L'Âge de cristal

Logan (Michael York) is a Sandman, someone who kills all those who refuse to sacrifice themselves on their 30th birthday. But when his clock starts ticking, Logan and Jessica (Jenny Agutter) make a run for it.

I had seen this film in the mid-1990s for a class, and thought it was pretty good. Re-watching it now (2015), I can see why it is a science fiction classic, though some holes are now there. And I do not just mean plot holes (of which there are a few). The city exteriors are obviously a model, and it is almost humorous how easy it is to tell.

But the story is very good and now a part of pop culture. The two leads are great, and I wish Agutter had done more horror and sci-fi in the 70s/80s. Farrah Fawcett's role is small and sort of peculiar. Peter Ustinov is great, and nice comedic relief. Now sure what was up with all the nudity, but...

I must admit that I should be ashamed as a sci-fi fan: I hadn't seen this film until recently, and I wanted to better understand the parody from "Free Enterprise".

But I enjoyed the film.

Watching this film against the more recent glut of sci-fi films, I have to say that they made them a little more original back in the 70's-80's, instead of everything being techno-computer-CG-spaceship fights. A grim look at the downside of maintaining an "ideal", utopian society. When you hit 30, you either have the option of willingly submitting yourself to be killed under a pretense of renewal, or having the Sandmen play with you before they go in for the kill. Neither option seems really appealing. But the idea of one of the killers having to face their mortality is an interesting idea.

A little slow in places (but I did keep wanting to see what would happen next), and some of the special effects look really dated (even to '77's "Star Wars"), but the story holds up well, and it's an entertaining ride overall.

It's truly a classic of the genre, and I wish I had seen it sooner.

I was twelve when Logan's Run came out and I thought that it was the best thing since sliced bread. It blew me away. So when I picked it up recently on DVD and watched it for the first time in twenty-eight years I was wondering how it would fare after all this time.

Well, not too badly. Many of the IMDb reviewers of Logan's Run hit the nail on the head when they say that this film is definitely a product of its time. Yes, the special effects are sort of laughable now (the teeny tiny maze cars zipping through the a model of the city that looks about six inches tall), but you have to judge those sorts of things in the context of the time they were made. As strange as it may seem to people who now expect Lord of the Rings-quality special effects, Logan's Run was cutting edge in its day. And a few of the special effects still stand up fairly well. The light envelope that comes down over the Carousel or the matte shots of Washington. Not great for twenty-first century film-making, but a minor miracle for 1976.

The story has more holes than a piece of swiss cheese and the acting is a bit touch and go, but that doesn't get in the way of a fairly entertaining movie. Seeing the movie all these years later I suppose the few moments of bad acting hit me more than anything else. As a kid I thought that Peter Ustinov's old man was brilliant, but now it just seems like awkward overacting. Which isn't to say that his character isn't somewhat endearing.

Michael York, a really wonderful actor, misses the mark a few times, but generally he and Jenny Agutter do a fine job.

Listen, this isn't a brilliant movie, but it does have its moments. Most science fiction movies made in the 1970s haven't endured the test of time especially well. With the purple mascara, pastel-coloured costumes and hair feathered like a great phoenix. But all in all I still found Logan's Run to be an entertaining and enjoyable trip back to the strange world of 1976.

A really good use of models, second best use of models I've seen in film after Metropolis, which this looks like it follows, also this shows the way to many other films and looks like it shows the way to Blade Runner, Brazil and Total Recall, just to name a few.

I think its a brilliant story, the old man in the building in Washington, it is really believable.

The models are really well made and used, and this reminds me of old Dr Who episodes (which I love more than the recent, for the models and badly made suits).

A must see if you like sci-fi films, like the ones mentioned before.

Popular and lavish Sci-Fi with some nice effects sequences with imaginative sets about a futuristic society where young people are allowed to live an unending pleasure until the age of thirty (though Michael York, Richard Jordan and Michael Anderson Jr. were all over 30 when they made the film) that are compelled to die , adapted from a novel by William F Nolan and George Clayton Jackson . 2274 some type of holocaust has decimated the earth, and the survivors sealed themselves into a computer-controlled bubble . To maintain the population balance, the computers that run the city have decreed that all people have to die at 30. This system is enforced by "sandmen" (Michael York , Richard Jordan) : black-clad cop operatives who terminate hunting "runners" ,those who try to live beyond 30. Logan, a sandman, whose job is to hunt fugitives , is sent on an assignment to find "sanctuary," which is a code- word used by the master computer to describe what it thinks is a place to which runners have been getting away. Then Logan nearing the limit searches desperately for a way to avoid mandatory extermination . As a day outside the bubble Logan along with Jessica (Jenny Agutter) discover new emotions .

This classic Sci-fi contains suspense , thrills , action , breathtaking production design and is pretty entertaining though with some feeble stereotypes . Impressive big-budgeted production by Saul David enhanced immeasurably by an enjoyable cast as Michael York , Jenny Agutter , Farrah Fawcett and special mention to great Peter Ustinov . Roscoe Lee Browne both voiced and performed Box the robot on-set. The unwieldy costume made it impossible for Browne to right himself if he fell over. Colorful and spectacular cinematography in Todd-Ao 35 by Ernest Laszlo . Rousing and evocative musical score by the maestro Jerry Goldsmith . Jerry uses a full orchestra with no electronic instruments when the action is outside of the city. When inside the city, his orchestra consists solely of strings, piano, and electronic instruments , the music at the beginning of the film during the credits does add the electronic instruments with the full orchestra though. Dated but effective miniatures about a domed city near Washington, D.C. It earned a special Academy Award for visual effects by Glen Robinson . The motion picture is originally directed by Michael Anderson . Rating : PG (Parents guide) for some nudism and violence. Good but overlong and some corny moments, worthwhile watching . Followed by a brief TV series with Gregory Harrison , Heather Menzies and Donald Moffat