is basically a parable of political corruption in a high school setting. It presents a high school where there is no authority and I must say that is not too unrealistic, when I got picked on by bullies in high school there seemed to be no teachers around anywhere. It was only in class when I actually saw the teachers or any other adults. The kids who were strongest physically seemed to be in charge of the halls. There were times where I wanted to just try to make a change but I felt it was futile. "Massacre At Central High" deals with such issues, but it also offers an alternative solution and the consequences of it. One of the few slasher flicks to deal effectively with real issues as well the often harsh reality that high school was for some.

The title might suggest a cheap hybrid of Carrie and Death Wish, but Massacre at Central High is not your typical drive-in movie. Granted it's filled with violence, blood, and nudity, and the revenge angle is quite powerful, but its examination of high-school politics is the element that really gets your brain working.

We've all experienced it--the Jerk Jock gets transferred to another school, and right away someone fills his position as King of the Cretins. Those at the top of the social structure exercise their ultimately negligible powers in order to make themselves feel bigger and better than everyone else. It is this tradition that Massacre at Central High pierces with a razor-sharp skewer.

Unfortunately, the picture is very hard to find in this age of sickening political correctness. A typical knee-jerk reaction would be to say that films like this glorify school violence--currently a big concern. But, as always, that sort of viewpoint is formulated without really looking at the message of the project. Yes, it's violent. Yes, it deals with a teenager killing other teenagers. But ultimately, what does this accomplish? No matter how many are killed, they're immediately replaced. Violence does not solve the problem. THIS is the point, and it's stated with a subtle brilliance that really hits home.

Of course, this underground classic also benefits from a terrific exploitation cast and an imaginative approach to the material. The scratchy, grainy color cinematography has a low-budget beauty that not everyone can appreciate. The melding of professional and amateurish elements results in a genuinely tense, scary experience...but one with much more to offer than your typical psycho epic.