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Baby Needs a New Pair of Shoes

  • 1974
  • R
  • 1h 26min
NOTE IMDb
4,6/10
401
MA NOTE
Baby Needs a New Pair of Shoes (1974)
CrimeThriller

Ajouter une intrigue dans votre langueA numbers king pin tries to stay in business as the mafia and police close in around him.A numbers king pin tries to stay in business as the mafia and police close in around him.A numbers king pin tries to stay in business as the mafia and police close in around him.

  • Réalisation
    • Bill Brame
  • Scénario
    • Howard Ransom
    • Elizabeth Ransom
    • Fredricka DeCosta
  • Casting principal
    • Frank DeKova
    • Paul Harris
    • Frances E. Williams
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,6/10
    401
    MA NOTE
    • Réalisation
      • Bill Brame
    • Scénario
      • Howard Ransom
      • Elizabeth Ransom
      • Fredricka DeCosta
    • Casting principal
      • Frank DeKova
      • Paul Harris
      • Frances E. Williams
    • 19avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos31

    Voir l'affiche
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    + 25
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    Rôles principaux65

    Modifier
    Frank DeKova
    Frank DeKova
    • Big Tony
    • (as Frank deKova)
    Paul Harris
    Paul Harris
    • Pasha
    Frances E. Williams
    • Mama Lottie
    • (as Frances Williams)
    Reginald Farmer
    • Sweetman
    Don Edmondson
    • Serene
    • (as Tawny Tan)
    Larry Greene
    • Jimmie Rush
    Ernie Lee Banks
    Ernie Lee Banks
    • DuDirty
    • (as Ernie Banks)
    Karmello Brooks
    • Romaine
    Henry G. Sanders
    Henry G. Sanders
    • Sam Kingston
    • (as Henry Sanders)
    Pat Edwards
    • Pearl
    Terry Ransom
    • Little Billy Jones
    Curtis Price
    • Nathan Jones
    Onezene 'Ben' Geyen
    • Rev. Axle
    Ronald Ransom
    • Gambler
    Cal Wilson
    • Young Dude
    Luke Walker
    • Hustler
    Don Thompson
    • Willie Olen
    James T. Jackson
    • Raphael
    • (as James Jackson)
    • Réalisation
      • Bill Brame
    • Scénario
      • Howard Ransom
      • Elizabeth Ransom
      • Fredricka DeCosta
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs19

    4,6401
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    Avis à la une

    4Uriah43

    Jive Turkey

    "Pasha" (Paul Harris) is a black mobster who has a lucrative setup running the numbers racket in Harlem back in 1956. Additionally, an Italian mobster named "Big Tony" (Frank DeKova) also deals heroin in the same location which doesn't bother Pasha because their interests don't conflict with each other. Unfortunately, Big Tony gets a little greedy one day and decides that he wants to take over Pasha's gambling operation which will leave Pasha out in the cold. A turf war results with Big Tony using his influence with the local politicians to stake his claim while Pasha is forced to utilize his connections within the black community. Anyway, rather than detail the entire story and risk spoiling the movie for those who haven't seen it I will just say that this was a cheaply made low-budget "blaxploitation" movie which manages to entertain to a certain degree. Although the acting was somewhat adequate the biggest problem was that the film was clearly low-grade and the lack of quality clearly shows. Overall I rate it as slightly below average.
    5kevin_robbins

    This is a very average blaxploitation movie that is still worth a watch

    Jive Turkey (1974) is a movie that I recently watched on Tubi. The storyline follows a pimp, street hustler who is approached by the mafia to be bought out of his business. When the pimp says no the police and mafia come down on his streets hard. He will band together with his "associates" to try and overcome both...

    This movie is directed by Bill Brame (Scream Free!) and stars Frank DeKova (The Ten Commandments), Paul Harris (Truck Turner), Ernie Lee Banks (Mystery Man) and Henry G. Sanders (Selma).

    The best part of this movie is the female muscle. The opening kill sequence with the ring and the use of the heel were my favorite parts of the movie. The storyline is fairly cliche and straightforward, but the soundtrack is superb and fun. There was some 70s nudity, but the seductive scenes are awkward and a bit funny. The cinematography was poor and felt low budget.

    Overall, this is a very average blaxploitation movie that is still worth a watch. I would score this a 5/10 and recommend seeing once.
    6dbborroughs

    A numbers king pin tries to stay in business as the mafia and police close in around him. Its a below poverty production that is decent but deserving of a bigger budget

    This is a low budget, made on the cheap film that does possess some charm. The problem is that it meanders all over the place and never picks up any real steam. The plot begins with a sit down between Pasha and his Italian gangster counter part Big Tony (played by the top billed Frank DeKova aka Chief Wild Eagle from F-Troop in the first of his two scenes). Tony tells Pasha he has to hand everything over to him and his boys or they will kill him. Pasha's girl kills Tony's man, which you would think woulds spark a gang war, it doesn't, instead it spurs the Mayor to try and close Pasha down. This leads to the numbers operation being moved, police raids and some talk about fighting back. The Italian mob does try to kill Pasha but it never amounts to much. This is a black-ploitation crime drama that is short on action.

    The problem seems to be that they had almost no money to make this movie. its suppose to be set in 1956 but people wear clothes from the 1970's and the streets are filled with cars made well after 56. I'm guessing that they couldn't afford any money for blanks, or if they did they didn't have very many. What violence there is tends to be fist fights or beatings, which can be very bloody. Its disappointing especially after the opening scene. I had the sense while watching it that this was suppose to be a larger, more detailed story (there are details hanging off the screen that seem to connect to a longer story) and it wasn't filmed because of money or the film was unfinished.

