L'île du maître

Robinson Crusoe is an extremely important work of literature, being one of the very earliest novels ever written in the accepted "novel" form. However, it is also extraordinarily racist. To understand its racism, one has to consider the attitudes that prevailed at the time when the book was published. Were it written nowadays, it would probably be banned. Within its historical context, though, it is rightly hailed as a classic. The makers of this film have realised that there is a strong case to revise this essentially racist book, and have made encouragingly open-minded and thoughtful attempts to re-do the story for a multi-cultural audience.

Man Friday is a reasonably engrossing story of how Crusoe, shipwrecked for years on a barren desert island, befriends a savage and names him "Friday". As time goes by, Crusoe attempts to change Friday into a good, decent Christian, but is shown to be more irrational and ignorant than the supposed savage. In the end, Friday proves himself to have a far more wise, perceptive and knowledgable personality than Crusoe.

The film is hindered by a few mis-judgements. There was no need for the handful of songs that have somehow made it into the script. If those misplaced bouts of singing were removed, the end product would doubtless have been better. Also, the pacing is a bit erratic, and much time seems to be meaninglessly wasted over the course of the 115 minute duration. The point could've been made efficiently in 90 minutes, and audiences might have felt the moral of the story more sharply. However, all in all, this is a worthy film, well acted and thought-provoking throughout, and significant for its recognition that the source material needed to be revised.

I have not seen this in a long while, and it has not been released on VHS or DVD, but I remember it as in intelligent spoof of Robinson Crusoe. It is the same old story we all know, but it is told from the perspective of Friday, who, if I recall correctly, narrates the tale like a hip soul brother from the 1970's replete with a Jamaican accent.

"Broter, lemme tell ya, iss da story o dis dumb wite mon, who doan know his ahs from a coconut grove."

That's not exactly what he said, but it is the gist of how things are told. Friday, Richard Roundtree, who had just finished three movies and one television series as Shaft, is a wealth of oneupsmanship over the not too bright Crusoe, played superbly by Peter O'Toole.

This is a must watch and a keeper. Write ABC Entertainment. Tell them to get it out on DVD. I think that one of the problems with this film is that AVCO Embassy Pictures, which produced it with ABC, went out of business years ago.

A choice film.

Absent the Pandemic, this turns into a brilliant parody of post-George Floyd America and Anarcho-Capitalism. Meant to see it at age 32 and accidentally found it on YouTube, age 82. Yea, O'Toole's slightly hammy but not gratingly. I knew of Richard Roundtree only as the Blaxpolitation-era SHAFT.

Crusoe explaining money and wages to Friday might have been lifted from a Democratic Socialists of America introduction to Karl Marx's theory of indentured labor. The Hang Glider scene doesn't work and didn't then but otherwise MAN FRIDAY has aged itself into front page 2020 relevance.

I wasn't expecting much when I decided to take a look at this underrated film, one of Peter O'Toole's forgotten works. Well, I think it's great. The ideological consistency of this reinterpretation is definitely more welcome than a "classic" adaptation of Defoe's novel.

What strikes me is the movie's relevance after all these years. It's amazing how little has changed from those days, when racism and slavery were widely accepted as "normality". I mean, the laws have changed of course, manners have improved - we live in the era of "political correctness" and all - but in terms of how we FEEL about the Other, nothing has changed, unfortunately. Robinson Crusoe is in fact the typical Englishman. This deep rooted idea of superiority still exists today, even if it doesn't manifest itself in the same ways."Man Friday" makes a powerful statement about human nature, about man's failure to communicate, to understand and respect others.

Various themes are explored, like religion, sexuality, freedom, xenophobia, capitalism, multiculturalism, moral relativism and so on. The movie succeeds in making some good points, sometimes with a great sense of humor, and sometimes with a tragic feel. Crusoe's relationship with Friday, its development and psychological implications are very interesting.

Peter O'Toole is splendid as the nasty and arrogant Englishman, while being sympathetic to some extent due to his human frailty. Not even those funny-looking furry boots and outfits can diminish his aristocratic elegance, and it's a pleasure to listen to his beautifully spoken phrase. O'Toole's Crusoe has the tragic aura of a Shakespearean hero, and this superb performance is the movie's highlight. Roundtree also does a very good job.

The absence of a remastered DVD transfer must be the only reason why "Man Friday" remains basically unknown, and that's a shame.

This is one of those films with an intriguing concept that is ruined by poor execution. "Man Friday" is a revisionist take on the classic novel "Robinson Crusoe" told from the point of view of the castaway Englishman Crusoe's (Peter O'Toole) native companion/servant Friday (Richard Roundtree). Adapted from a stage play, this is basically a two-hander carried by O'Toole and Roundtree's performances. The duo's evolving relationship is obviously a metaphor for racism, slavery, colonialism, and capitalism. That part of the film works well, with Crusoe's more "civilized" Christian and English ways revealed as irrational and unnatural. The problem is that the filmmakers add all sorts of other nonsense, perhaps to broaden the film's appeal. Friday often breaks into his "native" songs, but he sings the lyrics in English and the music sounds too contemporary. There is a comical talking parrot. Worst of all is a sequence where Crusoe and Friday try to escape from the island by inventing all sorts of silly flying machines, with accompanying sound effects borrowed from an old "Roadrunner" cartoon. There are also some plotting problems. Crusoe is not properly introduced and Friday goes from being terrified of Crusoe to amiably calling him "master" way too quickly. Since director Jack Gold can't decide if this is a serious drama or a musical-comedy-adventure, it doesn't succeed as either.

4 out of 10.