La louve se déchaîne

Now here Rino De Silvestro also talks a stroll down copious nudity avenue, but this seemingly has some sort of point to make about childhood trauma, the cycle of sexual violence and perhaps the menstrual cycle. Either that or those are all an excuse for copious nudity. Let's find out!

Daniela (played by Annik Borel) has a dream where she turns into a werewolf and gets chased by some villagers, resulting in one particular village getting his face split open in a rather nasty manner. But, a dream is a dream, and although Daniela's is having a spot of the old brain trouble following a rape when she was younger, her father would rather just get on with life. After all, they stay in relative isolation in a villa in Italy, and Daniela seems happy enough, although the prospect of her sister visiting with her husband doesn't please her that well. Oh, and she's also become obsessed with a picture of a distant relative and a curse that her family always end up turning into werewolves.

Her sister is played by Dagmar Lassander, and it seems that Dagmar is a lot fonder of her sister than the other way round. Also, Daniela spends most of the conversation just staring out at the moon, but later gets it together to go spy on Dagmar and her husband getting some (and strangely, Dagmar isn't a real redhead, I now know...). After spoiling it for them, Daniela is followed outside by Dagmar's husband, whom she comes onto and of course bites the throat out of. Sisters, eh? It's all written off as a dog attack but just to make sure Daniela is sent to a loony bin anyway. I forgot to mention that Dagmar's husband looked like that guy from Daniela's dream and her relative from the picture came to visit her in a vision, but attention to detail is not my strong point. Neither is being coherent.

Daniela ends up getting strapped to a bed for her own good but as this is an Italian film that just gives someone else the opportunity to feel her up, but luckily Daniela is tooled up with a scalpel and the next thing you know someone's dead, Daniela's escaped, and as an added bonus she seriously assaults a doctor. Time to start a new life, Daniela! Well, after you kill that guy that tries to rape you.

This is where Howard Ross comes in and he's a good guy AND a stunt man! This leads to a bizarre romance/stunt montage while Daniela realises that not all men are jerks, just 99% of them as she finds out when a bunch of guys turn up and rape her and kill Howard Ross. Is there any plot left that I haven't described in detail? A little bit I guess.

I've never been a big fan of rape in films, and the last three films I've watched from Italy in 1976 have all featured it, so that's no good. On the other hand, I think the director here is trying to say something or other about female power as Daniela just straight up murders every man who does her a wrong, usually powered by the moon. Or periods? I don't know. There is an absolute blizzard of nakedness in this film but none of it erotic. It seems to be there to add to the animalistic tendencies of Daniela. I had no idea what to expect from this film and despite the dodgy subject matter stands out as quite an original film. Not a very comfortable one, however.

Daniella Neseri raped as a girl,channels her hatred towards men by summoning and becoming possessed by a deceased and vicious female werewolf ancestor.She lures victims by her charm,sexual drive and seduction before turning into the Wolf-woman to graphically take a bloody revenge and kill them."The Werewolf Woman" by Rino Di Silvestro of "Deported Women of the SS" fame is a very sleazy Italian horror film loaded with gore and graphic nudity.The first dreamy sequence in which Annik Borel is writhing and dancing naked before transforming into werewolf left me stunned.The film is occasionally quite dull,however it surely contains lots of nudity,soft core sex and bloody mayhem.I particularly liked the supernatural aspects of the story.The acting is bad and the dubbing is even worse,but overlook that and we have an enjoyable piece of Italian sleaze with no artistic pretensions.I wanted nudity and gore and that's what I've got.7 out of 10.

This is quite a graphically violent and explicit film. It's much more graphic than I expected. It's not really a werewolf movie. There are violent attacks where throats are ripped out, but it doesn't really have the supernatural element we might expect. This is a case study of a woman who has been so badly abused that she loses her sense of self and strikes out against all men. Even when things begin to go well, it's as if she has been singled out for some kind of demonic punishment. Unfortunately, many others suffer her wrath, some deserving, others not. The scenes are pretty explicit and ugly. This is one of those movies that kind of grabs you but it's more like going to an auto wreck than something desirable. It's not badly made and moves pretty well. Be forewarned, however, that it isn't for all tastes.

Soft porn Italian she-wolf horror with loads of throat-ripping, c-word yelling debauchery to offend almost everyone. A young woman (Borel) believes she's the reincarnation of a two hundred year family link to lycanthropy, and duly turns into a savage she-wolf during the full moon. Complicating matters, she's also sex-averse due to a harrowing experience when she was younger, seducing her victims before gorging on their blood in retribution for their misguided advances.

Frequent disrobing by almost all of the female cast and a plethora of gory murders will appeal to some audiences, the line between mainstream feature film and sado-porn is sometimes teased, but never fully crossed. Dagmar Lassander has a largely extraneous and minor role, most of which is a sex scene, while Frederick Stafford does an amiable job as the inspector with an ever-burgeoning mountain of corpses, courtesy of our fair maiden Borel. For her part, Borel is intense and obviously committed to her performance, but the film's erratic narrative fails to focus and consequently, her role is shallow and uninvolving.

Director Silvestro seems uncertain whether he's making a werewolf movie, attempting a mental health statement, a rape and revenge flick, or just a softcore trip with apparently divergent themes awkwardly woven into the tale that seems at times never-ending (I saw an uncut 100 minute version which despite all the climaxing throughout the movie, fails to deliver one at the film's sunset). Little suspense, just buckets of gore, nudity, self flagellation, various sexual acts and grade A profanity to pass the time. Bring it on.

This, one of the films in my 'Nightmare Worlds' 50-pack from Mill Creek, was much better than I had previously anticipated. The soundtrack was quite impressive, and readily brought to mind the finer moments the band Goblin had provided in their work for Dario Argento's string of 70's-80's giallo masterpieces. The production values were quite decent overall for such a film, and I loved both the premise and its execution.

Annik Borel was exemplary as the ill-fated protagonist Daniela, and takes a few lessons from Linda Blair's portrayal of the possessed in 'The Exorcist' for whenever she loses control of her inhibitions and resorts to her more animalistic urges. Kudos to the filmmakers for bringing psychological issues and the effects of sexual abuse and rape to the forefront, even if it's for an 'exploitation' film.

Yes, the story arc is predictable (though suspense-fully carried out), there is gratuitous sex and nudity at every conceivable moment (and a lot of inconceivable ones!), and you get that tired lie 'this is a true story--only the names have been changed', but it's as if you would think those are bad things. It was a great 79 minutes I will always fondly remember--unless I get Altzheimer's disease or something. Highly recommended to anyone who loves 70's horror movies, softcore porn, or exploitation films in general. 70's Italian movies aren't so bad.