    Its a messy movie but I liked it. The writing is at times sharp and witty, even if the cast isn't up to it. There are numerous lines of dialog that deserve to be quoted. You have a bunch of interesting characters that seem very real. I also liked that the plot never went where you expected it to go, even though it became clear early this was headed for left field by a completely new route. Its best described as a low budget attempt at something other than your typical crime drama (black or white). No it won't win any awards but if you're an adventurous film goer it deserves to be seen, if for no other reason than to imagine it remade by Mario Van Peebles, Quentin Tarantino or the Hughes Brothers. You probably won't rave, but it will stick in your head.
    5Red-Barracuda

    Ambitious, yet not entirely successful, bit of Blaxploitation

    Black gangsters and the Italian mob embark on a turf war in 1950's Harlem.

    Jive Turkey seems to be the retitled name for this film which seemingly went under the insane original title of 'Baby Needs a New Pair of Shoes'. It's a typically low-budget bit of Blaxploitation that starts out claiming that it is based on a true story, only to then hilariously state that despite this it contains different names, places and events! So I initially thought this had to be a comedy, yet it never actually plays out like one at all, so have to imagine these opening lines were intended with no irony whatsoever. One definite defining feature though is the fact that it's a period piece given that it's set in the 50's. The trouble with this approach, however, is that the low budget hampers this quite drastically and it never feels very much like the 50's at all. It would've been far more sensible if it had been set in the present day as period detail costs money – something of which there was clearly not an abundance of here. But you have to at least give the film-makers credit for having the nerve to try to execute something so ambitious though.

    Overall, despite certainly having interesting things about it, this is not truly a very successful movie. It really lacks focus and doesn't tell its story in a particularly engaging way, despite the fact that the plot elements have a fair bit of promise. There isn't even too much action either to make up for this. One definite standout aspect though was the inclusion of a transvestite psychopath hit-man character that killed people with spiked stilettos and a sharpened ring. I was interested to read here that the movie intended the fact that this character was a man to be a bit of a major surprise twist in the plot, yet I thought it was so obvious this was a guy in drag I just kind of assumed we were all meant to know this up front. On the whole, this is certainly one mainly for fans of Blaxploitation cinema; it's a bit rough around the edges and not especially good but it still has enough of that sub-genre's energy and attitude to ensure it has some interest level.
    4fearmaker2002

    In addition to the modern cars...

    In addition to all the modern cars on the street, everyone in the movie keeps making declarative statements that it is 1956, as in "You know, this is 1956!" Also, all the white men have 70s haircuts and sideburns. The mayor would have been considered a bum, a beatnik or a surfer in 1956. Perhaps a missing subplot about a time machine wasn't fully explored. I don't know why they just didn't make it take place in present day except that the film is supposed to be based on a true story--In 1956!

    If you are into blaxploitation, it's not a bad story--the main characters do their best considering the mangled plot, but Serene's secret wasn't much of a secret--if you can't figure it out right away you aren't paying attention even though it's 1956.

    The other odd thing (among many odd things) is how this movie ends. It's a real WTF moment. Saying there are loose ends would be an understatement--Especially for 1956.

    It's available on the "50 Drive-In Movie Classics" collection. At about 50 cents a movie, I can't complain. It's low budget but has some nudity and some cartoon-like violence. This also appears to be the only movie in this pack that takes place in 1956.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Film debut of Minnie Summers Lindsey.
    • Gaffes
      Early in the film, when white politicians and police are discussing Pasha's numbers racket, a microphone dips into the top of the shot.
    • Citations

      Big Tony: What are we going to do to settle this mess, anyway? The Chicago bosses are tired of waiting. I'm tired, you're tired. What's the solution?

      Pasha: I thought perhaps you might have some ideas. You Italians were always better at that kind of thinking than us poor colored folks.

      Big Tony: [chuckling] you're too much. You know, if you knew what I was thinking right now... I've hated you for a long, long time, Hakim and right now at this moment I've got you right here in my hand. I could kill you, you know that. I still got your gun, Hakim.

      Pasha: Yeah, the one you got from me in your restaurant

      Big Tony: You've always been a man of honor, Hakim... something I never could stand in a nigger. Now I want to see that honor put you right in your grave. Are you willing to pay the price to see me and mine?

      Pasha: Lay it on me.

      Big Tony: There's a game, it's not Italian, it's Russian. It's a kind of roulette, a special roulette but you play it with life. You see, you drop a bullet in the barrel, like that, then you revolve it. You put it to your head... and press. You do it, Hakim. You do it. Just in case you think I tricked you, you take the first turn. Put the gun to your head and pull the trigger, if you can. You remember when we were kids, it was always you that wasn't afraid and I always panicked. God Almighty, how you used to torture me. Do it, damn it! Do it!

      Pasha: You're a creep, Tony. You never have known how to play fair. What difference does it make? The littlest noise and your gimp-leg goon'll be in here with a hand grenade or somethin'.

      Big Tony: No, no. This place is completely soundproof. Nobody'll come unless I call them and I won't. I swear. I'm going straight down to the wire. Luck is with me tonight, you ugly son of a bitch. It's got to be. It ain't worth it unless I can whip you just once. But you're afraid to give me the satisfaction, aren't you? You're afraid to put that gun up to your head.

      [Pasha raises the gun]

    • Crédits fous
      When the movie finishes, the words 'THE DEAD END' flash on the screen before the credits roll
    • Connexions
      Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 4 (1997)

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    FAQ

    • How long is Baby Needs a New Pair of Shoes?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • novembre 1974 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Jive Turkey
    • Société de production
      • Ransom Pictures (I)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 26 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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    Baby Needs a New Pair of Shoes (1974)
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    By what name was Baby Needs a New Pair of Shoes (1974) officially released in India in English?
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